| Papers [1-16] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "PLANTATION ARCHITECTURE": |
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Plantation Architecture, 2003.
This paper discusses plantation architecture and its relationship to slavery.
1,610 words (approx. 6.4 pages), 7 sources, AU$ 93.95
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Abstract
This paper explains that plantation architecture was designed both to hide slaves and the work of slaves from the owners of the plantation and their guests. The author points out that this architecture was also designed to control the slaves. The paper relates psychological and cultural implications of plantation architecture.
From the Paper
"When we think about the importance of architecture, we tend to think about buildings constructed on a grand scale---Versailles, Buckingham Palace, the White House. But, it is the ordinary, the everyday constructed spaces of individual homes that are ..."
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Gothic Architecture and Renaissance Architecture, 2005.
A comparative analysis of Gothic and Renaissance architecture.
675 words (approx. 2.7 pages), 3 sources, AU$ 44.95
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Abstract
This paper compares Gothic architecture and Renaissance architecture, showing the change that came over architecture with the shift from the more massive and decorated style of the Gothic to the cleaner classical lines of the Renaissance, a period which also borrowed from the Moslem style to make new use of the dome, as in religious buildings by Brunelleschi.
From the Paper
"Gothic architecture developed from the Romanesque style and emerged in the twelfth century. It prevailed until the Renaissance beginning in the fifteenth century. Gothic architecture was marked by size and elaborate decorations. However, Gothic architecture was first defined in terms of a change in Romanesque church architecture diagonal ribs were added to the groin-vault, as was first seen at the Abbey Church of St. Denis near Paris (Frankl 1). In part because of its origins, Gothic architecture has long been associated with France and is considered a French style, though in fact, others used it as well. Gothic architecture is probably represented for many people by Notre-Dame de Paris, a facade known from countless stories and other representations as well as for itself. "
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Timber in Tectonic Architecture, 2006.
An explanation of tectonic architecture and how this form of architecture can make use of timber.
2,245 words (approx. 9.0 pages), 7 sources, MLA, AU$ 116.95
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Abstract
This paper explains what tectonic architecture is, examines the trend towards this form of architecture, discusses its history, describes the different modes of tectonic architecture and looks at the role that timber can have in tectonic architecture. The paper further explains why a return to tectonic architecture is an environmentally sound move and why timber is an appropriate material to use in tectonic construction.
From the Paper
"There is a growing movement towards tectonics in architecture, a return to the basic form and styles of the old schools of architecture. This movement has occurred as a result of the current tendency to reduce architecture to scenography. Architecture at the end of the 20th century has mostly been treated as a large commodity, with attention to cultural details minimized. Kenneth Frampton says that "among the seductions of the scenographic is the fact that the results are eminently amortizable, with all the deleterious consequences that this attitude entails for the future of the environment." Architecture of this century has been subject to the concept of spatial invention as an end in itself, with abstract art and visual obscurity the high points. The movement back to using the structural unit as the essence of architectural form is gaining strength."
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Islamic Architecture, 2008.
An analysis of the ways in which Islamic architecture has influenced the architectural styles of other religions.
2,936 words (approx. 11.7 pages), 12 sources, MLA, AU$ 145.95
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Abstract
This paper discusses the origins of the distinctly Islamic architectural style. The paper begins by discussing Islamic history and then goes on to discuss how Islamic architecture has set a standard for religious architecture that has influenced other religious groups and contributed to various architectural styles evident to this day. Additionally, the paper also discusses how Islamic architecture has more recently been influenced by the West, not for religious architecture, but for office buildings and residential units.
From the Paper
"In the Islamic tradition, the idea of the dome was developed with religious connotations. The first centralized Ottoman mosque was created at Diyarbakir in 1521 with four semi-domes and not mere vaults. The four corner areas are surmounted by four small cupolas, while the central dome is supported on four piers. This is the logical conclusion to the mosques of earlier times. The squareness of the mosque at human level represents earthliness, and the domes represent the heavens, much as the square and the circle do in Chinese architecture. The two-centered arch forms a spiritual limbo in the design. The interior is spacious and well-lit, another reference to the heavens (Goodwin 178)."
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The Architecture of the Maya, 2002.
An examination of the architecture of the Maya and their great contribution to world architecture.
2,888 words (approx. 11.6 pages), 6 sources, MLA, AU$ 143.95
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Abstract
This paper is an examination of Mayan architecture which emerged from the rainforests of Guatemala and Yucatan. The writer maintains that the detailed architecture was a fitting monument to the highly sophisticated civilization that existed in the region before the Spanish arrived. This look at the style of Mayan architecture includes a diagram highlighting the areas of construction in Copan. The paper argues that Mayan culture was more than a collection of buildings in that every aspect of architecture was linked to the sacred world around. In conclusion the writer explains that the temple pyramid which symbolizes Mayan architectural skill is also a statement of their cosmographic ideas. Everything has a beginning and end. Everything is the beginning and the end.
