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Sophocles' Antigone and Jean Anouilh's Remake, 2002.
This paper discusses Sophocles' Antigone and Jean Anouilh's remake of the Greek tragedy.
1,150 words (approx. 4.6 pages), 2 sources, AU$ 47.95
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Abstract
The paper shows that Anouilh's remake subordinated the themes connected to the duty to the divine -- which were so integral to Greek culture. Remaking the play in the context of World War II France, Anouilh focused more on the issues of integrity and political freedom. Disinterested in the notion of human rebellion again divine principle (which was Sophocles' preoccupation), Anouilh focused on the heroism of individual courage.
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"Eurydice", 2005.
Analysis of the play, "Eurydice", by Jean Anouilh.
1,027 words (approx. 4.1 pages), 1 source, MLA, AU$ 38.95
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Abstract
This paper introduces and analyzes the play, "Eurydice", by Jean Anouilh. Specifically, it discusses the contrasting idealism and realism in two representative places in the story and whether Eurydice is innocent or not. It examines how the themes of idealism, innocence, and realism intertwine to form the backdrop for a startling group of players, with the innocent and yet worldly Eurydice at the pivot point of the play. It also looks at the underlying meaning the author is attempting to get across to his audience. This tragic story shows how love can affect people and bring out the best and worst in people.
From the Paper
"The play contrasts idealism and realism quite effectively. Idealism shows itself from the start, when the two characters fall in love with each other without knowing a thing about each other. Playwright Anouilh writes, "'I'll never leave you.' 'Will you swear that?'" (Anouilh 66). These two do not know each other, and yet they already are pledging themselves to each other. This is the ultimate in idealism. Here it is shown as young and innocent love that believes anything is possible. The two "children" have not lived enough to understand the difficulties and realism of life, and so, they believe their love is possible, which of course, it is not. Eurydice sees this dimly when she says, "'D'you think you'll make me very unhappy?'" (Anouilh 66). She says it almost as if she does not believe it, and yet, she is worldly enough to know that the idealism of youth is soon replaced by the reality of age, because she was ravaged young, and has lived a hard life. Orpheus embodies the innocence and idealism of the couple, because he will do anything to stay with Eurydice, even abandon his father and consort with the devil. Orpheus is idealism personified, while Eurydice leans toward realism, because her life has actually been more difficult even than Orpheus' life."
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The French "Antigone", 2004.
An analysis of the modern-day version of the play, "Antigone", by Jean Anouilh.
888 words (approx. 3.6 pages), 0 sources, AU$ 33.95
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Abstract
"Antigone", by Jean Anouilh, is a retelling of the Greek play of the same name. Anouilh's version was a thinly disguised criticism of the Vichy government of his native France and was banned by the Nazis. The paper provides an analysis of the play and shows how the audience of that time could well relate to themes of fate, courage, and the defense of values.
From the Paper
"French audiences who had just been liberated from Nazi/Vichy rule must have welcomed such a play. Antigone is presented as a truly tragic heroine, someone who could not compromise her values under any circumstances. This would have emphasized the opinion of many regarding the Vichy regime, which was made up of French leaders who decided to attempt to placate the Nazis. There is no doubt that when Antigone stood alone against the king's power, she sealed her fate. Creon could not have felt secure on the throne, given that the previous king and the two rightful heirs had all just died in what amounted to civil war."
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Blue Jeans and Society, 2006.
A look at the history of denim jeans and the impact denim has had on society.
2,325 words (approx. 9.3 pages), 11 sources, APA, AU$ 76.95
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Abstract
This paper reviews the intertwined, complicated history of denim jean fabric and how the name came about. This paper also takes a look at how the denim jean fabric has had an impact on society, fashion and culture.
Contents:
Introduction
The Origin of Jeans
Technical Aspects: What is Denim?
