| Papers [1-16] of 90 :: [Page 1 of 6] | | Go to page : 1 2 3 4 5 6 —> | Search results on "LE CORBUSIER": |
|
|
"Le Corbusier" and "Master Builders", 2002.
A paper which reviews and analyzes the architecture books "Le Corbusier" and "Master Builders".
1,690 words (approx. 6.8 pages), 4 sources, MLA, AU$ 78.95
»
Click here to show/hide summary
Abstract
The paper explores and compares two books on architecture, "Le Corbusier" by Kenneth Frampton and "Master Builders" by Peter Blake. The paper shows that both books discuss the life and works of architect Le Corbusier, although they differ in that Frampton's book focuses mainly on Le Corbusier while Blake studies equally the works of Le Corbusier, Ludwig Mies van der Rohe and Frank Lloyd Wright.
From the Paper
"According to Frampton, Corbusier was most likely the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric and the way all have lived has been enormous due to the richness and diversity of his work as well as his fervently expressed philosophy of architecture. Thus, the author weaved through his long and prolific life that was recurrent themes, his permanent drive towards new types of dwelling, from the early white villas to the U'it? d'Habitation at Marseille. Furthermore, he detailed his evolving concepts of urban form, which included the Plan Vision of 1925 along with its cruciform towers that were imposed on the city of Paris and finally his work at Chandigarh in India; and his belief in a new technocratic order (Barnes and Noble)."
| |
|
The Innovative Ideas of Le Corbusier, 2005.
A look at the architectural vision of Swiss architect, Le Corbusier.
2,357 words (approx. 9.4 pages), 15 sources, MLA, AU$ 104.95
»
Click here to show/hide summary
Abstract
This paper presents an overview of Le Corbusier's contribution to modern architecture, as well as his role in the larger Modernist movement in contemporary art. The paper contends that the influences that affected Le Corbusier's style and vision in architecture were related to events in history as well as contemporary art and philosophy. In other words, Le Corbusier's architectural vision was part of the artistic movements and milieu of his era and this forms part of the understanding of his influence on architecture.
From the Paper
"Le Corbusier was attracted to the visual arts from an early age. The earliest houses that he designed were similar in design to the vernacular architectural styles popular in the Alps. Later he expanded his artistic horizons and traveled to Europe where he was employed in the offices of the pioneer of reinforced concrete, Auguste Perret. Between October 1910 and March 1911 he worked for the renowned architect Peter Behrens near Berlin. All of these influences were to have an impact on the development of his style and architectural philosophy."
| |
|
Le Corbusier, 2005.
A look at the architect, Le Corbusier, and whether he is a modernist or post-modernist.
1,875 words (approx. 7.5 pages), 7 sources, MLA, AU$ 86.95
»
Click here to show/hide summary
Abstract
This paper examines whether the French architect, Le Corbusier, was modernist or post-modernist in his style. The writer explains and analyzes the definition of these styles and concludes that Le Corbusier's style of architecture in essentially modern in that it adheres to the foundational concepts of modernism. It explains that his emphasis on functionality is particularly modernist in that it subverts and reshapes the past, but still adheres to the principles of form, functionality, and order.
From the Paper
"Basically, the design of the ground floor is quite similar to the Villa Savoye. This can be seen in that the design uses massive pilotis to make the whole building distanced from the ground as well as creating a free place for other uses such as a car park. The free area underneath the house was used for circulation and parking, as well as the entrance, elevators, and janitor's closet. (Alexander Tzonis, 2001) Also, no historical precedents and ornaments were used. The building was constructed mainly out of reinforced concrete, ...the Unite revealed its cellular structure through the use of concrete sun-baffle balconies and canopies projecting from the main body of the building. (Kenneth Frampton, 1992) large windows were installed in every apartment, giving a full view of the landscape. "Unspoiled views of the unfolding grounds, light breezes blowing freely over the soil without being blocked and sustained ecological conditions were also required." (Alexander Tzonis, 2001)"
| |
|
Le Corbusier: From the Parthenon to Modernism, 2002.
