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Paper #059759 :: The Sheela-na-gig
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An overview of the historical heritage concerning the Sheela-na-gig sculptures and carvings in literature.

Written in 2005; 4,730 words; 48 sources; MLA; $ 121.95

Paper Summary:

The discovery and the cataloging of the distribution and significance of the Sheela-na-gig and other architectural antiquities through the Irish Ordinance Survey place the interpretation of these sculptures and carvings in an exciting but problematic light. The purpose of this paper, which investigates some of the problematics of the origins of the Sheela-na-gig's, is to flesh out the central aspects of the Celtic heritage of these figures and to provide a basis for more in-depth discussion of various aspects. The focus is the historical heritage and the way in which this debate impacts the interpretation of the meaning and significance of the figures.

Outline
Introduction: The Problem of Historical Heritage
Early Discoveries and the Irish Ordinance Survey
George Petrie: Antiquarianism and Cultural Nationalism
The Importance of Petrie's Influence
Fethard and the Kiltinan Sheela-na-gig
Patterns of Interpretation

From the Paper:

"The origins and antecedents of the Sheela-na-gig are steeped in antiquity. One prevailing view is that these figures relate to the pre-Christian or Pagan heritage of Europe. There is also general agreement that the statues can be seen as part of the stratified accumulation of religious history, with the Christian religion as the latest strata or overlay of the religious and pagan history of the region. This would also imply that the transition from pagan to Christian was not strict and clearly demarcated, with the result that many pagan figures and symbols were retained within the Christian context. Joan Marler verifies this point."

Tags: celtic irish religion

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