| Papers [1-16] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MICHAEL ONDAATJE ENGLISH PATIENT": |
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Michael Ondaatje's "The English Patient", 2006.
An analysis of the focus of Michael Ondaatje's novel, "The English Patient".
675 words (approx. 2.7 pages), 1 source, AU$ 38.95
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Abstract
Michael Ondaatje's novel, "The English Patient", is a complex novel set amidst both the turmoil of the Second World War and, in a broader sense, amid the timeless works of classic Renaissance art and culture in Italy. However, as this essay argues, while the apparent focus of the novel is upon the Europe - its people, culture and conflicts - Ondaatje is also situating the novel in the broader context of European imperialism and racism.
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Hana's Isolation in Michael Ondaatje's "The English Patient", 2000.
An analysis of Hana's isolation, her relationships and how they fail to save her, in a war that devours everyone she loves.
2,036 words (approx. 8.1 pages), 1 source, AU$ 93.95
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From the Paper
"As a nurse, Hana treats an English patient who suffers from extensive burns on his body. Strangely, she directs all her spirit into nursing him. She performs various physical acts from bathing him to feeding him a plum from her mouth: ?She pours calamine in stripes across his chest where he is less burned, where she can touch him....She unskins the plum with her teeth, withdraws the stone and passes the flesh of the fruit into his mouth? (4). Ondaatje?s language is so intrinsically detailed that the reader feels the intimacy grow between Hana and the patient."
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"The English Patient" by Michael Ondaatje, 2002.
An analysis of elemental existence in the book "The English Patient" by Michael Ondaatje.
3,204 words (approx. 12.8 pages), 1 source, MLA, AU$ 133.95
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Abstract
This paper describes Ondaatje's symbolic use of air, fire, water and earth, especially as represented in the motif of the desert, to display the characteristics of life and love it time of war. It portrays the elements as the essence of life, and illustrates how existence is precarious and elemental in the world of "The English Patient."
From the Paper
"Love and war are central themes in the novel The English Patient by Canadian Michael Ondaatje. Ondaatje?s book won the Booker Prize, and was the basis for the film which won nine Academy Awards including Best Picture. Both love and war reduce humans to states of life that might be called elemental. Elements are the basic components of life. What is essential to life becomes paramount. The four elements, water, earth, air, and fire are symbolically employed throughout The English Patient. As the elements are necessary to the support of life, they can also bring death and suffering, just as the passionate love described in this book is both beautiful and painful. The way that the elements in combination with the motif of the desert are used in The English Patient shows the intimate interconnection between sustenance and the pain and suffering of life as humans endure the experiences of love and war."
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Michael Ondaatje, 2003.
The representation of love in novelist Michael Ondaatje?s "In the Skin of a Lion" and "The English Patient".
1,969 words (approx. 7.9 pages), 7 sources, MLA, AU$ 90.95
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Abstract
This paper discusses how love is portrayed in Canadian author, Michael Ondaatje?s "In the Skin of a Lion" by using another of his works, "The English Patient", to compare and contrast it with. By critically analyzing these two works, the paper finds that, although they appear quite different initially, the novels share many of the same processes, literary techniques, themes and syntax.
From the Paper
"The English Patient?s taboo love comes in two forms. First, there is the adulterous relationship between the married Katherine and Almasy. Second, there is the unusual relationship between the white American nurse and the British bomb expert of Indian origin. In both cases, as well as in the relationships in In the Skin of a Lion, the taboos or socially unusual situations are overcome by passionate love and are rendered ? at least by the lovers themselves ? meaningless or, at best, side-issues."
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Michael Ondaatje's Dream-World, 2002.
Examines the dream-like settings in author Michael Ondaatje?s "In the Skin of a Lion" and "The English Patient".
3,254 words (approx. 13.0 pages), 7 sources, APA, AU$ 135.95
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Abstract
This paper examines how the dream-like settings in Michael Ondaatje?s novels, ("In the Skin of a Lion" and "The English Patient"), represent the structure, organization and style of the novel. It looks at the message Ondaatje is trying to get across by using this style of writing. The paper also discusses the novels in the context of post-modern literature.