The History of Blue Jeans
Impact on Society
Conclusion
From the Paper
"There are several sources which ascribe various meanings to the word denim. Many of the source books on the subject state that denim is derived from the English translation of the South of France French phrase 'serge de Nimes'. Denim fashion history has therefore become associated with Serge de Nimes. (Denim Jeans - Fashion History). The Serge de Nimes was originally a wool silk mix, twill weave. There was also fabric which was known as "nim" in France and both these fabrics were composed partly of wool. (A history of Denim)
The word "Jeans" is considered by most source to come from 'Genoese'. This was the name give to Italian sailors in Genoa who "...when at sea dressed in blue fustian fabric composed of a cotton and wool or linen blend." (The Blue Jeans Story) Another European fabric made from a cotton, linen and wool blend "... was known as 'jean' after the sailors of Genoa, Italy, who wore it." (Denim Jeans - Fashion History)"
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Culture of Jeans, 2000.
A look at the ideology and symbolic meaning behind jeans and how this has changed over time.
1,900 words (approx. 7.6 pages), 6 sources, AU$ 64.95
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Abstract
The ideology of Jeans in the United States has been changing for decades due to the shift in pop culture. Because of the diversity of American culture, the idea behind the jeans has evolved from hard-working to self identification. The author examines the changing symbolic significance of jeans for American society over time and the symbol they serve for popular culture.
From the Paper
"Jeans, or to be exact, blue jeans, have been carrying its very symbolic significance for America over the last 150 years. For the past century and a half, the culture of jeans has changed the ideological symbolism from initial proletarian wardrobes (toughness, independence, and hardworking) in the mid-nineteenth century to modern twenty-first century representation of selfness (uniqueness, individuality, and personal styles). Not only has the ideology changed over time, but the jeans per se, its design, style, embellishment, or even marketing strategy also change from 'western-era' plain style emphasizing durability, through 'rebellious-period' creative style stressing anti-tradition, to 'post-war epoch' advocating casualness, following neck-and-neck along the societal pulsation. Jeans therefore can serve as an accurate barometer of trends in contemporary, now and then, popular cultures."
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Apple Bottoms Jeans, 2005.
An analysis of the company and product, "Apple Bottom Jeans".
2,475 words (approx. 9.9 pages), 10 sources, AU$ 104.95
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Abstract
The paper reports on the company and the product "Apple Bottoms Jeans", a line of women's jeans designed by a rapper named Nelly and sold through a distribution company. The paper examines how Nelly designs the clothing and his cousin operates the company. The paper further examines how the company does its own marketing, and the product is sold through an association with the music world, as well as other endorsements and methods of marketing.
From the Paper
"Apple Bottom Jeans is a company that has had considerable success in a relatively short period of time. It is also a company with an unusual genesis, having been created by a hip-hop artist who designed a pair of jeans for women and has since marketed those jeans in a very effective manner."
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Comparing Michel Foucault and Jean-Francois Lyotard, 2007.
This paper compares the philosophies of Michel Foucault and Jean-Francois Lyotard through two of their works.
2,832 words (approx. 11.3 pages), 4 sources, APA, AU$ 90.95
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Abstract
This paper compares Michel Foucault and Jean-Francois Lyotard, both early postmodern philosophers, through the use of two of their works, as well as other sources. These works are Foucault's "The Body of the Condemned" and Lyotard's "The Postmodern Condition". In addition to these works, other information about Foucault and Lyotard is used to indicate the similarities and differences between these two works, their philosophies and their beliefs. While the two works are analyzed, the overall philosophies of Foucault and Lyotard are also addressed.
Outline:
Michel Foucault
Jean-Francois Lyotard
Conclusion
From the Paper
"Foucault fits into the general philosophical tradition, but it is the critical tradition, similar to Kant, and most of what Foucault writes about and proclaims is a very critical history where human nature and thought is concerned (Foucault, n.d.). This does not mean that the history of ideas that he discusses is also an analysis of the errors that might be seen when issues are examined after the fact. Instead, it should be taken to mean that Foucault's work is an analysis based on the relationship between object and subject, and what conditions are seen to either form or modify those relationships (Foucault, n.d.)."
