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Gratitude in Poetry, 2006.
An examination of the meaning of gratitude in poetry.
924 words (approx. 3.7 pages), 3 sources, MLA, AU$ 47.95
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Abstract
In this paper the author reviews the gratitude expressed in D.H. Lawrence's poem "Piano", Anne Bradstreet's poem "To My Dear and Loving Husband," and Toni Morrison's writing "Nobel Prize Speech." He highlights how the dictionary definition of gratitude as meaning thankfulness is not enough to justify the depth of the word. But, in poetry the word gratitude, becomes much more. The author describes how, in each poem the gratitude expressed can relate to the whole story and life of a person. One of the examples he gives is D.H. Lawrence's poem "Piano", which he describes as a nostalgic view of the gratitude Lawrence has for his mother's relationship. The author also relates to the other poems and their more deep meaning of gratitude which is expressed. In conclusion he reiterates that the dictionary meaning of gratitude is not enough, especially in poetry, as there is much more to the word.
From the Paper
"At first glance, Bradstreet's poem looks only like a love song; it does not outwardly thank anybody. However, a closer reading reveals not only its theme of gratitude, but also the notion that viewing the poem under the guise of its first appearance oversimplifies the poem and hides its complexity. Indeed, "To My Dear and Loving Husband" is written in rhymed couplets and is a mere 12 lines long. Nevertheless, it is clearly an illustration of the Puritan belief that wealth is a measurement of blessing (Ryken 20). Specifically, Bradstreet says, "Love is greater "than whole mines of gold/ Or all the riches that the East doth hold" (lines 5-6), thereby acknowledging that her greatest wealth is love."
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Middle Eastern Poetry, 2008.
This paper discusses Middle Eastern poetry, noting that such poetry tends to concern the conflict experienced around the poets.
2,056 words (approx. 8.2 pages), 7 sources, MLA, AU$ 93.95
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Abstract
In this article, the writer notes that Middle Eastern poetry is often peppered with honest assessments of the physical and emotional turmoil of conflict. The writer discusses that poetry in the Middle East tends to be a voice of record, in stylistic descriptions of the conflicts of mind, body and spirit that demonstrate a life or many lives in the turmoil of conflict and change. The writer maintains that many Middle Eastern authors feel a fierce obligation to write not only about the joy and struggle of writing poetry but also the trails and conflicts of their nations and the people whom they have known and whom they have imagined to have been deeply affected by all. The writer concludes that in the works of Ozkan Mert (Turkish) Taha Muhammad Ali (Palastinian) Eliaz Cohen (Israeli) and Aharon Shabtai (Israeli) one can locate the human drama of living in strife as well as the pleasure of poetic expression, without any real difficulty and with a great sense of wonder that is expressed through poetry and the wondrous human mind.
From the Paper
"Each of these writers are expressing the nature of self, the body of self and the nature of political and social upheaval, as it is expressive of the self and the whole. Each may be writing from an opposing side, but clearly their views are not opposing. Their voice is one that asks those who would choose to subvert them to listen to their voice as the voice of the individual seeking individual reconciliation in the face of conflict. The Middle Eastern conflict is a constant point of discussion in every arena, those offering solutions and those offering greater strife, and the words of these poets exemplify that the voice rarely heard is the voice of the people, the individual bodies and souls who live every day facing the results of conflict and the candor of legislative results.
"Ozkan Mert probably best exemplifies the passion and power of poetry, as a simple form that can convey a meaning beyond the nature of it length or even it s breath. Mert in his poem Whose on the Side of Poetry expresses the fear that some have of poetry, as a tool used by people to express the nature of strife, often when many wish that such strife not become public knowledge."
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What is Poetry?, 2006.
The paper looks at how Samuel Taylor Coleridge in his "Philosophic Definitons of a Poem and Poetry" defines poetry.
736 words (approx. 2.9 pages), 1 source, MLA, AU$ 38.95
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Abstract
The paper relates that Samuel Taylor Coleridge's approach to defining poetry is a combination of an examination of the purpose of poetry as well as the humanistic qualities of the poet. The paper discusses Coleridge's idea that the conglomeration of the human condition is necessary in order to manifest poetry. The paper explains this to mean that the full force of the heart and soul is necessary in order to create true art.
From the Paper
"Throughout the ages, philosophers have attempted to answer the question, what is poetry. Plato, Aristotle and Longinus contributed fine essays on this topic. During the Romantic era, a redefinition of the art of poet occurred, mandating a re-evaluation of what poetry is. The Romanic author and poet, Samuel Taylor Coleridge endeavors to answer this question in his essay, Philosophic Definitons of a Poem and Poetry. Coleridge's approach is a combination of an examination of the purpose of poetry as well as the humanistic qualities of the poet. Coleridge examines what poetry is, what a poet is and what the cumulative result of answering these two questions."