From the Paper
"This selection has no order in its construction. It continuously repeats the verb ?leapt?, which has no hidden meaning. With the images of color, and then pulling and stomping, it is difficult to discern what Ondaatje wants the reader to think about dyer?s work. This is also seen in The English Patient, when it says ?The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations.? Here, Hana has no order in her life until she is asleep. This image in itself is disorderly, because dreams themselves are so unorganized. It does not seem possible for her to find order through them. Yet that is precisely what dreams do; they present chaos and random images in a way that almost makes sense; and that is what Ondaatje does. He puts images together for the reader to somehow make sense of it for themselves."
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"The English Patient", 2002.
This paper analyzes Michael Ondaatje's "The English Patient".
1,150 words (approx. 4.6 pages), 1 source, AU$ 64.95
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Abstract
This paper focuses on the "reflecting character" role of Almry in Michael Ondaatje's "The English Patient".
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Elemental Existence in "The English Patient", 2002.
This paper looks at how the elements add to the tension and theme of human suffering in Michael Ondaatje?s novel "The English Patient".
3,153 words (approx. 12.6 pages), 1 source, MLA, AU$ 132.95
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Abstract
This paper discusses the central motif of the desert and the imagery of fire, air, water and earth in Michael Ondaatje?s novel "The English Patient". The writer uses quotes from the novel to illustrate the significance of the elements in revealing the uncertain lives of Ondaatje?s characters who are struggling to survive passion and war in North Africa during World War II.
From the Paper
"Water and fire are frequently juxtaposed. Katherine and Alm?sy experience the fire of passion. Each interlude fuels the desire for more as possession and jealousy, both fiery qualities enter the scene. They are possessed as if by the flames of hell. Katherine has married her best friend from childhood to avoid passion and pain. She tells Alm?sy (while in the bath with him) that what she likes most is to swim alone, and to take baths alone. Thus ironically, her attempt at emotional aridity is overcome by her passion for Alm?sy. The first time Hana sees Alm?sy, he is to her: ?A man with no face. An ebony pool? (48). She ?swims? under her wool blankets as he moves ?in his cloth placenta? (49). Hana uses a candle to read to Alm?sy at night. ?The candle flickers over the page . . .He listens to her, swallowing her words like water? (5). Water, so essential to desert survival becomes a symbolic oasis, symbolizing emotion and nurturance, and representing hope of life. Burned, transported by Bedouins, Alm?sy, ?could smell the oasis before he saw it. The liquid in the air. . .The banging of tin cans whose deep pitch revealed they were full of water? (6)."
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"The English Patient", 2007.
A review of the narrative structure of Michael Ondaatje's novel "The English Patient".
749 words (approx. 3.0 pages), 1 source, MLA, AU$ 38.95
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Abstract
This paper discusses how the narrative structure of Ondaatje's famous novel "The English Patient" is extremely important for the message that the text means to transmit. It looks at how Ondaatje's book is a complex investigation of a few main themes: history, nationhood and identity. Although it is set during World War II, the novel seems to silence the historical events and to replace them by the personal narratives of the four protagonists: the English patient, Katharine, Hana and Kip. It attempts to show how Ondaatje, thus, rewrites history by abolishing the chronological, strict form and replacing it with a collage made of the scraps coming from the separate experiences of the four main characters.
From the Paper
"Thus, the Libyan Desert is the most important symbol in the novel. It is in the first place the spot where the love story between Almasy, a scientist involved in the expedition of the Geographical Society that aims at mapping the desert, and Katharine Clifton, the wife of the war spy Geoffrey Clifton. The jealous Geoffrey attempts to take revenge on Almasy for the affair he had with his wife, and tries to crush his plane down on him. The English patient escapes, but Geoffrey dies and Katharine who was traveling with him is badly wounded. Almasy is forced to leave Katharine in a cave in the desert and seek help, but he is caught and restrained because his name indicated him as a possible British spy and thus only returns after two years for Katharine's body. "
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Love in "The English Patient", 2002.