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Jean Lafitte: The Gentlemen Pirate.
This paper discusses Jean Laffite, a pirate who played a heroic part in the Battle of New Orleans.
850 words (approx. 3.4 pages), 6 sources, APA, AU$ 32.95
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Abstract
This paper explains that the legendary pirate, Jean Laffite, who lived from 1780 to 1825 (approximately), was born in Bayonne, France. The family eventually migrated to the Island of Espanola from where the Laffite brothers sailed the Gulf and the Caribbean and were involved in many privateering missions. The author points out that a pardon was offered to Laffite in 1814 by the British if he would assist them in attacking New Orleans, but Lafitte refused and informed the U.S. of the plans, which resulted in Lafitte fighting for Andrew Jackson in the Battle of New Orleans in 1815 and receiving a pardon from President James Madison. The paper relates that Laffite sailed to Mugeres Island, which is off the Yucatan coast, where he continued his pirating activities until sometime around the year of 1825 when he became "mortally ill," returned to the mainland, and died.
Table of Contents
Jean Laffite
Laffite and Governor Claiborne
Laffite and General Jackson: The Battle of New Orleans
Laffite: The Hero
Conclusion
From the Paper
"The U.S. Army and Navy attacked Laffite and captured some of his ships. Laffite still announcing his loyalty to the United States offered his assistance to the worn and weary troops of General Andrew Jackson defending New Orleans in exchange for a full pardon for himself and his men. General Jackson accepted the proposition and Laffite and his men, now called the Baratarians, fought with all their might in the Battle of New Orleans, which took place in December of 1814 and January of 1815. General Jackson said that Laffite was "one of the ablest men" in battle and a proclamation of pardon was issued by James Madison, President, for Laffite and his men."
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Anouilh's "Antigone", 2006.
Antigone and Creon are poised against each other in a battle of reasoning in Anouilh's "Antigone". This paper explores the degenerative qualities of their innate opposition.
1,106 words (approx. 4.4 pages), 0 sources, AU$ 41.95
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Abstract
Following brief, brutal conflict, the opposing qualities between Antigone and Creon prove to cause disastrous results on both sides of the opposition, though Antigone pays the greater price. Using a scholarly article entitled "Patterns of Imagery and Anouilh's Antigone" by the widely respected William Calin, this paper explores, in detail, the images associated with Antigone and Creon and what the consequences of their brutal interaction are in Anouilh's work, "Antigone". The first comparison examines Antigone's youthful naivety in comparison to Creon's aged indifference. Next, Antigone's association with nature is set against Creon's ties with civilization. In another comparison, this paper explores Antigone's beauty in comparison to Creon's ugliness. Finally, the paper delves into Creon's qualities of dominion which are thrown into upheaval by Antigone's rebelliousness. The paper closes by questioning whether or not Creon is actually victorious in spite of Antigone's death.
From the Paper
"Throughout her entire argument with Creon, Antigone remains violently opposed to whatever Creon has to say; even when Creon makes a valid point to diffuse Antigone's argument, she modifies her stance just to stay in opposition with Creon. It is almost as if a law governs Antigone's personality, one that does not allow her to wholly agree on anything Creon says, thus perpetually putting her at odds, inevitably calling for her death."
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Jean Watson, 2004.
A brief analysis of Jean Watson's "Theory of Human Caring".
735 words (approx. 2.9 pages), 3 sources, MLA, AU$ 28.95
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Abstract
This paper discusses the theory of human caring as propounded by Jean Watson. The paper contends that Watson's theory is based on the notion that love and care have therapeutic properties, and when used properly with medical competencies, they can become major healing forces. The paper explains that the theory is grounded in humanism, which seeks to provide patients with spiritual, emotional, mental, as well as physical comfort and well-being.
