| Papers [1-16] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "LOST CHILDREN WILDER": |
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?The Lost Children of Wilder?, 2002.
Reviews this book on New York's foster care system by Nina Bernstein.
1,712 words (approx. 6.8 pages), 1 source, APA, AU$ 80.95
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Abstract
In "The Lost Children of Wilder", reporter Nina Bernstein examines the failures, disasters and tragedies that continue to plague New York City?s foster care system. The paper shows that to do this, Bernstein tells two stories. The first details the history of New York City?s child welfare system, a system that has been ineffective and mired in bureaucracy for the past 100 years. The second story focuses on the lives of Shirley Wilder and her son Lamont, two generations of children who have both been failed by a chaotic foster care system that refuses to reform.
From the Paper
"To read The Lost Children of Wilder is an experience in frustration with the seemingly-endless loop of child welfare. The only solution appears to be increasing public funding to the city?s shelter system and to mothers like Shirley, so they are in a better position to raise and educate their children. Critics may point out that women like Shirley should not be mothers. However, Bernstein?s narrative leads me to believe that rushing children to foster care has much direr consequences, both for Lamont and eventually, the rest of society (who will eventually shoulder an average of $500,000 per child in foster care). After all, it is in everyone?s best interests to ensure that all children receive a positive upbringing, with access to education, medical care and physical well being."
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Lost Women of a Lost Generation, 2002.
This paper discusses lost women of a lost generation, between the 1920s and the 1930s, "The Sun Also Rises" by Ernest Hemingway and "Good Morning, Midnight" by Jean Rhys.
1,150 words (approx. 4.6 pages), 2 sources, AU$ 64.95
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Abstract
This paper states that both novels prominently feature women who live frivolously from day to day, desperately attempting to "buy" their happiness; or, at least, to buy the alcohol with which they may buy "forgetfulness" of their traumatic pasts. The author believes that, in many respects, the character of Sasha Jensen from "Good Morning, Midnight" may be seen as an older version of Brett Ashley from "The Sun Also Rises". The paper states that these two female characters serve as cultural "bookends" or markers to the long intermission between the wars.
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Lost Parents, 2002.
Discusses the reversal of the Peter Pan story in today's society, where the lost boys have become the "lost parents".
2,057 words (approx. 8.2 pages), 4 sources, MLA, AU$ 93.95
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Abstract
The paper argues that the story of today?s family is in many ways quite the opposite of Peter Pan. It is the grown-ups who have flown out the window and off to wonderful adventures, while the children wait to see if they?ll come home. The question has become not so much one of losing one?s children, but rather, if they will have left the windows open when one comes back. In more direct terms, the parents of today are often trying to live in a ?Neverland? of work and social involvement and the fear of losing ones children has increasingly changed to a nagging thought that one may instead be lost to them. The paper uses literature on the subject to support its argument, including ?There?s No Place Like Work,? by Arlie Russel Hochschild and Jerry Adler?s ?Building a Better Dad".
From the Paper
"There is more to the story of the Lost Parents, though, than just the history of their escape from the home. There is also the story of the children who are left behind. In the staged version of Peter Pan, the character of Captain Hook is generally played by the same actor as Wendy?s Mother. In a similar fashion, the Wizard of Oz draws parallels between the evil witch and the evil adults in Dorothy?s life. The children, in trying to escape from their families and all those controlling grown-ups, end up encountering those grown ups in far more horrid forms. They have gone from parents and neighbors to pirates and witches. In our parallel story of the lost parents, it seems that a similar phenomena may be occurring. While adults are escaping from their children and families, they are increasingly running in to the same problems returned in a more terrible way. Hochschild mentions this, pointing out today?s children are more likely to run into a host of problems such as drug use, teenage pregnancy, and to be victims of violent crime. One might also remind the reader of the increasing upswing in crimes committed by children. The child whose parents have escaped out the window becomes the pirates of their fantasies -- and this is played out in a host of ways. In many urban areas, gangs of children are widely feared. In a more corporate sense, children getting into trouble with pregnancy, drugs, and even simply at school create a financial drain on the economy, ?stealing? the resources their parents work to create."
