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Three Good Victorian Characters, 2002.
This paper discusses the goodness in three Victoria characters: Tess, ?Tess of the d?Urbervilles? by Thomas Hardy , Dorothea, ?Middlemarch? by T.S. Elliot and Amy Dorrit, ?Little Dorrit? by Charles Dickens.
1,140 words (approx. 4.6 pages), 3 sources, MLA, AU$ 57.95
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Abstract
This paper discusses the Victorian concept of female ?goodness? as seen in three characters: Tess, Dorothea and Amy Dorritt. The paper illustrates that there is one unifying element in these three Victorian texts: The force of human goodness in one singular, good female protagonist. The paper author believes that these character present profoundly different views of the impact of goodness upon human life.
From the Paper
"In contrast to Hardy, George Eliot wishes to stress the willed nature of goodness. "Middlemarch?s" main character, Dorothea Brooke, is willfully blind to the faults of her first husband, Causabon. Like the character, she is literally ?short sighted? about small dogs lying in her footpath and refuses to see ?what is quite plain,? about human marriage as her sister quite astutely says. Dorothea has admirable desires, to create improved cottages to shelter individuals from the elements, but creates an unrealistic ideal of the scholar Causabon in her head, until it is revealed too plainly that he will make a cold husband and that his intellectual ideals are narrow and sterile. Dorothea also might be ?too late?, as it was for Tess, were it not for the convenient death of her older husband and her marriage (and subsequent disinheritance of fortune) to Will Ladislaw. Eliot, in contrast to Hardy, sees more of an element of moral choice in Dorothea?s poor marital and sexual choice."
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Victorian Novels and Male Characters, 2005.
A discussion about the qualities of male characters as depicted in Victorian novels.
2,458 words (approx. 9.8 pages), 9 sources, MLA, AU$ 107.95
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Abstract
This paper argues that Victorian novels did not have adequate middle-class male characters because there was a certain rigid description of a gentleman accepted by the society. It explains that the two most important characteristics of gentleman were power and wealth, and anyone who lacked the two was shunned and rejected by the upper classes. It states that it is true that there were, indeed, some genuinely inadequate characters, but most were labeled inadequate because they lacked the wealth, sophistication, and power that marked the upper classes.
From the Paper
"Victorian Age refers to the period in English Literature roughly from second half of the 18th century to late nineteenth century. This is a broad coverage of Victorian period and it has therefore been sub divided into early Victorian and late Victorian eras as well. It is important to discuss that various literary movements like Romantic Victorian or Elizabethan have been assigned these labels because of certain characteristics that were found in the fiction written during these periods. For example during the Romantic era, most authors and poets were highly interested in the nature and its influence on mankind. In the same manner, during the Victorian era, the fiction took on new meaning and there were some important changes that were noticed in the literature of that time."
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"Good Night, and Good Luck", 2007.
This paper discusses media ethics in the movie "Good Night, and Good Luck."
999 words (approx. 4.0 pages), 4 sources, MLA, AU$ 51.95
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Abstract
The paper describes how the film, "Good Night, and Good Luck"
takes place in the hostile environment of the "Red Scare" in 1950s America. The paper relates that "Good Night, and Good Luck" tells the story of the CBS broadcast team who overcome immense pressure from sponsors, owners and even the government in an attempt to broadcast the truth to America. The paper examines how the characters face three ethical dilemmas that are a reflection of the difficult ethical choices that exist in the media.
From the Paper
"There are numerous ethical issues facing the characters in "Good Night, and Good Luck." The primary ethical issue is Edward Murrow's quest to maintain what he believes his right from wrong in his reporting of the news. A second ethical issue is Joseph McCarthy's apparent unethical decision to use lies to get his point of view across. He calls anyone that crosses or dares oppose him a Communist. A third ethical decision involves the CBS Studio who decides to turn a blind eye to the in house marriage which is against company rules and regulations."