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Poetry in Elementary School Curricula, 2004.
This paper discusses ideas for the integration of poetry and the creative energy poetry can engender into non-poetic school learning environments.
2,115 words (approx. 8.5 pages), 5 sources, MLA, AU$ 96.95
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Abstract
This paper explains that poetry is a tool to stimulate creative problem solving, build an ability for creative expression, help a child develop literacy skills, and learn other subjects through the imaginative, resourceful use of poetry. The author points out that a 'persona poem' is a poem that is written in the first person; the writer imagines that he or she is an animal, a movie star, a politician, or anything or anyone he or she is not. The paper stresses that innovation and doing the unexpected are extremely important for elementary school teachers when coaxing students to love and use poetry throughout their curricula.
Table of Contents
Introduction
The American Poetry and Literacy Project
The Persona Poem
Using Persona Poetry in Social Studies, Music, Math, Science, and Art
Conclusion
From the Paper
"To move to another area of study, math; the student could write a persona poem pretending to be Albert Einstein?s pencil sharpener. Imagine all the work that sharpener must do ? since Einstein was said to go through a number of pencils each day during his mathematical research and formula writing ? and imagine all the grinding sounds and shavings, too. Or, alternatively, what would it be like to be the number ?1?? Would that be a grand feeling of winning (?number one? can mean the best, the first, the top choice), or would being ?number one? seem like a person had a long way to go to get to ?50??"
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Metaphysical Poetry- Characteristics,Types and Major Poets, 2005.
A discussion of the origins and nature of metaphysical poetry.
2,728 words (approx. 10.9 pages), 5 sources, MLA, AU$ 117.95
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Abstract
This paper examines the origins of metaphysical poetry and its characteristics. Poetic terms are defined and the types of metaphysical poetry are discussed. The major poets of this genre are introduced. Although the paper considers metaphysical poetry in a positive light, criticism of the movement is also presented.
Introduction
Characteristics of metaphysical poetry
A.Delight in Novel Thought and Expression
B.Far-Fetched Images
C. Affectation and Hyperbole
D. Obscurity
E. Learning
Types of Metaphysical Poetry
A. Amorous Poetry
B. Religious Poetry
Sources of Metaphysical Poetry
Poets of the Metaphysical World
A. John Donne
B. George Halbert
C. Andrew Marvell
D. Henry Vaughn
VI. Conclusion
From the Paper
"Metaphysics or the branch of philosophy dealing with the nature of existence, truth and knowledge based on abstract reasoning, was first applied to poetry by Dr.Samuel Johnson. He borrowed it from Dryden's derogatory phrase about Donne-"He affects the metaphysics." Dryden criticized Donne for his excessive obscurity and Dr.Samuel Johnson later used the term 'metaphysical' to describe the specific poetic method used by poets like Donne."
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Nostalgia in Romantic Poetry, 1996.
An examination of the use of nostalgia in the poetry of the romantic era (1768 - 1839), focusing in particular on the poetry of William Wordsworth and Samuel Taylor Coleridge.
1,951 words (approx. 7.8 pages), 5 sources, MLA, AU$ 90.95
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Abstract
This paper argues that nostalgia in poetry can be considered a particular kind of literary device, through which it is possible to gain some degree of insight into the whole ideology on which the romantic movement was based. Through an analysis of the poetry of William Wordsworth and Samuel Taylor Coleridge, it looks at how the romantics mourn the fleeting nature of time and look back to the golden age of childhood - which can only be recaptured through nostalgia. It shows how nostalgia allows the poets the opportunity to not only recapture the past, but to manipulate and control it and how the nostalgia displayed in romantic poetry is, then, a tool of the intellect and a calculated attempt to make sense of a confused world of impressions and feelings, to bring order where previously there was only chaos.
From the Paper
"Coleridge?s is an extreme model of nostalgia. Casting his mind back to childhood, he finds that the child he once was is also indulging in nostalgic thoughts of a still deeper past; the past he may have experienced even before birth, on a far different plane. This is the blissful, innocent world which becomes the ideal for all present existence, and the child who can still recall it, and imaginatively re-inhabit that world through nostalgia becomes, to the romantic mind, like a visionary without language or the proper means of expressing his recollection."
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Children's Poetry, 2002.
An overview of poetic genres in children's poetry and how children relate/react to poetry.