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?Wilderness and the American Mind?, 2002.
Discusses Rodney Nash's book on the American population's changing view of the wilderness.
1,597 words (approx. 6.4 pages), 1 source, MLA, AU$ 75.95
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Abstract
In the book "Wilderness and the American Mind" by Roderick Nash, the author writes that the attitudes of Americans towards the dichotomy between wilderness and civilization have shifted over time. The book shows how Nash analyzes the reasons for the shift, the nature of the shift and the possible direction for the future. The paper discusses how different attitudes toward the wilderness can be seen as different themes in American history and they are not entirely distinct in time, meaning that they may exist at one and the same time, though one or another will dominate and so be the mark of the age. The wilderness has been seen as something "evil," something to be conquered and tamed. The wilderness can be seen as something involving a form of communion, indicating a belief in the spiritual nature of the wilderness. More recently, the wilderness is depicted as endangered and as something to be preserved and protected.
From the Paper
"This idea would continue to infuse the environmental movement as it shifted to the protectionist mode, for there is often a quasi-religious aura to some of the more radical environmental groups that see protecting the wilderness as a religious act. The idea of protecting the wilderness and preserving it for the future also began in the nineteenth century with the work of men like Frederick Law Olmsted, who designed New York City's Central Park. By the end of the nineteenth century, the work of men like John Muir contributed to the movement to preserve lands as part of a national park system. When these lands were first designated a national forests, it was clear that they had been set aside for consumptive uses, but new priorities and new forces later brought into question many of the traditional guidelines for the use of this land."
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Benign Wilderness and Malign Civilization, 2006.
A new look at the concept of wilderness in the face of Canada's growing population and increasing urbanization and what this means for the relationship between civilization and the wilderness.
1,350 words (approx. 5.4 pages), 8 sources, AU$ 76.95
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Abstract
The rhetoric of wilderness is a site of conflict in modern Canada as the traditional concept of wilderness is challenged by the country's growing population and expansion of its urban areas. This essay examines this process in terms of contemporary critical revision of the concept of wilderness as a human construct and the consequent reappraisal of our understanding of the relationship between people and the wilderness.
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Thornton Wilder, 2002.
A biography of the authorThornton Wilder and review of his work Thornton Wilder.
1,150 words (approx. 4.6 pages), 4 sources, AU$ 64.95
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Abstract
This paper presents a detailed look at the famed author Thornton Wilder and one of his best-known works, "Our Town". The author of this paper takes the reader on an exploratory journey through Wilder's life and then takes a close look at "Our Town", which garnered Wilder, a Pulitzer Prize.
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William Cronon's "The Trouble with Wilderness..." (1996), 2005.
This paper discusses William Cronon's "The Trouble with Wilderness or Getting Back to the Wrong Nature", which provides a helpful critique of tendencies to encourage a mistake of equating the wilderness with a paradise it is not.
900 words (approx. 3.6 pages), 3 sources, AU$ 51.95
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Abstract
This paper relates that William Cronon's "The Trouble with Wilderness or Getting Back to the Wrong Nature" explains the escape metaphor attached to the wilderness, which draws attention from ecological work to be done in urban areas. The author points out that Cronon traces the long history of how culture addresses the wilderness, especially since the rise of science. The paper refers to three other articles supporting Cronon's thesis,which serves as a kind of warning to environmentalists of the folly of their ways in conceptualizing the environment and the work that needs to be done more accurately.
From the Paper
"William Cronon's "The Trouble with Wilderness - or, Getting Back to the Wrong Nature", provides a helpful critique of tendencies to encourage a mistake of equating the wilderness with a paradise it is not. (1996) This romantic habit of mind does nothing to promote the ecological revolution the world must see if it is to restore and preserve the greater natural environment. Cronon asks that the reader 'rethink', first of all, what is meant by the term of wilderness, noting that there are various kinds of it, and that the wilderness, under any circumstances is not the Utopia that current environmental activists would have us believe is so."
