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Henri de Toulouse-Lautrec, 2002.
This paper discusses the life and work of Henri de Toulouse-Lautrec, lithographer, French post impressionist painter and illustrator.
870 words (approx. 3.5 pages), 5 sources, MLA, AU$ 44.95
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Abstract
This paper explains that Toulouse-Lautrec, despite his physical handicaps and later by alcoholism, managed to create his own instantly recognizable style and his unique way to invoke a world that was full of jollity and humor. The paper points out that Toulouse-Lautrec stands out in graphic art; even today, his lithographs and posters are still being copied. The author believes that, since Rembrandt, Lautrec was maybe the most unforgettable artistic character, a status acknowledged years earlier by novelists and the film industry.
From the Paper
"Moreover, he was amazingly open to the unorthodox kinds of commission that his graphic success won him. He illustrated songs for music publishers, art exhibitions, theatre programs, confetti, menus for friends, designing posters for books, journals, plays, caf? and theatre stars, ordinary products as domestic furnishings, printing ink and bicycle chains. All these posters were effectively a form of anti academic propaganda. Thus, by taking this work to the street, he was involved in a delicate but classic form of revolution that turned out to be more real than the exhibitions and salons of the avant-garde ever were."
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Henri de Toulouse-Lautrec, 2004.
A look at the life and artwork of Henri de Toulouse-Lautrec.
905 words (approx. 3.6 pages), 4 sources, MLA, AU$ 47.95
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Abstract
This paper provides a brief biographical sketch of the life of Toulouse-Lautrec and then discusses and analyzes some of his art. The paper describes some of the influences on Toulouse-Lautrec's art, the uniqueness of his techniques and style, and the period when he was at the height of his career.
From the Paper
"Henri de Toulouse-Lautrec was born in Albi, France on November 24, 1864 to an aristocratic family. After breaking both his legs in separate accidents, it was discovered he had an inherited bone disease, and his legs never grew to their full potential. He enjoyed art, and in 1885, he began to exhibit and published his own work. Toulouse-Lautrec?s work was exhibited throughout Paris and included exhibitions at the Salon des Independents in Paris and Les XX in Brussels, Belgium. At the age of 36, he died of alcoholism and syphilis on Sept. 9, 1901."
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Paul Valery's "Introduction de la Methode de Leonard de Vinci", 2002.
This paper compares a quote taken from Paul Valery's "Introduction de la Methode de Leonard de Vinci" and to Salman Rushdie's "Haroun and the Sea of Stories".
1,090 words (approx. 4.4 pages), 5 sources, MLA, AU$ 56.95
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Abstract
This paper reviews the specific pieces by Valery and Rushdie and other pertinent supportive material. The paper concludes that Valery was a man of words who often felt that those who used them didn't know their power. The author feels that Valery knew the power of words but often felt the "gift" to write was not empowering.
From the Paper
"His quote, "Beauty is a way of death. The novelty, the intensity, the strangeness, in a word, all the values of shock supplant it", can be likened to the hunter who loves the hunt more than the eventual catch. So it is with words for Valery. It is the process, the thinking, the effort that fascinates him?not the work itself. Perhaps that is because he left the world of literature for the analytical and precise world of science."
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Henry the Just or Henry the Strong, 2003.
A discussion of two film interpretations of Shakespeare's "King Henry the Fifth".
1,782 words (approx. 7.1 pages), 0 sources, AU$ 84.95
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Abstract
Lawrence Olivier and Kenneth Branagh both produced film versions of Henry V, but they were both very different interpretations. This paper concentrates on Act I Scene I and discusses both directors' editing of the original play and how that affected the portrayal of "King Henry V".
From the Paper
"A good king is a moral one who listens to his advisors, who fights only just wars and who has overcome youthful wildness to emerge as a man ?full of grace and fair regard? (1.1.22). Or, a good king is a strong one who makes his own decisions, who fights any wars that benefit his country, and who has never had any youthful wildness to overcome. Shakespeare leaves the interpretation of his king in King Henry the Fifth to the audience, and Henry?s character has subsequently been performed in multiple ways. Lawrence Olivier and Kenneth Branagh both portray Henry as a good king in their screen adaptations of the play, but Olivier tends towards the former version of Henry as the morally just king and Branagh is more inclined to the latter version of Henry as the strong but immoral king."
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Henry Adams's "The Education of Henry Adams".
This paper reviews Henry Adams's "The Education of Henry Adams; Henry Adams was the grandson of John Quincy Adams and the great-grandson of John Adams.
