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'Ode To a Grecian Urn', 2004.
This paper studies Keats' aesthetic of art in "Ode to a Grecian Urn".
904 words (approx. 3.6 pages), 4 sources, APA, AU$ 40.95
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Abstract
In this article, the writer compares and contrasts Keats' aesthetic of art in "Ode to a Grecian Urn" with Wordsworth's "It is a Beauteous Evening, Calm and Peaceful," Kant's "Perpetual Peace" and Shelley's "Frankenstein."
From the Paper
"There is one main assessment of the sensuous beauty that is art in Keats' "Ode to a Grecian Urn". Beauty is truth, truth beauty that is all Ye know on earth and all ye need to know. Keats' aesthetic of art viewed art as having the capacity to capture the eternal and universal essence of life. In the sensuous beauty of art like the urn one finds the essence of beauty and the essence of truth which are interchangeable. From the imagination of ..."
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Analysis of Keats' "Ode to a Grecian Urn", 2001.
A look at Keats' famous poem, "Ode to a Grecian Urn".
1,600 words (approx. 6.4 pages), 0 sources, AU$ 68.95
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Abstract
This is a conventional analysis of the old standard poem, noting many of the familiar symbols. The author includes many quotes from the poem.
From the Paper
"Always is as scary a word as never. That phrase relates to the theme of Keats? ?Ode on a Grecian Urn?, which is an exploration of the border between desire and fulfillment in human life. Keats? ?Ode on a Grecian Urn? features a narrator musing upon the face of an urn that holds, for him, more life in its earthenware curves than does the curves of the temporal earth. The title itself reflects the reader-response reading of the urn?s text: the ode is on (about ) the urn, and the ode is also depicted on the urn."
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"Ode on a Grecian Urn" ( John Keats ) & "Stonehenge", 1999.
Examines poem & ancient British monument & their impact on the human imagination.
2,025 words (approx. 8.1 pages), 4 sources, AU$ 92.95
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From the Paper
"The human imagination is one of the things we believe separates us from the animals, and different writers and theorists have taken different views of the importance of the imagination. Blaise Pascal points to one of the primary values of the imagination--it allows us to conceive of things we cannot experience directly. One of these things is death, which we do experience eventually but which we must imagine in life. One of the problems Pascal sees in science is that it makes human beings arrogant, as if they were able to control the world in a way they are not. In truth, he finds human beings weak and frail without spiritual support, capable of being completely destroyed by the slightest shift in health.
Man is only a reed, the weakest in nature, but he is a thinking reed. There is no need for the whole universe.."
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Keats' "Ode To A Grecian Urn" and Shelley's "Hymn To Intellectual Beauty", 1972.
This paper contends that Shelley's vision was limited as compared to Keats'.
1,575 words (approx. 6.3 pages), 10 sources, AU$ 72.95
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From the Paper
"It might have been his love for Fanny Brawne, a flare of genius, or only the springtime. But that spring, John Keats placed himself among the great English poets. He did it with all the great odes and the others .. "The Eve of St. Agnes," "The Eve of St. Mark," "La Belle Dame sans Merci." It was the spring of 1819, a bright time, and the spring before Keats started dying.. Keats was twenty.four years old, and he would not live to see two more such springs. When it was all over, John Keats was left suspended in English poetry, charming and imperishably adolescent, timeless and enduring like the frieze on a Greek vase is timeless because it suspends a moment of heightened life.
In this spring, Keats wrote "Ode on a Grecian Urn," perhaps the best of the odes and possibly the best of all his work, for it catches and holds in brief all that Keats had been trying to ... "
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Ode to Human Passion, 2002.
Analyzes Keats's use of literary devices and imagery in "Ode on a Grecian Urn".
802 words (approx. 3.2 pages), 1 source, MLA, AU$ 37.95
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Abstract
This paper provides a history and an analysis of Keats's poem, "Ode on a Grecian Urn". Examples of Keats's use of metaphor, personification, and imagery are provided, and the qualities that characterize him as a Romantic are discussed.
From the Paper
"Perhaps his most prolific work, Keats? ?Ode on a Grecian Urn? aesthetically articulates the archaic beauty of a simple urn while simultaneously capturing a sense of ideal beauty in the world. While the reader might first be deceived by the simplistic fa?ade of the poem, the work stands as a complex piece succeeding in deriving poetic bliss from that which lacks letters. In true Romantic fashion, Keats culminates with the declaration ?Beauty is truth, truth beauty? (line 49)?an ambiguous aphorism that encapsulates the essence of the poem. In the end, Keats? effective use of literary devices and poignant imagery combine to reveal human passion as ?Beauty.?
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John Keats, 2005.
This paper discusses John Keats, considered to be one of the most important of the Romantic poets, especially his poem "Ode on a Grecian Urn".