From the Paper
"Deep in the tangled rainforests of Guatemala and the Yucatan, the Maya made some of the greatest contributions to world architecture. Their stone cities complete with temples, palaces, tombs, and ball courts are fitting monuments to the complex, and highly sophisticated civilization that existed in these regions many centuries before the arrival of the Spanish. Mayan priest-astronomers made elaborate calculations to catalog the passage of time. Great warrior kings immortalized themselves and their deeds on stelae, recording for future generations the contributions they had made toward maintaining the cosmic order. The Maya were the only Pre-Columbian people to ever have invented a complete system of writing".
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| Essay # 9866 |
temporarily unavailable
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Palladian Architecture, 2004.
This paper discusses Palladian architecture, a natural form of architecture initially invented by Andrea Palladio, but really defined by Inigo Jones and Thomas Jefferson.
3,420 words (approx. 13.7 pages), 6 sources, MLA, AU$ 162.95
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Abstract
This paper explains that Palladian architecture did break new ground as seen in the Villa Rotonda outside Vicenza, but others working in a more fluid tradition brought residential architecture to a level of sophistication now known as Palladian architecture. The author points out that Inigo Jones, court architect to Britain?s Stuart Kings, James I and Charles I, familiar with Palladio?s ideas, created and completed almost 50 buildings in and around London; the Queen?s House at Greenwich, taking nearly 20 years to complete, is a Palladian masterpiece, exceeding the Villa Rotonda in almost every way. The paper relates that Thomas Jefferson, founding father and President of the United States, was the architect who best expressed Palladian ideas, as seen by his own plans for the University of Virginia and his own home Monticello.
Table of Contents
A Beginning
Making Palladio?s Ideas into Palladian Architecture
An American Genius Expresses Palladio?s Ideas
From the Paper
"Palladio was at home with such clients. Born in Padua in 1508, Palladio was an assistant stonecutter and mason in the Vicenza guild before meeting an amateur architect, Giangiorgio Trissino, who tutored him. Palladio executed some commissions for the aristocracy in the Classic tradition, arguably an unbroken line from Ancient Rome until the Renaissance. It wasn?t until later in his career, the 1560s, that he moved into religious buildings. In 1570, ten years before his death, he published "I Quattro Libre del?Architettura". So it was in hindsight, in any case, that he made claim to his mathematically precise systems of design, and to the principles gained from visual arts as well a his principle of relating his buildings to nature. Palladio?s works are said to lack the grandeur of the works of many other Renaissance architects. Perhaps. But if so, they do not lack for at least lip service to the embellishments that help establish that grandeur. On the peaks of the loggia roofs and on the wings of the loggia steps, Palladio places monumental, classical statuary figures."
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Ancient Roman Architecture, 2002.
A paper which studies the influences of ancient Roman architecture on modern architectural designs.
2,005 words (approx. 8.0 pages), 10 sources, MLA, AU$ 106.95
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Abstract
The paper shows that ancient Roman architects implemented the elements of space, symmetry and construction with exceptional innovative skill. Although their most notable achievements, the arch and vault construction, was first conceived by the Etruscans and had a profound influence on Roman architectural style and design, the paper shows that the innovations made by the Romans were still tremendously substantial and distinct.
From the Paper
"Another revolution can be seen in the Roman network of roads. The Romans were the first civilization to make well-designed roads. Around the time of Augustus the major roads were constructed to keep the incredibly large empire linked to avoid collapse. The Romans contributed a number of things to the basic idea of roads, such as archways, city streets, and arch bridges. This greatly increased the ability to build because of the way the roads were laid out. The roads allowed the Roman Empire to expand Rome in every direction; hence the saying ?All roads lead to Rome?. In fact, they were so abundant and well constructed that many of them still exist today as memorable landmarks today."
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History of Architecture, 2001.
A look at the history and development of architecture, focusing on the influence made by Ancient Egyptian architecture.
1,855 words (approx. 7.4 pages), 11 sources, MLA, AU$ 100.95
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Abstract
This paper takes the reader on a tour of the history of architecture. It shows that the two main characteristics of good architecture are stability and aestheticism. The writer shows how the Ancient Egyptians managed to build with these characteristic so many years ago and how this has influenced modern architecture today. It compares later uses of material by the Romans and the Egyptians and analyzes which civilization introduced which material.