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The Wilderness Bill, 2007.
A brief overview of the 1964 Wilderness Bill.
828 words (approx. 3.3 pages), 5 sources, MLA, AU$ 42.95
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Abstract
This paper examines how the Wilderness Bill, developed out of the work of the Wilderness Society, led by Howard Zahniser. It looks at how the bill came about as a response to the rapid urbanization and sprawl of the nation, which resulted in a rapid decline in the amount of protected wilderness space. It also shows how, at its core, the bill created a legal definition for "wilderness" and, when the Wilderness Act was enacted on September 3, 1964, it protected over nine million acres of federal wilderness area.
From the Paper
"The parameters of the Wilderness Act are aimed at ensuring real protection to federal lands for the preservation for future generations. According to the Wilderness Act, all land that is protected under its jurisdiction became areas of public land. Further, a designation as being a wilderness is an additional protection given to the land that supersedes any less protection granted by the administrative agency overseeing the national forest, national park, wildlife refuges and other forms of public land. The Wilderness Act also places an emphasis on conservation instead of tourism or public use. "
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"The Trouble with Wilderness", 2006.
A discussion of environmentalism from the book "The Trouble with Wilderness", by William Cronon.
2,114 words (approx. 8.5 pages), 0 sources, AU$ 96.95
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Abstract
The paper reviews the book "The Trouble with Wilderness" by William Cronon. The paper illustrates the cultural biases inherent in the term, "wilderness". The paper illustrates how wilderness was considered a barren and scary place, but by the end of the 19th century, due to shifts in cultural ideology and the effects of industrialism, the American concept of wilderness changed dramatically. The paper further examines how the Bible presents two dualistically opposed views of wilderness: the Garden of Eden and the dangerous wasteland of the desert and how this dualistic worldview is at the root of the conflicts within the environmental movement. The paper concludes with Cronon's wish that all environmentalists pay attention to the cultural and historical context of wilderness.
From the Paper
"Cronon's main motive in writing "The Trouble with Wilderness" is not to criticize the environmental or conservation movements but to "abandon the dualism that sees the tree in the garden as artificial," (387). All nature is sacred and sublime, including the grasses on the prairies and the marshlands in Florida. Labeling some parts of the natural world as "wilderness" makes those parts valuable in the public consciousness and consequentially, the public may ignore the beauty outside their bedroom window."
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Literature of Wilderness, 2005.
This paper compares the use of the concept of wilderness in Nathaniel Hawthorne's "Young Goodman Brown" and F. Scott Fitzgerald's "Great Gatsby".
1,370 words (approx. 5.5 pages), 2 sources, MLA, AU$ 65.95
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Abstract
This paper explains that wilderness was a symbolic state used by Nathaniel Hawthorne in "Young Goodman Brown" and F. Scott Fitzgerald in "Great Gatsby" to show their protagonists' realizations that they have lost their meaning in their respective lives. The author points out that, in "Young Goodman Brown", Hawthorne used the wilderness as the setting for Goodman's path towards discovering and testing his faith in God by describing wilderness as a place where disorder prevails against civilization's mannered characteristic. The paper relates that Fitzgerald's portrayal of the wilderness in "Great Gatsby" shows the harshness of society towards individuals who deviate from its standards of conformity in terms of beliefs and values in life, a setting far less rustic and disorderly as Hawthorne's wilderness in "Young Goodman Brown".
From the Paper
"Even towards the end of the story, Hawthorne continued to haunt his readers with the theme of wilderness inherent in the hearts and minds of humanity. Posing the question, "Had Goodman Brown fell asleep in the forest, and only dreamed a wild dream of a witch-meeting?," Hawthorne was actually creating disorder in the minds of his readers, making them also question whether Goodman's confrontation in the wilderness was an illusion or not. This unanswered question unsettled the ending of the story, leaving Hawthorne's readers groping in the "wilderness" of interpretation, just as Goodman had been lost in the wilderness of his heart and mind."
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Preserving the Wilderness, 2006.
