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Maxine Hong Kingston's "The Woman Warrior", 2005.
Examines Chinese-American Maxine Hong Kingston's semi-autobiographical, semi-fictional book "The Woman Warrior", especially the first chapter 'No Name Woman'.
1,350 words (approx. 5.4 pages), 3 sources, MLA, AU$ 55.95
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Abstract
This paper explains that Wendy Ho scrutinizes Maxine Hong Kingston's book "The Woman Warrior" in her essay, "Mother Daughter Writing and the Politics of Race and Sex in Maxine Hong Kingston's 'The Woman Warrior". The author points out that Ho shows how, in this book, especially the first chapter 'No Name Woman', the various gender and racial confines in Kingston's life affect her relationship with her mother and Kingston's own identity formation. The paper also relates the way that Ho believes that the process of story telling in 'No Name Woman' helps free Kingston to break the oppressions of both her Chinese culture and the patriarchal system in which she lived.
From the Paper
"Through the story of her aunt, Kingston's mother warns her daughter "now that you have started to menstruate, what happened to her could happen to you. Don't humiliate us. You wouldn't like to be forgotten as if you had never been born. The villagers are watchful." This quote exemplifies Ho's point that those in the Chinese society were especially fearful of women appearing to masculine, or at least, not appearing feminine; the survival of Chinese life depended on the maintenance of these strict roles."
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Maxine Hong Kingston's "Woman Warrior", 2005.
Review and analysis of Maxine Hong Kingston's novel, "The Woman Warrior: Memoirs of a Girlhood Among Ghosts".
1,495 words (approx. 6.0 pages), 5 sources, MLA, AU$ 60.95
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Abstract
This paper summarizes Kingston's novel about the relationship between past and present, mother and daughter. The paper explains how the novel is a book about self-discovery and that, through the juxtaposition of the social and political circumstances of the mother and daughter, as well as their personal experiences, the stories in Kingston's book lead the narrator in the novel to evolve into a confident woman with a better understanding of who she is.
From the Paper
"The complexities involved with mother daughter relationships are seen in Maxine Hong Kingston?s The Woman Warrior: Memoirs of a Girlhood Among Ghosts. In this combination of fact and fiction Kingston engages us by demonstrating the difficulties a Chinese-American girl encounters as she tries to relate to her Chinese born mother. Through a series of tales, the narrator discovers a her mother?s character, which is inextricably connected to her past. The sharp contrast between mother and daughter exemplifies the socioeconomic and sociopolitical roles and constructs of its historical era. It is through the experience of her mother and those who came before her, that the narrator is able to embrace her present and future fully."
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Maxine Hong Kingston?s ?The Woman Warrior?, 2004.
This paper analyzes Maxine Hong Kingston?s ?The Woman Warrior, an autobiography including the myths and cultural beliefs culled from her Chinese heritage.
1,670 words (approx. 6.7 pages), 1 source, MLA, AU$ 66.95
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Abstract
The paper stresses that the book is not written from a Chinese viewpoint, but rather from the view of a first-generation, Chinese-American daughter of immigrant parents. The author points out that it is also a story of an adolescent girl?s journey into adulthood, the story of how one person integrates all elements of her life, including her relationship with her parents and other family members, into the composite of experience known as personality. The paper describes the relation of mother and daughter and states that the wear and tear on such a relationship must have been difficult for both the mother and the daughter; however, the result was an independent, strong, and valuable person.
From the Paper
"The aunt, the no-name woman, becomes the ideal of courage, honor, and rebelliousness by refusing to name the father of her child and taking blame as well as responsibility. Taking the child with her into death is interpreted by the narrator as an act of love. Her mother reinforces (instills) this belief when she tells her, "Carrying the baby to the well shows loving ? Mothers who love their children take them along. It was probably a girl; there is some hope of forgiveness for boys." "
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Maxine Hong Kingston's "The Woman Warrior", 2004.
Discussion and analysis of Kingston's book, "The Woman Warrior: Memoirs of a Girlhood Among Ghosts".
1,336 words (approx. 5.3 pages), 1 source, MLA, AU$ 53.95
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Abstract
This paper introduces, discusses, and analyzes the book, "The Woman Warrior: Memoirs of a Girlhood Among Ghosts", by Maxine Hong Kingston. Specifically, it discusses why Kingston chooses to tell the stories of her mother and other female relatives, combining genres of autobiography, fantasy, fiction, and mythology, in order to illuminate her own identity.