1,770 words (approx. 7.1 pages), 0 sources, AU$ 84.95
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Abstract
This paper explains that Henry Adams's "The Education of Henry Adams" is subtitled as a biography, but doesn't actually tell the story of Henry Adams life; instead, it looks at how he developed his mental ideas and opinions based on historical, political, and philosophical contemplation of the things that were going on during his time. The author points out that, in the "The Education of Henry Adams," Adams places a great deal of criticism on himself and the entire world, which can be very satiric and biting, but there is warmth and humor contained within the book. The paper relates that one small downside to the book is that Adams appears to generalize everything to the point that it often appears he is lumping too many individuals together and does not allow various individual opinions to actually come through.
From the Paper
"Much of what the book has to offer, however, deals with the power that was had at the time by Christianity and the church and how this power was changed and forced into submission by Darwin's theory of evolution, and much of the power that technology had over individuals during that time. To discuss technology, Adams mentions the Paris exposition that he attended in 1900 and the dynamos that were present there. After he saw this type of technology coming to the front the also realized that Darwinism was causing so much chaos in the world and he felt that there was so much power in technology that the church was not able to withstand the onslaught."
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"King Henry IV" and "King Henry V", 2002.
Examines fraud, theatricality and politics in Shakespeare's "King Henry IV" (parts one and two) and "King Henry V".
3,930 words (approx. 15.7 pages), 18 sources, MLA, AU$ 157.95
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Abstract
The falsification of the audience?s expectations and Hal?s miraculous emergence as a great English king, alongside the Hal-Falstaff relationship out of which the future king?s identity is gradually constructed, are the main critical puzzles in most studies of the William Shakespeare's "King Henry" series. The paper examines concepts of fraud and politics in parts one and two of "King Henry IV" and in "King Henry V". It discusses notions by literary critics such as Stephen who claim that Hal is one of Shakespeare?s most Machiavellian characters. The paper argues that Machiavelli?s Prince is not sufficiently cruel or sophisticated to be ranked with Prince Hal, despite the fact that Falstaff?s cry for help, voiced in his paradoxical accusation that the Prince has corrupted him, seldom succeeds in inverting the audience?s impression that Falstaff is Hal?s misleader.
From the Paper
"The concept of necessity, as it arises from the morality-patterned Phychomachia, reinforces providentialist notions, an idea first advanced by Tillyard but in a rather different context. Religious providentialism fuses the personal and political domains and Hal?s borrowing from the theatrical and diachronic anthropological deposit causes the interweaving of theatrical illusion with politics, thus displaying their common structural patterns. The fusion of religion, politics and theatre culminates in Hal?s gradual conversion to virtue, which is at once a milestone in Hal?s allegedly privileged relationship with God, a major political event, and a stock trick of Elizabethan drama."
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Henry IV, Parts I and II and Henry V, 1994.
An exploration of the development of the king from a wastrel Machiavellian youth to a mature moral and political leader.
1,575 words (approx. 6.3 pages), 6 sources, AU$ 81.95
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From the Paper
"The three history plays by Shakespeare known as the Henriad are comprised of Henry IV: Part I, Henry IV: Part II, and Henry V. Richard III is actually the beginning of the historical sequence, but the three plays of the Henriad are concerned specifically with the development and ascension of Henry V (formerly Prince Hal) to the throne of England. In the course of the three plays, Prince Hal changes from a rather wastrel youth to a mature king, and in his development Henry becomes what would be considered a Christian rathe than a Machiavellian prince, dedicated to cetain principles rather than to the principle that how a king rules is in itself always right.
Throughout these plays, including Richard III, there is a search for national unity is found in Henry V:
The principal theme of Henry V, already approached in..."
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"The Romance of the Rose" by Guillaume De Lorris and Jean De Meun, 1993.
A look at the duality of men's attitudes toward women (worship vs. contempt) in the novel about the Middle Ages.
1,125 words (approx. 4.5 pages), 1 source, AU$ 57.95
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From the Paper
"This study will analyze the duality of men's attitudes toward women as portrayed by Guillaume de Lorris and Jean de Meun in The Romance of the Rose. The study will consider the reasons that men worshipped women while at the same time having contempt for them, and will explore how this duality of attitude and practice helped shape the code of chivalry which men lived by during the Middle Ages.