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Film: "Good Night and Good Luck" (2006), 2007.
This paper is a a visual analysis of the film "Good Night and Good Luck" (2006).
2,580 words (approx. 10.3 pages), 1 source, MLA, AU$ 112.95
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Abstract
This paper explains that the film "Good Night and Good Luck" is a social commentary and biography of 1950s era CBS television newsman Edward R. Murrow (1908-1965), and the period of the "McCarthy Years". The author points out that the transitions between film shots and real footage was made excellent because both the entire film and the real footage are in black and white and almost always the people inside the CBS studio itself are seen looking at television monitors where this footage is playing. The paper relates that the film was effective visually as a depiction of the 1950s because it was shot it entirely in black and white (as there was no color television in the 1950s), the 1950s-era costumes, the prevalence of cigarette smoke inside the workplace, the 1950s jazz instrumental and vocal music and the overall stark, "no frills" atmosphere of this era and setting.
Table of Contents:
Introduction: A Background History of the Film
Beginning Credits
Lead-in Shots, Techniques, and Attraction of Audience Interest Sequencing of Scenes and Episodes from a Visual Standpoint
Color Scheme and Motifs
Costume Design. Music: How Does Music Support the Visuals? Recurring Visual Motifs and Symbols
A Scene with Only a Little Dialog Dependent on Visuals
The Most Memorable Scene
Camera work: Close ups? Distance shots? Unusual Angles?
Closing Scenes
Observations
From the Paper
"The credits at the beginning of "Good Night and Good Luck" appear, interspersed with various lead-in shots of newsmen dressed in 1950's era tuxedos and smoking cigarettes, along with a few women in evening dress, waiting for a speech by Edward R. Murrow. The credits are not given all at once, but rather, mixed in, at evenly-timed short intervals, among the opening shots. The opening credits are not extensive, but mention only the director, producer, and a few others. When these few credits are over, then, wed are already involved in the lead in action of the movie, ..."
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Behind Every Good Man is a Good Woman, 2003.
The following paper presents a detailed examination of women in the confederacy.
1,400 words (approx. 5.6 pages), 9 sources, AU$ 67.95
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Abstract
The writer discusses the duties and involvement that women had in the way as well as examples of patriotism shown by women. We are also given some examples of female heroines from the war.
From the paper:
?When we think about a Southern Belle, we envision a pale, fragile wisp of a woman who swoons if it gets to hot. She is delicate and beautiful and must be taken care of by a man. Over the last centuries this is the image that we have adopted when it comes to the way we perceive Southern women. The reality however is much different. Even during the Civil War women of the Confederate side were tough, capable and willing to do what ever it took to win the war effort against the North.?
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Analysis of Thomas Hardy's Women Characters, 2008.
A thesis paper analyzing the female characters in Thomas Hardy's "Tess of the D'Urbervilles" and "Jude the Obscure" in the light of feminist criticism.