From the Paper
"In order to understand her relatives, and ultimately understand herself, Maxine Hong Kingston records the stories of her family in amusing and fanciful tales that point out the gap between the Chinese culture of her mother, and the American culture of Maxine and her siblings. Kingston's story is more than simply the age-old contest between mother and growing daughter, it is a struggle to understand a culture she is part of, and yet has never known. Often, her mother's actions make no sense to Maxine, living a comfortable life in the U.S. She has no understanding of hunger and want, and does not understand her mother's obsession with food, waste, and eating. She writes, "We'd have to face four- and five-day-old leftovers until we ate it all. The squid eye would keep appearing at breakfast and dinner until eaten. Sometimes brown masses sat on every dish."
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"Narrative Of The Life Of Frederick Douglass" ( F. Douglass ) and " Woman Warrior" ( Maxine Hong Kingston ), 1999.
Compares autobiographers' suffering under racism and sexism and their eventual physical, psychological & spiritual freedom.
1,350 words (approx. 5.4 pages), 2 sources, AU$ 57.95
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Abstract
Frederick Douglass, in his autobiography Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself, and Maxine Hong Kingston, in her autobiography The Woman Warrior: Memoirs of a Girlhood Among Ghosts, tell of their struggle against and victory over the chains of racism and sexism.
From the Paper
"Frederick Douglass, in his autobiography Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself, and Maxine Hong Kingston, in her autobiography The Woman Warrior: Memoirs of a Girlhood Among Ghosts, tell of their struggle against and victory over the chains of racism and sexism. Both Douglass and Kingston eventually find the freedom, identity and self-worth they seek, and both stories prove that the ideologies behind their oppression--that black men and Chinese women are inferior to whites--are not only bigoted but utterly wrong. Kingston and Douglass emerge from their oppression as shining examples of humanity at its most intelligent and determined to live in freedom.
Douglass struggles against his literal slavery and turns himself into an educated and independent human being. Kingston is ..."
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"The Woman Warrior" ( Maxine Hong Kingston ), 2002.
Analysis of the American-born writer's experiences and those of her Chinese-born mother.
1,125 words (approx. 4.5 pages), 1 source, AU$ 47.95
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Abstract
Analysis of American-born writer's experiences and those of her Chinese-born mother. Differing customs, traditions and outlooks. Issues of gender. Family expectations for female children. Author's attempt to balance herself between two cultures. Difficulties faced by women in Chinese and American societies. Sense of loss and empowerment. Impact of Chinese woman warrior stories.
From the Paper
"Gender issues are culturally defined, and gender can be one of the elements of culture shock occurring when a person moves from one culture to another. Maxine Hong Kingston's book The Woman Warrior is one of many stories by children of immigrants showing contrasts and tensions between the dual role the children assume, that of traditional child (a role imposed and expected by the parents) and that of American child (a role adopted by the children as they face the realities of their new culture). Her story takes a particular tack in that it also involves issues of gender, which have a special meaning in her culture and which bring about particular tensions given that the nature of gender roles in Chinese society are quite different from that in American society today. These tensions are evident in differences between her own experience in America and her ..."
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"Woman Warrior" ( Maxine Hong Kingston ) & "Fifth Chinese Daughter "( Jade Snow Wong ), 1999.
Examines autobiographical works on Chinese-American. experience, use of symbolism, acculturation & native traditions, child-parent relations.
1,575 words (approx. 6.3 pages), 4 sources, AU$ 67.95
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From the Paper
The stories "The Sky Is Gray" by Ernest J. Gaines and "Angel of the Candy Counter" by Maya Angelou tell similar tales of young children visiting the dentist, and in both cases issues of a racist society are expressed in the seemingly simple act of going to the dentist to fix an aching tooth. Both stories are told in the first person and have the aura of a memory (which in Angelou's case it definitely is). In both stories, blacks are shown at a disadvantage at every turn, and the trip to the dentist is an occasion in each case to show ways in which blacks are made into second-class citizens. Another important theme is the need for strong parents, especially for the young black child facing the reality of racism in America.
Angelou's story comes from her autobiography and is in keeping with the overall tone of that work, a book that gains.."
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"The Woman Warrior" by Maxine Hong Kingston, 1992.
A review of the memoir of being a Chinese female in the U.S.
1,125 words (approx. 4.5 pages), 1 source, AU$ 47.95
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From the Paper
""The Woman Warrior"
Maxine Hong Kingston published The Woman Warrior in 1976, and it was her memoir of being Chinese in America. In order to discover her identity, Kingston went back in time to learn about her mother and the other women in her family. She found that being a Chinese woman is a difficult task, and it is only "the woman warrior" who can survive.
