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Paper #061006 :: A Theory of Occasional Poetry
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Presents a way to distinguish personal from public expressions in poems generated by events.

Written in 2005; 1,556 words; 10 sources; MLA; $ 51.95

Paper Summary:

The theory of occasional poetry put forward in this essay distinguishes occasional poetry from epideictic poetry on the basis that it differs from personal and meditative poems by its origin in a fact, event, or state of affairs rather than in a mood or state of mind. Occasional poetry marks an event or ceremony and speaks to an audience with shared social or cultural concerns. The hallmark of occasional poetry, unlike other epideictic poems, is that it speaks directly with a public rather than a personal voice.

From the Paper:

"The first distinction between epideictic and occasional poetry is that events determine occasional poems. These events, real or memorialized, serve a social or public function beyond personal praise, panegyrics of great estates, dithyrambs of topographies, or impromptu musings. Nevertheless, merely a specific date and place are insufficient to qualify a poem as occasional, even though the poem seems to announce itself as an occasional poem. Wordsworth's poem "Composed Upon Westminster Bridge, September 3, 1802," (Allison 550) turns out to be a descriptive sonnet, an ecstatic recognition in the traditional voice of the lyric poet. Similarly, John Donne's poem "Goodfriday, 1613, Riding Westward" (Allison 219-20) turns out to be a highly metaphorical lyric of spiritual affirmation. The places and dates specified in the poems by Wordsworth and Donne are incidental to their purposes; both poems spring from an interior lyrical impulse."

Tags: criticism genres Dover Beach

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