From the Paper
'The architecture of a building is conceived with two things in mind: Structural stability, and aesthetic design. In all structures, stability is obviously the aspect which takes precedence over aesthetics. A visually stunning building is worth nothing if it cannot stand the test of time. This is an idea which the Egyptians created, and then took to its utmost extreme. Many view the Egyptian style of creation as the father of modern architecture, being as durable as it was stunning. Several common elements of architecture such as pillars were reputedly created by the Egyptians, and these are still used in the creation of modern buildings. The Egyptian engineers had a good grasp of fundamental physics, and the role it must play in the design of structures. The Architects then took this knowledge, and fused it with grand aesthetic design, creating buildings which would become a simple base of reference for all structures which were built in the future. Egyptian civilization is known primarily for the structures it left behind. Most of which still stand, either in whole or in part today. "Although 3000 BC is considered almost prehistoric, the style of architecture which resulted from Egyptian building in this period is one which has endured as a major contribution to modern design and construction styles."
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New Modern Architecture, 2004.
A thorough overview of the trends in new modern architecture and which schools these trends originated from.
6,722 words (approx. 26.9 pages), 3 sources, MLA, AU$ 257.95
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Abstract
To consider modern architecture, this paper considers the various steps that have occurred. It begins with a consideration of the Congres Internationaux d'Architecture Moderne (CIAM) architects and proceeds to Team X. This is followed by a look at New Brutalism and then leads to a look at the current state of architecture. This gives a view of the current state of architecture, as well as providing the context that allows the current state to be understood. From there, the paper looks ahead to the future of architecture and predicts what that future will look like, based on the trends that have been identified. The paper shows that architecture is ever-changing, while providing an overview of the changes that have taken place until now and the changes that can be expected to take place, leading to the future.
From the Paper
"Architecture will never achieve some perfect state where everyone accepts that the one best form has now been achieved. The reason for this is that what is considered best changes as people change. This aspect applies to architecture as much as it does to any other art form or any item produced in society. People in one generation may strive for a certain perfect form and they may even achieve it in their lifetime. However, even if they do, this form does not become the one perfect standard, never changing again. Instead, the next generation considers what has been created before and strives to achieve something. If architecture is considered as art, this is the same process that occurs with all other forms of art. For example, literature created centuries ago does not remain as the one perfect form for literature. Shakespeare?s work is still considered great, but the writers of today rarely create works similar to Shakespeare?s. Instead, they create works that reflect modern society, while possibly taking aspects of Shakespeare?s work and building on them. This creates a continual process of change, where one form grows into others. If architecture is considered as practical rather than artistic, it can be likened more to research-based developments. For example, the automobile was first developed in the early 20th century. Since that time, technical developments have seen it change considerably. These changes are also in response to changing society. For example, currently environmental issues are a social concern. For this reason, automobiles are beginning to develop with alternatives modes of fuel. Overall, this shows that architecture is like everything else in society, in that it will be constantly changing as society changes, while each generation will consider the works that have gone before it, assess them, make changes, and in doing so, continue the development of the field."
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Ornament and Architecture, 2001.
This paper discusses the fusion of ornament and architecture.
2,465 words (approx. 9.9 pages), 7 sources, AU$ 127.95
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Abstract
This paper explores the works of Leon Battista Alberti, Adolf Loos, and Jennifer Bloome and compares and contrasts their opinions on combining different forms of art and architecture. It also examines why it is important for architecture to be aesthetic and practical.
From the paper:
"According to the AOL World Book Encyclopedia?s definition of
architecture, architecture is an art form like painting or poetry writing. However, architecture is not entirely like these arts in its practice. The World Book states one of the essential differences between architects and other artists is the fact that while other artists have a certain amount of creative control in the fashioning of ?rough drafts? of their work, architects face additional constraints because their work costs so much money to fashion."
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| Essay # 92901 |
temporarily unavailable
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Colonial Influences on American Architecture, 2008.
This paper examines how the architecture of Sweden, the Netherlands and France had a lasting influence on America's architectural culture.
2,144 words (approx. 8.6 pages), 12 sources, MLA, AU$ 113.95
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Abstract
The paper discusses how Dutch, French and Swedish elements had a significant influence on the architecture that developed in America, although these countries had very limited political influence. The paper looks at the Swedish churches, the Dutch colonial architecture, and the French architectural heritage.
From the Paper
"The settlements of France, Holland, and Sweden on the North American continent were comparatively modest, and their control in the hands of those nations ended quite early as compared with the lasting influence of the English colonists. Notwithstanding this, Dutch, French, and even Sweden elements had a significant influence on the architecture that developed in America, long after the political states of New France, New Netherlands, and New Sweden had ceased to exist."