Kingston's story begins 50 years before she was born and 30 years before the Chinese Revolution, in a small village in Kwangtung Province. The author tells the story of a woman who was her aunt. The woman's husband had gone ahead to America, and then the aunt had become pregnant by another man. The villagers were outraged, and the woman became a complete outcast.
This No Name Woman was literally ostracized by her..."
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"China Men and Tripmaster Monkey: His Fake Book" by Maxine Hong Kingston, 1992.
An argument of how the author moves from ethnic concerns to more universal issues including style, themes, vision of life and cross-cultural influences.
3,150 words (approx. 12.6 pages), 4 sources, AU$ 135.95
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From the Paper
"This study will examine Maxine Hong Kingston's works China Men and Tripmaster Monkey: His Fake Book. The thesis of the study will be that, in moving from the earlier China Men to the later Tripmaster Monkey, Kingston's work came to transcend the question of what it means to be Chinese, or Chinese-American, or American, and to focus instead on what it means to accept one's circumstances and to boldly forge one's personal and cultural identities based on the reality of those circumstances.
The argument of the study will be, then, that Kingston's earlier book focuses on the Chinese traditions which served as the foundation for the culture of Chinese-Americans, while the later book develops the character of one individual who has melded Chinese and American traditions to such a degree that something new emerged, something which, perhaps, transcends both..."
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Maxine Kingston's Literature, 2002.
An analysis of Maxine Kingston's contribution to contemporary literature by focusing on her novel "The Woman Warrior".
1,029 words (approx. 4.1 pages), 2 sources, MLA, AU$ 44.95
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Abstract
This paper examines how Kingston's work is considered to be an important contribution on the feminist front as well as that of Asian literature. It analyzes "The Woman Warrior", which demonstrates the struggle experienced as a Chinese-American growing up in America as well as focusing on other issues such as success and mother-daughter relationships.
From the Paper
"The Woman Warrior is formed from what many critics like to call fiction and fact and memory and imagination (Lauter 2094). The book examines the ?difficulties in Kingston?s development as a woman and as a Chinese-American? (2094). Because of it?s nature and style, the book demonstrates how stories can ?shape character and behavior? (2094). These stories are important because Kingston is able to develop her own sense of self by writing them. Kingston is able to learn from each character?s circumstance and is able to develop her own strength of character."
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Kingston's "The Woman Warrior" and McCourt's "Angela?s Ashes", 2004.
Compares the memoirs of Maxine Hong Kingston in her book, "The Woman Warrior", with the memoirs of Frank McCourt in his book, "Angela's Ashes".
1,891 words (approx. 7.6 pages), 2 sources, MLA, AU$ 73.95
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Abstract
This paper summarizes and compares the memoirs of Frank McCourt and Maxine Hong Kingston. The paper looks at how each of the authors expresses him/herself and the motivation for writing their stories.
From the Paper
"In their memoirs, The Woman Warrior and Angela?s Ashes, Maxine Hong Kingston and Frank McCourt, respectively, present unique and complete views of worlds that widely diverge from the sort of lifestyles and experiences that are enjoyed by the average citizens of the United States of America. Part of the most simple reason for this is their ?outsider? statues. As an immigrant, in Frank McCourt?s case, and as the child of immigrant parents, in Maxine Hong Kingston?s case, both memoirs are narratives of lives marked by travel, travail, and cultural differences that have an enormous and massive impact upon their authors? lives."
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The Silencing of Women, 2004.
This paper discusses Virginia Woolf's "Shakespeare's Sister" and Maxine Hong Kingston's "No Name Woman", which describe the silencing of women's voices and the resurrection of these "disappeared" voices by the female author.
1,865 words (approx. 7.5 pages), 5 sources, APA, AU$ 72.95
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Abstract
This paper explains that the lives of Hong Kingston and Woolf provide a dramatic contrast to the suppression of women as depicted in their works and that the success of Hong Kingston and other women writers represents the fulfillment of Woolf's dream for Shakespeare's ?sister?. The author points out that, in both "No Name Woman" and "Shakespeare's Sister", women are silenced not by society as a whole, but by the actions of their family and loved ones. The paper states that Judith in "Shakespeare's Sister" is resoundingly stifled by the Elizabethan society of Shakespeare's time; she is held firmly within her roles of a woman as child bearer, wife, and property; any attempt at creative talent is stifled.