From the Paper
"The theory sounds complex to many because of its rather perplexing terminologies and extensive use of overlapping and sometimes vague concepts. But it is definitely one of the most important nursing theories to have emerged in the late 20th century and is solely responsible for turning 'caring' into a science. It has become a standard for judging new practices and competencies in nursing because Watson has successfully managed to bridge the gap between theory and practice by incorporating the two into the same framework.
With rapid changes in the medical field and with new technologies emerging everyday, people especially those in the nursing field are in constant danger of losing sight of their core objective i.e. personal care. Nursing tasks have become too technical in nature and thus it is important to stress the need for transpersonal relationships and one-on-one personal connection between nurses and patients. By including mind, body and spirit into the whole scheme of care, Watson guides nursing in the right direction."
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Jean Watson, 2006.
An analysis of Jean Watson's views on nursing and health care.
1,350 words (approx. 5.4 pages), 4 sources, AU$ 56.95
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Abstract
This paper discusses the theory of Jean Watson, who situated nursing and health at the very center of human nature and as our source of unity. The paper claims that Watson was chosen because she focused on what had often been neglected in nursing - the spiritual dimension of the person and maintains that her position helps nurses to view nursing in an entirely different light.
From the Paper
"Jean Watson Introduction Jean Watson situated nursing and health at the very center of human nature and as our source of unity. She maintained that "the task of nursing and health and healing is related to the very nature of our shared humanity" (Watson, 2003, p. 197). Watson was chosen because she focused on what had often been neglected in nursing: the spiritual dimension of the person. Furthermore, her theory is derived from her own values, beliefs, and experiences. Watson's framework fits nursing perfectly since her theory is based on becoming, knowing, and doing."
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St. Jean De Crevecueur and Tom Paine, 2002.
A comparative analysis of the lives and writings of two different authors St. Jean De Crevecueur and Tom Paine who both envisaged the establishment of the United States of America.
1,469 words (approx. 5.9 pages), 7 sources, MLA, AU$ 51.95
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Abstract
This paper looks at the works of St. Jean De Crevecueur and Tom Paine, both from the early Puritan period, one a Frenchman and one an Englishman who defined the America as seen through their own eyes and illustrated contrary ideas of the new world that was to come. Thomas Paine focused directly upon the United States' aims and objectives by influencing the breaking off of America from England in order for the country to expand itself and be its own free government. Crevecueur saw it being an abundant, affluent and liberated country rich in agriculture.
From the Paper
"Thomas Paine's Common Sense, focused directly upon the United States' aims and objectives by influencing the disjoined of America from England in order for the country to expand itself and be its own free government. Thus, he utilized the metaphor of a "young oak" that became "full grown" in order to symbolize as well as encourage this change. In the novel, Common Sense, the most general theme that run throughout the novel was growth that had to do directly with the extensive landscape, the distended population of the United States, the government system that was becoming more like an adult independent who has grown- up to the mother country and the abundant soil of the Americas, which all reflected and helped to give this rising country (A. Owen, 1984)."
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Jean Toomer's "Cane", 2004.
An analysis of Jean Toomer's "Cane" and the issue of racial identity.
2,224 words (approx. 8.9 pages), 7 sources, MLA, AU$ 74.95
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Abstract
This paper reviews Jean Toomer's book, "Cane", explaining the book as an extension of the author's self, character, and beliefs that had been shaped by his rather affluent upbringing, the changing definition of race in 1920s, and by an inability to acquire one specific racial identity. The paper contends that Toomer had never experienced the negative impact of racial segregation and was given equal access to black and white social circles. This had resulted in weakening of a racial identity. The paper describes how Toomer refused to classify himself as a white or black and this laid the foundation of the non-racial ideology that was later found in his book, "Cane".