In the Introduction to the book, we read that the story is told rather straightforwardly: "A Lover wishes to win his Lady (the Rose); her responsiveness (Fair Welcome) encourages him; her sense of modesty (Shame) fends him off; the dominance she exercises upon him (Danger --- a French form of the Latin word dominarium meaning 'domination') blocks his advance. Modern readers, accustomed to similar Freudian abstractions, can hardly..."
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Henry the VIII, 2002.
A look at two historical perspectives of Henry the VIII in " Henry VIII: The King and His Court" by Alison Weir and "Henry VIII: The Mask of Royalty" by Lacey Smith.
1,150 words (approx. 4.6 pages), 2 sources, AU$ 64.95
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Abstract
This paper will discuss the book "Henry VIII: The King and His Court" by Alison Weir, and the book "Henry VIII: The Mask of Royalty" by Lacey Smith, and seek to show how the first book gives us a clear look at the true Henry the VIII in action. By revealing the more Catholic and harsh view of Henry the VIII in Lacey's book, we find the Protestant reformer that is part of Weir's study to show his defiance to the Church of Rome. By pointing out both of the theories on the great King, we can see how Weir's book tells a more accurate story for Henry's rebellion against the Catholic Church.
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Diane de Poitiers: An Analysis of Influence and Feminism, 2002.
This paper examines the life of Diane de Poitiers, the mistress of the sixteenth century French king, Henry II.
2,150 words (approx. 8.6 pages), 9 sources, AU$ 116.95
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Abstract
This paper examines the life of Diane de Poitiers, the mistress of the sixteenth century French king, Henry II. The author notes that Diane de Poitiers emerged as a power in the French court of King Henry II because of her beauty, great insight, and political astuteness, and used them skillfully to forge an ever stronger relationship with the King. As the years passed she acquired so much influence that she became the queen of France in all but name, was the brains behind the throne, and was even placed in charge of educating the royal children of Henry and Catherine.
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The Struggle towards Unity in ?Henry IV?, 2004.
A look at how William Shakespeare, in his "Henry IV, Parts I and II", emphasizes the ideas of struggle and progress through his characterizations of Henry and Hal.
2,262 words (approx. 9.0 pages), 0 sources, MLA, AU$ 103.95
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Abstract
This paper examines William Shakespeare's plays, "Henry IV, Parts I and II", and, in particular, looks at how Henry misjudges his son and cannot see that Hal, who is not guilty of usurpation and regicide, will be able to unite the now divided kingdom. It shows how Henry?s faults and strengths cause him to symbolically reflect the struggle for progress, represented by the bridge between the corruption of England during Richard II?s reign and the unity of Henry V?s kingdom. It also explores how, after the ?struggle? ceases and Henry IV dies, Prince Hal becomes King Henry V ,and the previously divided nation progresses by integration.
From the Paper
"Hal?s adoption of the commoners is best described by the Duke of Warwick when he says: ?The Prince but studies his companions, / Like a strange tongue? to gain the language?? (Pt. II, IV, iv, 76-78.) Hal is like a growing tree basking in the sun, Henry IV is the gardener who planted Hal?s seed, and the commoners form one of Hal?s developing branches. By growing into a man ?of all humors,? (Pt. I, II, iv, 89) Hal is becoming his entire nation in an individual form, which is symbolically what a king is. Hal has studied the commoners well and is able to both talk and think like them, as portrayed in Hal?s witty exchanges with Falstaff. Hal?s desire to adapt to the needs of the various peoples of his country foreshadows the harmony that will dominate England when he is king."
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Writings by Cabeza de Vaca, 2005.
Examines how Cabeza de Vaca?s narrative, "The Relation of Ivar Nunez Cabeza de Vaca", provides rare glimpses of Indian culture and way of life that no longer exist today.
1,417 words (approx. 5.7 pages), 4 sources, MLA, AU$ 69.95
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Abstract
This paper focuses on how Ivar Nunez Cabeza de Vaca's "The Relation of Ivar Nunez Cabeza de Vaca" has historical significance by providing examples from the text and citing outside sources. This paper shows how important de Vaca?s book is as he gives his account of the lives of the Indian tribes in the 1500s. Since these Indians had an oral tradition instead of a written one, information about these tribes, and especially the role of women within these tribes, would not exist today without de Vaca?s book.
From the Paper
"Unlike many other cultures in that time, women had a voice and held some power in their society, making them more equal in power with men than in other cultures. Many traders were women as ?women of several native groups?performed roles as traders, guides, and peacemakers? (Wade 339). Essentially, de Vaca was a man doing women?s work, but it showed him moving from one role to another. This knowledge is important because it shows the roles that the women and men had in their culture and ?the flexibility of the native social structure of groups classified as gathering and hunting societies? (Wade 339)."