1,630 words (approx. 6.5 pages), 6 sources, MLA, AU$ 69.95
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Abstract
This paper explains that one of the central aspects of the Romantic poets, particularly John Keats, is the belief in the supreme power of the imagination, which is important not only to "Ode on a Grecian Urn" but also to all of his work. The author points out that "Ode on a Grecian Urn" represents and emphasizes a sense of both permanency, the mutability and the changing nature of ordinary human life and the inevitable march towards certain death. The paper relates that the last two lines of the poem are famous in their succinct summation of the entire meaning of the poem: All we know or need to know, they suggest, is the beauty of art. Many quotations.
From the Paper
"The "Urn" became a symbol of eternity and an ideal reality, which "teases us" and creates an inner tension as we compare the ideal world of the "Urn" to the pain and suffering of ordinary life. The "Urn" then becomes a "Cold Pastoral"; an object that awakens us sharply to the tragedy of our own mortality. The third stanza emphasizes the happiness and joy in the never-ending activity of the figures on the "Urn". The poem emphasizes the main theme again in that the "Urn" figures act as a direct comparison to the change and mutability of ordinary life."
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Odes of Keats, 1993.
Lyricism (musicality, simplicity, tone & mood, subjectivity) in "Ode on a Grecian Urn," "Ode to a Nightingale" & three others.
3,150 words (approx. 12.6 pages), 15 sources, AU$ 144.95
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From the Paper
" Edward Bliss Reed has claimed that "the odes of Keats are not only the greatest lyric achievement, but they are the finest expression of his genius" (425). These works of John Keats are particularly notable for their fine sense of lyricism. Most definitions of lyricism include four aspects which are found in abundance in Keats' odes: musicality, simplicity of subject, emphasis on tone and mood, and subjectivity in thought and feeling. This paper will examine these elements as contained in five of Keats' odes: "Ode on Melancholy," "Ode on a Grecian Urn," "Ode to a Nightingale," "Ode to Psyche," and "To Autumn."
According to Schelling, one of the most important features of lyric poetry is the use of devices to create musicality. There are many possible devices for achieving this effect, such as: "Rhythm ordered with artistic variety on the basis of an organic.."
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Art and Human Nature, 2007.
This paper compares the "The School Boy" by William Blake, "Ode on a Grecian Urn" by John Keats and "The Lady of Shallot" by Alfred Lord Tennyson.
1,396 words (approx. 5.6 pages), 3 sources, MLA, AU$ 60.95
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Abstract
The paper contrasts how the three authors use art in their works to redefine human nature. The paper looks at how Victorian poet Tennyson uses history to paint a romantic and yet disturbing look at the legend of Camelot in "The Lady of Shallot." The paper also illustrates how Blake uses his personal experiences in "The School Boy" to show childish human nature torn between summer and the schoolroom. Finally, the paper shows how Keats speaks of music, heard and unheard, in "Ode on a Grecian Urn".
From the Paper
"Comparing these works can be difficult, because they all have such different views of art and human nature. Keats statement, "'Beauty is truth, truth beauty,--that is all / Ye know on earth, and all ye need to know'" (Keats), is pure Romantic - hopeful, positive, and full of future promise. Tennyson, on the other hand, is just the opposite. His poem is not totally depressing, but it certainly has a darker view of humankind. Blake's work falls somewhere in the middle, it is a more realistic look at one small part of human nature, and how to enjoy life to the fullest, one (summer) day at a time."
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Comparative Analysis of Yeats and Keats, 2006.
A comparison of "Ode on a Grecian Urn" by Keats and "Sailing to Byzantium" by Yeats.
900 words (approx. 3.6 pages), 0 sources, AU$ 45.95
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Abstract
This paper discusses the common theme of permanence that exists between the poems "Ode on a Grecian Urn" and "Sailing to Byzantium". According to the paper, both poets discuss the art that depicts ancient times in relation to its ability to exist in frozen time. Although man may age and know change and eventual death, the figures that the art displays will forever be young, beautiful and vibrant because the time displayed on the art is permanent. Throughout the works of Yeats and Keats this theme is displayed by the use of poetic elements. Language discursive may either depart from the main point or cover a variety of issues in the selection of literature. Keats writes of an urn that displays ancient times, and figures that cannot be altered by time.
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Ode, 2002.
A comaprison between 2 poems: "Ode to a Nightingale" and "Ode to a Mouse".
1,150 words (approx. 4.6 pages), 2 sources, AU$ 57.95
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Abstract
This paper compares and contrasts the poems "Ode to a Nightingale" and "Ode to a Mouse" and presents their analysis.
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Choral Ode in "Agamemnon", 2006.
An analysis of the choral ode of the "Agamemnon" and its relevance to the play as a whole.
675 words (approx. 2.7 pages), 1 source, AU$ 34.95
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Abstract
"The choral odes in Greek tragedy serve to explain and promote the theme. The overall theme of the "Agamemnon" is a contradictory one, extreme hatred within a context of love. The choral ode analyzed in this paper is pure chorus and is an address to Clytemnestra which had commenced "My lady, no grave man could speak with better grace". The ode is therefore a challenge to male dominance. This choral ode is a continuation of the theme of male-female conflict begun in the first choral ode that also was addressed to Clytemnestra.
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Loss of Imagination in Dejection: An Ode, 2001.