Table of Contents
Introduction
Woolf's Essay "Shakespeare's Sister"
"No Name Woman" by Maxine Hong Kingston
Resurrection by the Female Author
Hong Kingston, Woolf, and Women in Literature
Conclusion
From the Paper
"Within "No Name Woman", Maxine Hong Kingston also depicts the resurrection of the "disappeared" woman. The narrator, a young Chinese-American woman, tells the story of her aunt, who was ostracized by her family for the crime of giving birth to an illegitimate child. Ling notes, "The author . . . breaks the family silence by writing about this rebel whom she calls 'my forebear'". In Kingston's story, the narrator has participated in the silencing of her aunt, causing her aunt to "disappear". Kingston writes, "there is more to this silence: they want me to participate in her punishment. And I have. In the twenty years since I heard this story I have not asked for details nor said my aunt's name; 1 do not know it." Yet the narrator breaks this silence, and causes the story of the "disappeared" aunt to once again be told. Writes Hong Kingston, "My aunt haunts me-her ghost drawn to me because now, after fifty years of neglect, I alone devote pages of paper to her"."
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"The Woman Warrior", 2004.
An analysis of Maxine Hong Kingston's memory novel "The Woman Warrior."
1,350 words (approx. 5.4 pages), 2 sources, MLA, AU$ 57.95
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Abstract
The paper examines Maxine Hong Kingston's memory novel, "The Woman Warrior." The paper discusses gender and cultural issues and focuses on the oppression and status of women in China and the U.S. The paper also explores how to blend the Chinese-American heritage with feminism.
From the Paper
"Whether born in pre-World War II, China or post-World War II America, whether conventional or rebellious, the female characters in Maxine Hong Kingston's "The Woman Warrior" are united by various forms of the oppression of women. In China gender discrimination was much more severe than in the United States. The stories of the Chinese women in Kingston's memory novel reveal not only their inferior status in Chinese society, but also their passivity that in a sense makes them enablers of their role."
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"The Warrior Woman", 2004.
This paper analyzes Maxine Hong Kingston's semi-autobiographical novel "The Warrior Woman".
1,125 words (approx. 4.5 pages), 5 sources, APA, AU$ 47.95
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Abstract
In this analysis of Maxine Hong Kingston's semi-autobiographical novel the writer discusses how she learned to overcome gender and cultural barriers. Further, the writer examines how she managed to find a voice of worth that remained uniquely her own.
From the Paper
"In the introduction to 'When Memory Speaks', Ker Conway frequently discusses the dilemma of duality for female writers both in terms of maintaining a separate voice and gender and writing autobiography in a culture, language and consciousness that are male dominated. What makes the reading of autobiography so appealing is the chance it offers to see how this man or that woman has negotiated the problem of self-awareness and has broken the internalized code a culture supplies about how life should be experienced. For Maxine ... "
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Gender and Ethnic Identity in Asian American Film and Literature, 2002.
A look at the issues of gender and ethnic identity in Asian American film and literature through the review of the films " Double Happiness" and "The Wedding Banquet" and Maxine Hong Kingston's novel " The Woman Warrior: Memoirs of a Girlhood Among Ghost
2,900 words (approx. 11.6 pages), 8 sources, AU$ 129.95
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Abstract
This essay looks at the issues of gender and ethnic identity in two films and one novel, Double Happiness, The Wedding Banquet, and Maxine Hong Kingston's The Woman Warrior: Memoirs of a Girlhood Among Ghosts. These works provide the framework from which a reconsideration of ethnic and gender identity can take place. In these works, this reconsideration of identity centers on balancing old structures of identity with new experience and searching for a potential empowerment and confluence in the balancing the formation of a new identity.
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Breaking the Barrier: False Representation and True Identity, 2002.
An analysis of the representation of Asian identity by the West in Hunt Hoe's documentary," Who is Albert Woo?", Maxine Hong Kingston's novel, "The Woman Warrior", Mina Shum's film," Double Happiness" and the movie "The Wedding Banquet".
2,900 words (approx. 11.6 pages), 7 sources, AU$ 129.95
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Abstract
This essay will explore Hunt Hoe's documentary, Who is Albert Woo?, Maxine Hong Kingston's novel, The Woman Warrior, Mina Shum's film, Double Happiness, and the movie The Wedding Banquet in order to explore the complex representation of Asian identity in the west and the attempt by these three works of art to break racist stereotypes, which not only reduce and minimize Asian identity, but additionally negate the immigrant, cross-cultural experience.
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