From the Paper
"When Cane was published in 1923, critics and famous writers including W. E. B. Du Bois, William Stanley Braithwaite, immediately received it and Sherwood Anderson as part of new and emerging African American Literature since it's author was a black man. Toomer was seen as solid new voice for African Americans as Braithwaite claimed: "we come upon the very first artist of the race, who . . . can write about the Negro without the surrender or compromise of the artist's vision. . . . Cane is a book of gold and bronze, of dusk and flame, of ecstasy and pain, and Jean Toomer is a bright morning star of a new day of the race in literature." Similarly Anderson termed Toomer's work "the first Negro work I have seen that strikes me as being really Negro." Toomer appreciated such valuable observations but was still uncomfortable with the idea of being labeled a Negro writer. A man who had repudiated racial identity a long time back was not willing to let others put him in a certain categories of writers. He even denied James Weldon Johnson the permission to reprint some of his poems from Cane in The Book of American Negro Poetry saying: ""My poems are not Negro poems, nor are they Anglo-Saxon or white or English poems. My prose likewise. They are, first, mine. And, second, in so far as general race or stock is concerned, they spring from the result of racial blending here in America, which has produced a new race or stock. We may call this stock the American stock or race." "
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Jean Chretien, 2002.
An overview of the leadership of Canadian Prime Minister Jean Chretien on his Liberal Party.
2,150 words (approx. 8.6 pages), 9 sources, AU$ 85.95
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Abstract
This paper will take an in-depth look at the control or command that Canadian Prime Minister Jean Chretien has over the members of his Liberal Party. His remarkable rise to power and in-party support will be examined, and the internal feuds that have recently erupted within the party will also be delved into, in a bid to assess his authority over members of his own party.
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Jean-Paul Sartre and Ethics, 2006.
Discusses the existentialism philosophy of Jean Paul Sartre as it relates to ethics.
3,106 words (approx. 12.4 pages), 12 sources, MLA, AU$ 96.95
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Abstract
This essay begins with the central thesis of Jean Paul Sartre's version of existentialism which is "that in man, and in man alone, existence preceded essence." The paper extends this theory through a discussion of Sartre's literary and philosophical writings, to show that Sartre believed that each individual creates his/her own being and his/her own ethics. Existence, or being, springs from authenticity and subjectively responsible action. The paper concludes that, for Sartre, there can be no wrong or evil action if it comes from an essential, authentic being.
From the Paper
"After the 1956 Soviet invasion of Hungary, Sartre could no longer support the Communist Party, though he still sympathized with the people's movement. True to his philosophy of action, he stated his disillusionment with the Party in May of 1968 in an essay "The Communists are Afraid of Revolution." He was now supporting an even more radical left French group called "les Maos." He was attracted to their ethical and political views, but never became a member."
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"White Noise" by Don DeLillo and "America" by Jean Baudrillard, 2003.
A discussion of postmodern America in the books "White Noise" by Don DeLillo and "America" by Jean Baudrillard.
1,719 words (approx. 6.9 pages), 2 sources, APA, AU$ 59.95
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Abstract
This paper examines postmodernism in the novel "White Noise" by Don DeLillo and the non-fiction book "America" by Jean Baudrillard. It explains that even though "White Noise" and "America" deal with reality and the undercurrents of postmodern life, both books are essentially different in their ultimate outlooks. The writer discusses Baudrillard's caustic view of American society and life in his book "America" and contrasts this with the perspective in "White Noise", which is more hopeful for America and its future, despite the dehumanization of postmodern living and the "white noise" it brings with it.
Outlook:
Introduction
White Noise & America
Conclusion
From the Paper
""White Noise" by Don DeLillo and Jean Baudrillard's "America" are, by technical definition, two very different books, the former being a novel and the second a non-fiction musing of a man's travels across the United States. However, both are very similar in that they offer an intense look into postmodern America, with its social relations being affected by society's preferred mediums - television, advertising, radio, and the process of simulacra - that is, the simulacrum that is vanity, a society which places value of false realities over real ones, where a hypperreality has replaced a real existence for human beings. Though both books tackle a reality which may not seem to exist, DeLillo's book at least has some hope for human beings and laughs at life's little hypocrisies, whereas Baudrillard offers little in the way of humor or hope."
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