A biography of the life, work and influences of the architect Le Corbusier.
2,400 words (approx. 9.6 pages), 5 sources, AU$ 128.95
»
Click here to show/hide summary
Abstract
This paper looks at the life and the effects that we feel today of Corbusier. This biographical paper looks at his beginnings and early influences to understand this genius. For better or worse, the architect known as Le Corbusier changed the face of our cities. Along with Mies van der Rohe, Walter Gropius and Frank Lloyd Wright, Corbusier epitomizes modernism. Can, however, the future be built without standing on the shoulders of the past? Corbusier was a devotee of the esthetic of the machine and still he regarded the Parthenon as a pinnacle of architectural achievement. He believed in the Renaissance notion of man being at the center of creation and yet, built houses that men could not live in. Le Corbusier may have been designing square pegs for round holes but in the end, there was a direct line, for him, between the Parthenon and modernism.
| |
|
Ebenezer Howard and Le Corbusier, 2005.
An examination of the impact that Ebenezer Howard and Le Corbusier have had on urban planning.
1,125 words (approx. 4.5 pages), 5 sources, AU$ 64.95
»
Click here to show/hide summary
Abstract
The paper discusses Ebenezer Howard and Le Corbusier, urban planners with two distinct models to the design of modern urban space. The paper examines how, while there exist a number of fundamental similarities in the approaches to planning of both designers, ultimately each conceives of the city in radically dissimilar terms. This essay compares and contrasts the works of both men with respect to their influence on urban planning.
|
| Essay # 18801 |
temporarily unavailable
|
|
|
|
Le Corbusier's "The City of Tomorrow and its Planning", 1995.
This paper assesses Le Corbusier, architect and author's attitudes and biases toward urban architecture in his book .
1,350 words (approx. 5.4 pages), 1 source, AU$ 68.95
»
Click here to show/hide summary
From the Paper
"The purpose of this research is to examine Le Corbusier's views in The City of To-Morrow and Its Planning. The plan of the research will be to discuss Le Corbusier's attitudes and biases regarding such issues as the appropriate means and concepts employed in the well-conceived creation and construction of buildings and other facilities in urban centers, with a view toward evaluating their content and significance.
Le Corbusier's principal focus in The City of To-Morrow and Its Planning is on the necessity for the urban architecture of the twentieth century to behave functionally and logically, in line with the fact that in the current period the machine and industry are decisively triumphant and that they reflect man's passion for order and manageability in an otherwise chaotic world. Additionally, Le Corbusier conceives of an urban ... "
| |
|
Classicism in Architecture, 2008.
A comparative anaysis of classicism in Nazi architecture and
the work of Le Corbusier.
3,071 words (approx. 12.3 pages), 14 sources, MLA, AU$ 129.95
»
Click here to show/hide summary
Abstract
This paper discusses how classicism has been a powerful force in the modern era and how both Nazis and modernizing architects, like Le Corbusier, employed the style and its principles in connection with their own aims. Specifically, the paper looks at how, in both cases, the classical canon was seen as a way of expressing fundamental ideas about society and the world and how classicism, with its strict rules of composition and proportion, appeared ideally suited to a movement that craved strict order and rigid discipline at all costs, as did the Nazis. It also examines how its naturally-inspired rhythms appealed to Le Corbusier because they appeared to represent the way in which nature, and even Divinity were constructed and directed and how these transcendent qualities captured the imagination of architects.
From the Paper
"Hitler's views on the ideal society were based on a supposedly rational construction of human history and biology. The Third Reich was intended to be an expression of "scientific" principals of eugenics and "natural law." In the Fuhrer's Germany, and society would be one. They would function together as a single, well-ordered, well-disciplined, organic machine. Those elements deemed undesirable by Adolf Hitler would be forcibly and violently purged from the body politic in order to create a new, purified, and stronger Germany. On the face of it, Classicism too presented many of these same "ideals." Classical architecture was particularly associated with the idea of the public monument, a concept that dated back to antiquity, but only became prevalent in the Western World during the Nineteenth Century. "
| |
|
Frank Lloyd Wright - Broadacre City, 2002.