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Shakespeare's "Henry IV", 2000.
A discussion of the concept of honor in Shakespeare's play, "Henry IV".
1,836 words (approx. 7.3 pages), 4 sources, AU$ 85.95
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Abstract
This paper takes a look at how Shakespeare shows his audience the noble and ignoble nature of honor and chivalry in the behavior of the play?s main characters Henry Percy, Henry Prince of Wales, Sir John Falstaff, and King Henry the Fourth. An examination of "Henry IV" shows how Shakespeare demonstrates these 16th century values of honor and justice to his audience.
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Simone de Beauvoir, 2002.
Discusses the life and philosophy of Simone de Beauvoir with special emphasis on de Beauvoir's relations to existentialism.
1,400 words (approx. 5.6 pages), 3 sources, AU$ 77.95
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Abstract
This essay considers the life and philosophy of Simone de Beauvoir. A brief overview of de Beauvoir's life is offered here, followed by a critical consideration of de Beauvoir's relations to existentialism.
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'Don Quijote de la Mancha', 2006.
A review of 'Don Quijote de la Mancha' by Miguel de Cervantes Saavedra.
1,783 words (approx. 7.1 pages), 0 sources, APA, AU$ 84.95
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Abstract
This paper reviews the life of Miguel de Cervantes Saavedra, born 1547 in Alcala de Henares, Spain and how he used his experiences to write the book 'Don Quijote de la Mancha'. According to the paper, while the old fashioned ideals of chivalry, romance and aristocratic justice were steadily becoming hackneyed in burgeoning renaissance Spain, Cervantes took out his pen and wrote the relished story of 'Don Quixotes', the vivacious man from La Mancha whose imagination was as wild as the embraced socio-cultural history of the nation.
From the Paper
"This lackluster punctuation of daily duty was of no surprise to Cervantes, whose own personal histories were none too different. After the publication of his first literary work, "Serenisima Reina En Quien Se Halla," dedicated to the birth of Phillip II's second daughter, Cervantes spent his young years under the tutelage of Diego de Urbina aboard the royal Marquesa. In 1571, Cervantes was ill with malaria when his ship was attacked, and imbued with the same raptured infatuation for antiquarian ideals of nobility, he stood valiantly strong with his shipmates. "Cervantes is stricken with malaria but, in spite of high fevers, fights heroically from the bow of the ship, in the 'greatest moment that past centuries have seen and which those to come have no hope of seeing." At the battle of Lepanto, the event was less colorful; he was an injured, low-ranking shipman with little hope for career advancement and the ideals of a hero less applicable in the reality of a fighter struggling for one side in a bloody role for national cultural definition."
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?Henry V?, 2002.
A discussion of how William Shakespeare portrays his character of Henry V as the ideal king.
7,039 words (approx. 28.2 pages), 0 sources, AU$ 231.95
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Abstract
This paper looks at how in the play "Henry V", Shakespeare presents a portrayal of an ideal king and discusses the qualities that he possesses. It examines how Shakespeare uses the story as a tool to depict the qualities that an ideal king would possess and how he does this by showing Henry different situations to see Henry reacts to them. It also analyzes how Shakespeare also contrasts the difference between a good king and a good man since at time Henry is forced to do things for the good of the country that would in normal situations be considered wrong, unjust and immoral.
Outline
Introduction
Transition ? Prince Hal to King Henry
Learned
Just
Merciful
Charismatic and Inspiring
Focused and Dedicated
Heroic and Brave
Problems
The Man Behind the Crown
Conclusion
?Henry V? is not the only Shakespeare play that focuses on Kings and their qualities. Shakespeare, in his historical plays, has examined many different types of leaders, from Richard II, whom he shows to be a weak, indecisive king, struggling to keep control, to Richard III, portrayed as a homicidal tyrant who never let anything or anyone get in his way.
From the Paper
"In ?Henry IV part II? we see the prince Hal as unruly, wild, out of control, and with friends that would certainly not be considered good enough for a future king. However, at the beginning of Henry V King Henry is respectable, learned and completely different to his former self, they could almost be considered two different people entirely. The transition between these two different personalities is never fully explained, but it seems that the catalyst was his father death, and thus his inheritance of the throne and the responsibility of being King. Henry is forced to become a good king because the country needs a good king, and Henry is loyal to his country."
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