Argues for the need to preserve the world's wilderness as these areas are a haven for habitat and biodiversity not found anywhere else on earth.
1,975 words (approx. 7.9 pages), 8 sources, APA, AU$ 90.95
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Abstract
Our entire society is governed by consumerism and competition and in order for our economy to thrive, our appetite for prosperity must continually grow. The paper argues that it is for this very reason that we must take wilderness protection very seriously. As a commercial society we are dependant on our abundance of natural resources and our common wealth of public land to fuel our ever-growing population. The paper argues that even if the average person never visits a pristine forest, their quality of life is seriously affected by its preservation.
Paper Outline:
Introduction
Why Protect Wilderness?
Wilderness as a Resource
Biodiversity
Wilderness as a Laboratory
The Arctic Refuge; An Urgent Risk
Conclusion
Bibliography
From the Paper
"Perhaps a fundamental importance of wilderness lies in its ability to provide a basis for understanding the effects of our current land-use practices. Wilderness offers us "an ecological laboratory" (Miller, 199) where it is possible to examine nature as it was meant to function. Multiple use approaches to land management and other attempts at conservation may well be practical solutions towards preserving wilderness. However, without being able to compare our practices to an area of land that has not been managed or disturbed, it would be almost impossible to judge the difference. In addition, the National Resource Defiance Council, or NRDC, claims that half of our public lands are home to endangered or threatened species. Unspoiled wilderness provides a habitat in which both nature and evolution can progress without disruption."
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John Milton's Personal Influence on the Writing of "Paradise Lost", 2002.
A look at John Milton's political and religious forum in the novel "Paradise Lost".
2,280 words (approx. 9.1 pages), 27 sources, AU$ 101.95
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This paper examines John Milton's "Paradise Lost" and explains how it is more than just another entertaining tale, but rather a religious and political forum for Milton's personal views and feelings.
From the paper:
"Perhaps Paradise Lost was more than just a biblical tale of humankind?s fall from God?s grace, out of paradise. It was more, it was a religious and political forum for Milton to express his views unopposed, by using the conflict of good and evil in Paradise Lost portraying his own philosophies. With each struggle he illustrates his political and religious notions connecting them with the conflict of the main subject introduced in Book I, ?the creation, fall, and redemption of the world and humankind? (Lazzari 367). With certain influences in his life Milton?s beliefs were shaped into what they were during the composure of Paradise Lost. With these influences and these beliefs he wrote a Paradise Lost."
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John Milton's "Paradise Lost", 2007.
This paper discusses the shared characteristics of the poet and Satan in John Milton's Christian epic, "Paradise Lost".
2,290 words (approx. 9.2 pages), 0 sources, AU$ 101.95
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This paper explains that, during the time that John Milton was writing "Paradise Lost", he lost his sight and was deeply troubled. The author believes that the parallels he generates between Satan and himself as the poet figure are meant to hint indirectly at his own struggle with his faith and his love of God. The paper establishes this argument, based on textual evidence from the poem, suggesting that these similarities are crucial because they imply a loss of faith on the part of both characters and therefore of Milton.
From the Paper
"Despite the fact that Milton implies that the poet has acquired God's grace by means of the Bible, he admits that God, as represented by light, does not return his sight: "thee I revisit safe,/And feel thy sov'reign vital lamp; but thou/Revisit'st not these eyes". This passage seems particularly troubling; as Milton's mournful tone suggests a lingering sense of loss and disappointment. Later on, Milton inadvertently furthers this sense of loss by listing all of the things the poet can not see:..."
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Family and 'The Lost Boys', 2007.
This paper looks at how the concept of family is portrayed in the horror film 'The Lost Boys', directed by Joel Shumacher.