Discusses the architectural plans of Broadacre City by Frank Lloyd Wright and how it related to the idea of a "Ville Radieuse" by Swiss architect Le Corbusier.
525 words (approx. 2.1 pages), 6 sources, AU$ 31.95
»
Click here to show/hide summary
Abstract
Wright sought an architecture that responded to nature and human needs. His focus was on harmonizing environment, structure, objects, outfittings, and inhabitants during the 1930s. The Swiss-born Le Corbusier had proposed a "Ville Radieuse" in a 1932 article in the "New York Times Magazine". Le Corbusier' s plan was a cluster of high-rises in the midst of large grassy areas. Wright responded with his own vision in a March 20, 1932, "New York Times Magazine" article.
| |
|
Notre-Dame-du-Haut, 2004.
An architectural analysis of this chapel designed by Frenchman, Le Corbusier.
2,607 words (approx. 10.4 pages), 9 sources, MLA, AU$ 113.95
»
Click here to show/hide summary
Abstract
In the mid 19th century, Le Corbusier designed buildings that relied upon the raw concrete and the use of light to emphasize the beauty of the structure. This paper presents an in-depth analysis of one of his structures, Notre-Dame-du-Haut, a chapel set high above the village of Ronchamp, and an excellent example of the nontraditional use of light and raw concrete. The paper discusses the location of the chapel, its functionality as a church, and its strange shape. The paper also includes diagrams, sketches, and photographs of Notre-Dame-du-Haut.
From the Paper
"Le Corbusier?s sketchbook was in fact the genius of his design. With unconscious thought and process he drew out his interpretation and concepts of site, religion, and the ever so precious pilgrimage to Ronchamp, gathering his own personal view of the world. His sketches are far more significant and go far beyond the origins of typical reference sources. He even went as far as to publish his drawings arranged in a small book. This book and these sketches provide for a broader understanding of the construction and thought process that went into Ronchamp."
| |
|
The International Style of Architectural Design, 2002.
Examines how architects Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier helped shape the modern city with their innovative styles .
1,400 words (approx. 5.6 pages), 4 sources, AU$ 76.95
»
Click here to show/hide summary
Abstract
What now seems repetitive was once radically innovative when architects, such as Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier, attempted to reshape the urban metropolis in order to reflect the aesthetic principles of an industrial, democratic age. This paper will examine the achievements of the three architects noted above. Their works will be examined with respect to both theory and practice. It will be argued that, while their legacy in the field of architecture remains controversial to this day, their contributions to the establishment of the International Style fundamentally altered the landscape of the modern city.
| |
|
Marx and Le Bon, 2002.
Compares the theories of Karl Marx and Gustave le Bon on 19th cenutry society.
1,150 words (approx. 4.6 pages), 6 sources, AU$ 64.95
»
Click here to show/hide summary
Abstract
This paper examines the social criticism and commentary of Karl Marx and Gustave le Bon. Both critiqued the urbanized, industrialized society of the late nineteenth century. However, Marx envisaged logical and inevitable economic revolution while Le Bon had a conservative and organic view of society.
| |
|
John Le Carre?s Perception of International Affairs, 2006.
An examination of author John Le Carre's view of international affairs through an examination of two of his novels.
1,177 words (approx. 4.7 pages), 2 sources, MLA, AU$ 58.95
»
Click here to show/hide summary
Abstract
This paper analyzes the characters and plots in John Le Carre's novels, "The Honourable Schoolboy" and "The Little Drummer Girl" to shed some light on the author's view of international affairs. The paper explains that, from Le Carre's point of view, international affairs are dehumanizing from all sides concerned and offer no justice.