960 words (approx. 3.8 pages), 5 sources, MLA, AU$ 50.95
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Abstract
This paper looks at how poetry is a useful form of literature for children, intellectually and emotionally. It discusses the creative use of language, which is specialized to stimulate the imagination and arouse feelings of readers, especially children.
From the Paper
"Narrative poetry evokes emotions that represent the mood or feeling of the work, rather than that of the poet. This type of poetry was often used orally to relate new or events to others and in written form it is read like a story. Although some narrative poems (such as epics and romances) are too sophisticated for young readers, ballads are an appropriate form for this age level. Originally designed for an illiterate people, ballads are easily remembered and adaptable for singing or recitation. Although some ballads are ancient and difficult for children to relate to, ?old ballads do serve to transport children to a more primitive past, to wilderness, to feudalism, to a time quite different from their own, yet not without flavorsome, musical, language.? The appeal of these ballads is often in the use of language, which evokes a mood or emotions."
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Teaching Ethics Through Student Written Poetry, 2005.
A paper on the possibilities inherent in using poetry as a means of teaching morality/poetry.
2,387 words (approx. 9.5 pages), 18 sources, MLA, AU$ 106.95
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Abstract
In consideration of the age old question about where and how to begin teaching ethics to students, this paper looks at whether student written poetry might be an effective tool to teach the importance of living in an ethical manner.
From the Paper
"Gibelman , Gelman , and Fast (1999) conducted what they called a quasi-experiment. They created a specific set of criteria for a research paper, based on course content in a social work graduate school program. Then they took an actual student-written paper, one bought "off-the-shelf" from a "paper mill" and a custom-written paper. The study doesn't say if the same service was used for both of the bought papers. The next step was to send the three variations to professors around the country for grading. It is interesting to note that the most well-received paper was the student-written one where the writer had actually attended the class the paper was for. The custom-written paper was the next best graded. These researchers suggest that the student written paper was most acceptable because the student had information and insight into what the instructor required for the paper that could only be gained from attending classes. Instructor formulate the parameters of essays and research papers to make specific determinations about student knowledge and ability."
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Poetry in the 21st Century, 2004.
Explains the continuing relevance of poetry in our current era.
1,280 words (approx. 5.1 pages), 1 source, APA, AU$ 62.95
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Abstract
As the 21st century begins, poetry remains relevant to the lives of people in the Western world, an antidote to the popular culture of spectacle and instant gratification. Using the example of British poet, Jamie McKendrick, this paper argues that poetry remains relevant because it reflects what is universally felt and experienced by humanity. Poetry is irrelevant to popular culture, but not to the populace. McKendrick's poetry reflects life in a way that more spectacular entertainment cannot do. His poems invite the reader to reflect on great questions and to notice small details and beauties of the world. One of McKendrick's abilities is to express emotions in a way that the readers themselves could perhaps never manage. Poets are truth-speakers, and because their work truly reflects life, it is seldom straightforward. It is rare that a poem is fully appreciated after the first reading. Poetry demands engagement with the reader or listener; it cannot be passively watched like a Hollywood film. The reader must interact with the poem, and in the process, helps create the poem, since the meaning inferred by one reader may be different from that of another reader, and both may be different from the author's intended meaning. The paper concludes that poetry continues to be relevant because it expresses the human experience and does so with an uncommon intimacy and truthfulness.
From the Paper
"A poem will last for centuries if it skillfully explores the human experience because the essence of that experience does not change. Sappho and John Donne, for example, will always be relevant because people will always develop romantic infatuations. Alienation, longing, love, grief, the search for meaning, the discovery of the sublime in mundane life: These things will always be relevant. McKendrick can set his poems outside of time, as he does with "The Belen", or set a poem in Dante's Hell, because he writes about being human, not about being human in a particular century. In Ink Stone, he often writes of loss. The struggle of the intellect to understand death and the loneliness felt at the death of someone who understood one's dreams will resonate with readers in the next century as much as in this one because the act of grieving will not change."
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Matthew Arnold's Poetry, 2002.
An examination of Matthew Arnold's criticism applied to his own poetry.
1,150 words (approx. 4.6 pages), 3 sources, AU$ 64.95
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Abstract
This five-page undergraduate paper applies the theories and principles found in three selections of Arnold's criticism of poetry to his own poetry. His longer poetry is excellent; his short poems are often far from what he says poetry should be.
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The View of Poetry in Ancient Times, 2008.
A discussion of poetry as viewed by ancient Greek and Roman philosophers and poets such as Socrates, Plato, Aristotle, Horace and Longinus.