This paper is a review of the poem "Dejection: an Ode" and looks at whether or not it is possible to lose one's imagination.
775 words (approx. 3.1 pages), 0 sources, MLA, AU$ 35.95
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Abstract
This paper takes up the idea of loss of imagination, a popular idea of romantic poetry, that is the central theme of the poem, "Dejection: An Ode." The author compares this poem to the biblical story,
"The Fall" in order to show that there is a "point of no return" that is associated with the biblical example and that this must also be assumed in Coleridge's comparison to a loss of imagination.
From the Paper
"Consider for a moment the absence of all imagination. Of course, such an act is impossible. The very fascination of such an idea prompts the human mind to initiate its most creative powers. Nonetheless, Coleridge presents a hope-tinged lament to the notion of a loss of imagination in
"Dejection: An Ode." The demise of "genial spirits" in response to Wordsworth is depicted as permanent, and readers are offered no hopes of the visionary consolation through memory found in "Intimations Ode Instead, the speaker's "grief without a pang, void, dark, and drear" is irreversible and comes from deep within. The only expectation from which he may draw solace is that his "Lady" who is "pure of heart" may "evermore rejoice".
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John Keats' "Ode to a Nightingale", 2005.
This paper discusses the stylistic aspects of John Keats' "Ode to a Nightingale".
945 words (approx. 3.8 pages), 0 sources, AU$ 43.95
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Abstract
This paper explains that, in "Ode to a Nightingale", Keats contrasts his idealized view of a nightingale with his jaded opinion of man's life. The author points out that, as the poem proceeds, his response to the bird's song begins as a celebration of the magnificent "immortal bird" before devolving into a lamentation about the "palsies" and "leaden-eyed despairs" of mankind. The paper relates that Keats' varying diction, imagery and tone correspond to the poem's shifting focus and help the reader to understand the narrator's changing responses to the nightingale.
From the Paper
"Like his diction and imagery, Keats' tone alternates between elevated and debased as his attention focuses on the nightingale and on man's plight. The poem's first two stanzas portray an ecstasy so great that the poet feels almost insufficient to express it. He can only compare it to a pleasant intoxication-"as though of hemlock I had drunk, / Or emptied some dull opiate to the drains" (lines 2-3). He feels "too happy" (line 6) on contemplating the joy of the nightingale. This ecstatic tone continues through the end of the second stanza when he hopes to "drink, and leave the world unseen, / And with thee fade away into the forest dim" (lines 19-20)."
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"Night Wind" and Percy "Ode to the West Wind", 2002.
A comparative analysis of the use of language in Emily Bronte's "Night Wind" and Percy Shelley's "Ode to the West Wind".
900 words (approx. 3.6 pages), 3 sources, AU$ 45.95
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Abstract
This paper is a comparison of Emily Bronte's, "Night Wind", and Percy Shelley's, "Ode to the West Wind". The paper observes that the use of language in each tells of very divergent understandings on life and fate. It concludes that both authors utilized language and voice effectively so as to demonstrate their personal view of life.
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"Ode to the West Wind", 2002.
A brief examination of the poem "Ode to the West Wind" by Percy Bysshe Shelley.
868 words (approx. 3.5 pages), 0 sources, AU$ 39.95
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Abstract
An analysis of the use of the death motif in Shelley's poem "Ode to the West Wind". It tells us not to grieve at the coming of winter because we must have winter to have the joy of the return of spring. The writer states that in this explanation of death, Shelley reflects the common religious belief that our life on Earth is simply short preparation for the joy of life eternal after we pass on. He uses vivid imagery not only to describe the despair of death but the reasons to rejoice in its final outcome.
From the Paper
"The poem uses the ?wild west wind (line 1) as his first metaphor for death. All other images of death in the poem refer to the west wind, providing multiple layers of metaphor. He describes it as driving the dead leaves, and describes the dead leaves of fleeing from the wind. In this way he draws a distinction between humans, who can have the joy of life after death, and non-sentient objects such as leaves who simply die and are gone forever. Leaves would flee Death where people should not. The poem?s topic becomes particularly poignant from the very beginning because Shelley died at the young age of 30."
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?Ode to a Nightingale?, 2002.
An analysis of John Keats' poem "Ode to a Nightingale".
931 words (approx. 3.7 pages), 3 sources, MLA, AU$ 43.95
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Abstract
This paper gives a stanza-by-stanza analysis of John Keats' ?Ode to a Nightingale?, written in 1819. It shows how Keats mingles the beauty of the nightingale with the morbidity of death in his poem. It also questions whether Keats actually witnessed the nightingale he wrote about or whether it was a fancy of his imagination.
From the Paper
"In the fourth stanza, Keats rejects his desire to get drunk as a means of escape. Instead, he turns to ?the viewless wings of Poesy.? Poetry can remove him from himself faster and better than wine can. He allows the bird song to carry him off: ?Away! Away! For I will fly to thee.? In so doing, he escapes ?the dull brain, which perplexes and retards? and forgets himself long enough to see ?the Queen Moon is on her throne/Clustered around by all her starry fays.?"
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