Discusses the role of love in the novel, "The English Patient" by Michael Ondaatje.
2,900 words (approx. 11.6 pages), 10 sources, AU$ 154.95
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Abstract
This paper examines the role of romantic relationships and love in Michael Ondaatje's "The English Patient". Love is cast as a motivational force within this work and drives the characters to evolve in terms of their personalities. Both the film and the novel are addressed in this paper.
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"The English Patient", 2002.
A look at the feminine, geographic, and national identities depicted in "The English Patient" by Michael Ondaatje .
1,150 words (approx. 4.6 pages), 1 source, AU$ 64.95
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Abstract
This undergraduate level paper looks at the three forms of identity depicted in the novel, "The English Patient", by Ondaatje. It centers on the feminine, the geographic, and the national identities of the characters in the story.
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"The English Patient", 2002.
This paper introduces and discusses the book ?The English Patient,? by Michael Ondaatje, focusing on national identity and the way in which it is addressed in this book.
1,305 words (approx. 5.2 pages), 1 source, MLA, AU$ 64.95
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Abstract
The following paper examines how people tend to identify others and themselves through their nationality when reading a novel. The writer contends that when we discover a certain character is a certain race, we automatically envision them a certain way, with certain features, and certain beliefs, that may or may not agree with our own. This paper discusses how the four characters in ?The English Patient? have to get over what happened to them during the war, and figure out how to get on with their lives. The way in which their distinct and unique national identities come into play as the novel progresses is discussed.
From the Paper
?The English Patient? takes place at the end of World War II, in a deserted villa in Italy that is being used as a field hospital during the war. Now, the war is winding down, and there are only four people left in the hospital. Hana is the Canadian nurse who is still there to take care of the injured patient. The patient, who is burned beyond recognition, a thumbless thief named Caravaggio, who was tortured and maimed by wartime inquisitors, and a young Sikh, named Kip, who spent the war taking apart and disarming German bombs. The ?English patient? can talk, but he cannot remember who he is. He can remember his past, but not his name.?
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The Use of Nature in Michael Ondaatje's Novel, "Anil's Ghost", 2002.
This paper explores the use of nature in Michael Ondaatje's novel, "Anil's Ghost".
1,305 words (approx. 5.2 pages), 1 source, MLA, AU$ 64.95
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Abstract
This paper argues how the main characters, in Michael Ondaatje's novel, "Anil's Ghost", revolve around nature's authority on the human experience. It describes in depth, the microcosm of the story as adorned with verbal illustrations of Sri Lanka's natural endowments and qualities.
From the Paper
"To achieve a comfortable understanding of any world or circumstance should require a confident understanding of the environment that frames it. This is something that an author, when crafting a universe for readers that must be assumed ignorant, needs always to retain in cognizance. Certainly this was an underlying element to the process by which Michael Ondaatje rendered Anil's Ghost, a novel that decisively revolves its prime players around the criticality of nature to the human experience. This is so much the case in this piece, in fact, that nature itself takes on a dynamic character role, subject like many of the actual characters to dramatic shifts in temperament, exertion of authority and necessary seasonal routine. As such, Ondaatje is insistent upon integrating nature's participation into actions, anecdotes and memories of great significance in imparting his story. Throughout Anil's Ghost, Ondaatje employs devices embedded in the concepts of a narrative shaped world, a reader shaped narrativity and a network of knowledge systems in order to investigate the numerous functions of nature therein, and consequently illuminating the social circumstances that his character's experience. "
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"The Blue Flower" and "The English Patient", 2002.
The central symbol of one novel is amplified and underlined by another in a comparison of works by Penelope Fitzgerald and Michael Ondaatje.