1,043 words (approx. 4.2 pages), 5 sources, MLA, AU$ 52.95
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Abstract
In this article, the writer notes that the family plays a large role in horror films. The way that family is depicted in movies usually reflects the typical family makeup of that particular time period. The writer discusses that the 1987 vampire film 'The Lost Boys' echoes the time period by featuring a single parent family, and it ascertains that because of the economic adversity and the damaging effects of divorce on children single parent families are not an ideal situation. The writer maintains that 'The Lost Boys' uses the family situation of the 1980s to promote families that stay together. The writer then concludes that 'The Lost Boys' goes beyond just reflecting the time period by warning of the effects of divorce and advocating a traditional nuclear family.
From the Paper
"The family in The Lost Boys centers around a single parent household run by the mother, Lucy. She has two teenage sons, Michael and Sam. Divorced and struggling financially, she moves the three of them to Santa Carla, California to live with her father. Michael meets a group in town quickly. Slowly both Michael and Sam realize that there is more to this gang of boys than they imagined. Not only are they vampires, but they have made Michael a vampire as well. To save his brother, Sam recruits two vampire hunters to help them in their attempt to kill the head vampire.
"The Lost Boys asserts that children are harmed by divorce and are better served by living in a strong established family environment."
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"Death of a Salesman" and "Lost Boy", 2004.
A comparison of Arthur Miller's "Death of a Salesman" and Thomas Wolfe's "The Lost Boy".
2,157 words (approx. 8.6 pages), 4 sources, MLA, AU$ 97.95
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Abstract
In Arthur Miller's "Death of a Salesman" and Thomas Wolfe's "The Lost Boy", the central characters of Willy Loman and Grover Gant share many similarities, such as a great determination to succeed and a focus on the past events of their lives. This paper discusses how both characters are apparently obsessed with dreams; with Willy Loman, the dream is obtaining what has come to be called the "American Dream," being a phenomenal success in his chosen profession as a salesma; with Grover Gant, the dream involves his proud and prescient mother, who always insisted that Grover was the brightest and best of her offspring. It shows how both characters realize much too late that their dreams are not based in reality, which inevitably leads to disillusionment and personal disaster, not to mention that Loman and Gant are "lost" in a world they cannot understand.
From the Paper
"Miller's American masterpiece Death of a Salesman, first presented on the stage in New York City in 1949, represents a successful attempt to blend the themes of social and personal tragedy within the same dramatic framework. Yet the story of Willy Loman is also one of false values sustained by almost every publicity agency in the national life of the U.S. Willy Loman accepts at face value the over-publicized ideals of material success and blatant optimism, and therein lies his own personal tragedy. His downfall and final
defeat illustrate not only the failure of a man but also the failure of a way of life, being a door-to-door salesman. Miller's ability to project this story of his tragic, lower middle-class hero into the common experience of so many Americans, who sustain themselves and their families with illusions and ignore realities, makes Death of a Salesman one of the most significant in American theater within the last fifty years."
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Allusions to "Paradise Lost" and "Faust" in "Frankenstein", 2007.
A literary analysis of allusions to John Milton's "Paradise Lost" and Johann Wolfgang von Goethe's "Faust" in Mary Shelley's "Frankenstein".
890 words (approx. 3.6 pages), 0 sources, AU$ 45.95
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This paper examines Mary Shelley's novel "Frankenstein" and the allusions it makes to Milton's epic poem "Paradise Lost" and Goethe's "Faust". The paper holds that "Frankenstein" includes these allusions to present the reader with a clear explanation of the inner torment of the characters. The paper expands upon the parallels between the characters in each work in detail and concludes that familiarity with "Faust" and "Paradise Lost" adds to our understanding of "Frankenstein" and makes the novel memorable and powerful.
From the Paper
"The monster's epiphany is a catalyst to his destructive path. He realizes that his creator has handled creationism in an irresponsible manner and is repulsed by Victor's utter abandonment. "'Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? (125) He also realizes that his grotesque appearance will forever condemn him to loneliness. "God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of your, more horrid even from the very resemblance... Satan had his companions, fellow devils, to admire and encourage him, but I am solitary and abhorred" (125). This idea drawn from "Paradise Lost", that even Satan has companions, pains the monster terribly; he knows he is a good natured, genuine creature, yet he is rejected by the world."
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