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Textiles and Architecture, 2007.
This paper researches the influence of textiles on architecture, historically and in the future.
2,725 words (approx. 10.9 pages), 15 sources, MLA, AU$ 137.95
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Abstract
The paper reviews the development of architecture and modern day architecture's relationship with textiles. The paper examines the predicted future of textiles and maintains that due to the ever-changing ecological factors in the world's erratic environment, the use of textiles will only grow due to their practicality and serviceability in architectural design and construction. The paper stresses that today's modern tensile architectural designs hold great promise in the provision of affordable and attainable shelter for housing and community construction.
Outline:
Objective
Statement of Thesis
Introduction
History of Textiles and Architectural Design and Construction
Review of the Development of Architecture
Modern Day Architecture and Textiles
Review of the Predicted Future of Textiles
Summary and Conclusion
From the Paper
"The word textile is derived from a Latin word 'texere' which means simply "to weave". (Meyers, 2001) Spinning and weaving have been done since prehistoric times, the earliest known evidence being from the Bronze Age in about 4500 BC in Egypt." (Meyers, 2001) The spinning wheel was introduced in the fourteenth century in Europe. (Meyers, 2001; paraphrased) The Saxony wheel, is said to be "an improved version" and to have "sped up the production of yarn considerably." (Meyers, 2001) It was the Saxony wheel that brought about the ability for a large enough production of thread to "reliably supply a growing body of weavers" which made the provisions necessary for the conditions required for manufacturing of textile and the textile trade to begin."
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A Short History of Architecture, 2007.
This paper traces the history of Western architecture from the Renaissance era to Frank Lloyd Wright.
1,409 words (approx. 5.6 pages), 8 sources, MLA, AU$ 78.95
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Abstract
In this paper the author presents a brief history of Western architecture, highlighting the major epochs in European architecture, and modern architecture in the US. The paper further discusses the function of architectural space, its use and its aesthetic. Various architectural techniques and their historical development are analyzed. The paper concludes with an an examination of modern architects, including Frank Lloyd Wright, whose designs are considered a culmination of the works that preceded him.
From the Paper
"It would seem logical to start our exploration of the history of architecture with one of the greatest artists of all time--Michelangelo Buonarroti (1475--1564), regarded by many as the "father of architecture in Europe and the greatest designer of the last 500 years" (Lowry, 167). Of all his architectural designs, the vestibule of the Laurentian Library, built to house the immense collections of the Medici family in Florence, Italy, stands out above all others. This vestibule gives the impression of a vertically compressed, shaft-like space which is dominated by a vast, flowing staircase that almost fills the interior, and unlike his contemporaries, Michelangelo ignored classical architectural ideals by placing his columns in pairs which are sunk into the walls; he breaks columns around corners and placed beneath them consoles not meant as support. In essence, Michelangelo "did away with classical architecture so prevalent in the High Renaissance and greatly influenced all architectural designs and forms that followed him" (Copplestone, 178)."
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"A History of Architecture" by Spiro Kostof, 2000.
A review of the work on architecture as a reflection and shaper of society through history with a focus on religion in Ancient Greece and Muslim culture.
1,125 words (approx. 4.5 pages), 1 source, AU$ 66.95
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Abstract
"Apart from possessing a functional and ornamental value, architecture also tells the story about the character and the culture of the society, thus reflecting the spirit of the people and the age. Even though historians tend to consider only public monuments and majestic buildings as "architecture," the architecture that is most representative of the society consists of ordinary and drab buildings (Kostof 15). Although they cannot be considered esthetically pleasing to the eye, their value rests in their reflection of the reality of the ordinary people. As Spiro Kostof points out in his book, A History of Architecture: Settings and Rituals, the images of the history of the South are incomplete without including the "slave cabins, out houses, herb gardens, and water vats" (15
From the Paper
"Apart from possessing a functional and ornamental value, architecture also tells the story about the character and the culture of the society, thus reflecting the spirit of the people and the age. Even though historians tend to consider only public monuments and majestic buildings as "architecture," the architecture that is most representative of the society consists of ordinary and drab buildings (Kostof 15). Although they cannot be considered esthetically pleasing to the eye, their value rests in their reflection of the reality of the ordinary people. As Spiro Kostof points out in his book, A History of Architecture: Settings and Rituals, the images of the history of the South are incomplete without including the "slave cabins, out houses, herb gardens, and water vats" (15). Although these structures can hardly be considered beautiful, they constitute..."
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