3,395 words (approx. 13.6 pages), 2 sources, MLA, AU$ 139.95
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Abstract
This essay first looks closely at the symbol of the blue flower which is central to the novel of the same name written by Penelope Fitzgerald. Close scrutiny is made of the transformational love relationship between Fritz and Sophie. Next comes a study of the lovers in "The English Patient" by Michael Ondaatje followed by a comparison of the two relationships. This comparison reveals how the two sets of lovers in the two novels each experience the true opening of self to the most intense inner experiences possible.
From the Paper
"The meaning of the central symbol around which The Blue Flower by Penelope Fitzgerald revolves expands even further when studied in relationship to The English Patient by Michael Ondaatje. The historical subjects about which Michael Ondaatje and Penelope Fitzgerald write are quite distant from each other in time and place. Fritz?s attachment to Sophie and Hana?s relationship with Kip are vastly different, and yet there is are elements of similarity. For each of these couples, when their individual lives come in contact with each other, something, happens-- something big, something life changing, something that, looking back at the end of a lifetime, might be described as having made all the difference. This something might also be called human growth."
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Michael Ondaatje's "Anil's Ghost", 2004.
Critical review of Ondaatje's book about the war between the Tamils and the government of Sri Lanka.
1,407 words (approx. 5.6 pages), 1 source, MLA, AU$ 67.95
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Abstract
The author of this paper briefly summarizes Michael Ondaatje's book, "Anil's Ghost", and then goes on to describe the weakness of Ondaatje's book. The author contends that the book lacks a central theme, has weak character development, and that much of the text is superfluous.
From the Paper
""Anil's Ghost," can be read as a war story or it can also be seen as a tale of young woman coming back to her native land to find that she can no longer relate to the land or its culture. However from both perspectives, the book lacks depth and purpose, which is unfortunate since the author was not writing about some far off land but about his own country and their people. The problem with the book lies in its ambiguously developed characters and a general lack of central theme."
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Shakespeare and Ondaatje, 2005.
A discussion of the similarities between Shakespeare's play "Romeo and Juliet" and Michael Ondaatje's 1992 novel "The English Patient."
1,225 words (approx. 4.9 pages), 2 sources, MLA, AU$ 60.95
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Abstract
Although the plot and characters differ considerably as do the time periods in which the stories are set, "Romeo and Juliet" and "The English Patient" share themes, imagery and motifs in common. This paper explains that both stories take place amid violence and war; both are also set in Italy. It also looks at how both focus on tales of passionate, forbidden and unrequited love that is made all the more powerful against the violent backdrop.
From the Paper
"War also causes the characters in both Romeo and Juliet and The English Patient to concoct convoluted plans that cause tragedy and death. For example, Juliet takes a potion that makes her appear dead and lies in a family crypt awaiting Romeo's arrival. Her plan backfires due to mixed messages; because she took the potion a day early and because Romeo never became aware of the plan the two lovers die side by side. Similarly, the English Patient is forced to leave Katherine in a cave with the intent of returning to rescue her. His plan backfires as well, causing her death and his being burned. Both stories thus end in a bittersweet peace. The tragedy befalling all the sets of lovers is foretold and foreshadowed by the warlike imagery and violent backdrop; war and violence pervades both Romeo and Juliet and The English Patient. No plan, however well-concocted, can save or reunite the lovers. Death is the inevitable outcome of war, tragedy the inevitable outcome of romance. In the end of both Romeo and Juliet and The English Patient, a sense of peace and relief sets in over the characters; however, this peace is bittersweet, borne of the acceptance of death, tragedy, and unfulfilled romantic love."
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Isolation in Literature, 2002.
Examines the theme of isolation in George Orwell's "Animal Farm" and Michael Ondaatje's "The English Patient".
1,400 words (approx. 5.6 pages), 2 sources, AU$ 76.95
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Abstract
Isolation in literature is necessary for the development of the hero, of the protagonist and of societies depicted. Isolation gives the characters the excuse they need to focus on themselves in a very intense manner. This paper examines the use of literary isolation in terms of character identity and political transformation in "Animal Farm", by George Orwell, and "The English Patient", by Michael Ondaatje.
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