3,560 words (approx. 14.2 pages), 10 sources, MLA, AU$ 143.95
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Abstract
This paper examines views of the ancient Greek and Roman poets and philosophers on poetry. The periods' most prominent thinkers, Socrates, Plato, Aristotle, Horace and Longinus are essentially analyzed through their writings, thoughts and quotes about literature in general, their views on God, forms of poetry, and the role of a poet in the society.
These philosophers and poets examined the world around them, asking questions about it, and seeking rational explanations. This was the beginning of natural philosophy, which inevitably included questions of art and poetry. The paper concludes that the early Greek and Roman philosophers' and poets' writings about art and poetry greatly affected their followers and were important in the shaping of today's poet and poetry.
From the Paper
"Aristotle explicitly explains poetry and poet's duty explicitly in Poetics. For him, a poet's duty is not to deal with reality itself but to deal with the possibilities that are shaped within the nature of events. He differentiates between a poet from a historian. A historian naturally reflects reality itself, but a poet reflects the possibility of a probable reality. Poetry describes the general, but history reflects the only specific real events."
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"The Metamorphosis" and Poetry, 2002.
Discusses Franz Kafka's "The Metamorphosis" within the context of elements of poetry
650 words (approx. 2.6 pages), 1 source, AU$ 38.95
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Abstract
This paper compares specific aspects of Franz Kafka's "The Metamorphosis" to aspects of poetry. This allows Kafka's text to be seen in terms of both epic poetry and lyrical poetry, where the format and the content of the story are compared.
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Contemporary Culture in Poetry, 2001.
This paper discusses contemporary trends of modern poetry, giving examples of Michael Wigglesworth and Anne Bradstreet's works.
860 words (approx. 3.4 pages), 8 sources, AU$ 44.95
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Abstract
This paper provides a look at trends in poetry today. It focuses on two British poets, Michael Wigglesworth and Anne Bradstreet giving examples of their work and analyzing why they themselves are examples of these trends.
From the paper:
"Writing is one of the most time-honored forms of self-expression and entertainment for readers and writers alike. Among all the forms of writing: play writing; essay writing; journalism; fiction; poetry is the most personal style and although one reveals something about themselves in everything they write poetry is the most straight forward and self expressive. Through the years there have been hundreds of different styles of poetry and even more poets to fit the form."
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Poetry, 2002.
An overview of the assessment of poetry.
2,400 words (approx. 9.6 pages), 9 sources, AU$ 128.95
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Abstract
This paper is on the topic of assessing poetry. Poetry has figurative language, musical sound, and different symbols. The assessment of poetry is similar to that of fiction, but more precise.
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Open Form Poetry, 2002.
A study of the open form style of poetry, as seen in the anonymous poem: "What a wonderful bird the frog are,?.
1,160 words (approx. 4.6 pages), 3 sources, MLA, AU$ 57.95
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Abstract
This paper examines attention-attracting styles in poetry, primarily open form poetry. It uses the anonymous poem: "What a wonderful bird the frog are,? to highlight the characteristics of open form poetry explains the effect that this style of poetry has on the reader. It also touches on other attention-attracting devices, such as startling and repetition.
From the Paper
"Artists and writers utilize all manner of devices to attract their readers? attentions. Vladimir Nabokov, in his tome ?Pale Fire,? framed a novel in the form of a poem and its associated criticism. Nabokov publically stated that he attempted absolute mediocrity in writing the poem ?Pale Fire,? but this only showcases the unerring genius in the remainder of the work -- and as some critics would have it, genius in the poem itself despite Nabokov?s own disclaimer. Thomas Pynchon, in his epic ?Gravity?s Rainbow,? used all manner of attention-getting including various songs that the reader automatically sets to music in her head."
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The Poetry of Robert Frost, 2004.
Examines the broad appeal of Robert Frost's poetry.
1,100 words (approx. 4.4 pages), 11 sources, MLA, AU$ 55.95
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Abstract
This paper demonstrates through the example of Robert Frost that, contrary to popular notion, a poet does not need to have lived a tragic life in order to write great poetry. The paper gives a brief biographical account and points out that Frost's life was not nearly one of tragedy, but that his poetry, nonetheless, appeals to large audiences and has remained popular for generations. The paper points to the popularity of Frost's themes, the understanding and sensitivity expressed in his writing, and the different styles and techniques he used in his poems that have made his poetry so enduring.
From the Paper
"Robert Frost was born in 1874 in the city of San Francisco and lead a relatively peaceful life in his early childhood. He was raised with a mother and a father who provided a warm and stable environment for him to grow up in but at the age of 11 Frost lost his father to illness. While many widows fell apart and the children had to grow up quickly Frost?s mother reacted with forethought and calmness, making the decision to move her family to Massachusetts to be with her extended family members."
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