From the Paper
"John Le Carre's perception of international affairs is one of intense disillusionment. Through the novels, The Honourable Schoolboy and The Little Drummer Girl, Le Carre shows the reader that the world is devoid of a political ideology. In these novels, international affairs arise from the encounters between Smiley and Charlie and the raging forces of international affairs. These encounters resonate a sadness and empathy for the human condition. A few critics have labeled Le Carre's view of international politics as "baroque." With his character George Smiley, Le Carre holds a clean mirror to the face of the secret intelligence agency, illuminating a turmoil. George Smiley tries to uphold a degree of principles as does Charlie, but they are no match for the rising flood that pushes them toward losing their principles. Both Smiley and Charlie are the outsiders, who continually attempt to do the right thing. Since there have been many times duty to country or group beliefs have caused many atrocities, Le Carre makes clear that it is more important to have individual principles than any duty to anyone or anything. Through Smiley and Charlie, Le Carre shows how international affairs are demoralized and perilous."
| |
|
Ursula K. Le Guin, 2004.
A biography of the life and work of the author, Ursula K. Le Guin.
852 words (approx. 3.4 pages), 2 sources, MLA, AU$ 44.95
»
Click here to show/hide summary
Abstract
This paper examines how Ursula K. Le Guin is one of the most prolific writers of our time and how her works of fiction have long gained her status as a literary legend. It explores the life and times of Ursula K. Le Guin, focusing on her early life, educational experiences, academic contributions, literary works, awards won, and her reasons for writing science fiction.
Outline
Introduction
Early Life
Educational Experiences
Academic Contributions
Literary Works
Awards
Why She Chose Science Fiction
From the Paper
"Ursula K. Le Guin was born in 1929 in Berkeley, California. Theodora Quinn was her mother and the writer of children?s stories. (Ursula K. Le Guin) Her father was Dr. Alfred Quinn and head of the Department of Anthropology at UC-Berkley. (Ursula K. Le Guin) As a child she was surrounded by academia and her parent sparked her interest in Science fiction with stories about mythology and various legends. (Ursula K. Le Guin) Of course, her parents encouraged her to read and her mother?s literary background proved useful in uncovering Le Guin?s own writing ability. In later years the desire and the wherewithal to nurture this ability was evident."
| |
|
"La Nuit et Le Moment", 2004.
This paper explores the specific meaning of libertinage in the work of Crebillon's "La Nuit et Le Moment."
1,350 words (approx. 5.4 pages), 3 sources, MLA, AU$ 68.95
»
Click here to show/hide summary
Abstract
This paper discusses the specific meaning of libertinage in the work of Crebillon's "La Nuit et Le Moment," especially in regard to the character of Cidalise. The paper is in English with quotes in French.
From the Paper
"The libertine is an essential character of the French literary world of the eighteenth century, a character that we all recognize both in the original from his and sometimes her many descendants in post-Enlightenment literature."
| |
|
"Le Suicide", 2007.
An analysis of Emile Durkheim's theories on suicide, as presented in his book, "Le Suicide".
754 words (approx. 3.0 pages), 7 sources, MLA, AU$ 38.95
»
Click here to show/hide summary
Abstract
This paper discusses "Le Suicide," Emile Durkheim's reportedly "flawed masterpiece" on suicide which was published in 1897. The paper describes Durkheim's theories on anomic suicide and egoistic suicide and discusses how they differ. The paper discusses Durkheim's comparison of the relation to marriage's effect on suicide's frequency to anomic and egoistic suicides.
Table of Contents:
Introduction
Flawed Masterpiece
Durkheim's Explanations
A, if not "The" Central Theme
In Light of Suicide's Darkness
Conclusion
From the Paper
"In Le Suicide, Durkheim purported that anomic suicide transpires when a person's existence is destitute of restrictions and recognition and by other individuals in society. "Anomic suicides, as Durkheim described them, destroy themselves in remorse over their abandonment by society, for they cannot support the loneliness of anonymity." (Siebers)"
"Durkheim contended that egoistic suicide evolves from a person no longer being able to conclude he/she has a reason for living. Egoistic suicides radically reject society, as they are dramatically removed from the "normal social justifications of existence." Egoistic, as well as, anomic suicides reportedly stem from society's inadequate presence in a person or their larger persona. "'Egoistic suicide,'" Durkheim concludes, "'results from man's no longer finding a basis for existence in life'." (Ibid)"
|
|
|