19,400 words (approx. 77.6 pages), 33 sources, MLA, AU$ 360.95
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Abstract
The novels of Thomas Hardy have created intense critical debate and discussion in recent years, especially in terms of post-structuralist and feminist readings and interpretations of the texts. A central focus of this critical and theoretical literary discourse is the apparent ambivalence and ambiguity that many scholars perceive in the works with regard to his attitude towards women and their place in society. This apparent ambiguity in Hardy's presentation of women forms the underlying and central trajectory of thought in this paper and an attempt is made to relate these critical views to the two main texts under discussion; as well as presenting an overall view of the feminist stance as it pertains to the interpretation of the selected texts. A further and equally important dimension of this study is the exploration of the view that Hardy's perception towards women was influenced by the conservative society and times in which he lived. This paper also explores to what extent the writer questioned and opposed the patriarchal views that were dominant in Victorian society at the time. The central core of the present analysis of Hardy's novels is therefore focused on feminist interpretations and critiques of the works in question. More specifically, the feminist critique is involved with the post structuralist and postmodern deconstruction of western society and the interrogation of the constructs and master narratives that inform or create various social attitudes and perceptions of gender. This is an aspect that is developed in the theory section of the present study and is expanded on further in the analysis of the novels. A central fulcrum around which the discussion in this paper revolves is the apparent ambiguities and contradictions in Hardy's works, when seen from a feminist perspective. This paper also attempts to reconcile these two seemingly opposing views of the works to some extent. Another central element in this analysis of Hardy's novels is the focus on the politics of sex and the cultural and social norms and values that played an important part in the view of women and gender discrimination in Victorian society. There is little doubt that Victorian society had a very narrow view of the potential and individuality of women. There are many feminist views, concepts and theoretical constructs that are also incorporated into the analysis of the texts. For example, the importance of the theory that society "politicizes" the female body and the way that the female body is objectified and becomes an "object of desire" rather then a living person. However, throughout this analysis a balance is maintained between the theoretical views and analytical tools that are used by feminist critics and an analysis of the text itself. In other words, the theoretical views are measured against the actual text.
Outline:
1. Introduction
1.2. Thomas hardy and Victorian society: a brief background.
2. Feminist theory and Hardy
2.1. Modern theoretical trajectories and feminism
2.1. 1. A note on post - structuralism and postmodernism
2.2. Feminist theory and literary criticism
2.3. The Social and cultural context
2. 4. The Male Gaze
3. Tess of the d'Urbervilles
3.1. The problem of Hardy as a feminist novel
3.2. Overview
3.3. Tess and traditional feminist interpretations
3.4. Tess of the D'Urbervilles and sexual politics
3.5. Sexual construction
3.6. The development of Tess and the fight against the 'male gaze'
4. Jude the Obscure
4.1. Introduction and overview
4.2. Brief summary of the novel
4.3. The male world divided from nature
4.4. Arabella
4.5. Sue
5. Conclusion and Assessment
6. Bibliography
From the Paper
"The most imperative aspect that Mitchell notes is that feminist interpretations are extremely important in an understanding of these works due to the fact that female characters and issues surrounding sexuality and gender form such an important part of almost all of Hardy's novels and cannot be ignored in terms of modern analysis. This may seem like a rather obvious point but in many of Hardy's works the focus is on the female characters as a reflection of and comment on society and the cultural milieu of the novels.
"Sexuality and its ramifications in terms of characters like Tess in Tess of the D'Urbervilles is also an important aspect of contemporary feminist critique that applies to the novels. This is an aspect that is especially important in an analysis of the novels.
"One of the most important early feminist critics of the work of Thomas Hardy is Mary Jacobus (1975). Her work has been focused on the psychological dimensions and representations of Sue Bridehead and the nature of her emancipation, in Jude the Obscure. (Harvey 183)."
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"Good Man" According to Aristotle, 2002.
Examines the function of Aristotle's "good man" and "good citizen" in his ideal polis.
2,650 words (approx. 10.6 pages), 6 sources, AU$ 141.95
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Abstract
This paper will approach Aristotle's "good man" in terms of both Aristotle's "Nichomachean Ethics" and his "Politics". It will be argued that the "good man's" relationship with the ideal polis can only be understood in terms of the ethical and political distinction Aristotle draws between the "good man" and the "good citizen". While in the ideal polis the two are identical, in the real world they are separate more often than not. From this perspective, the "good man" may be seen to vindicate the ideal polis in that the perfection of the state is dependent upon all its component units being good.
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A Good Woman in Colonial Times, 2007.
An analysis of "Sovereignty and Goodness of Good" by Mary Rowlandson.
1,410 words (approx. 5.6 pages), 1 source, MLA, AU$ 67.95
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Abstract
The paper discusses how "Sovereignty and Goodness of Good" by Mary Rowlandson is both typical and atypical of captivity narratives of the early American colonial period. The paper examines how the author refers to the Native-Americans as savages. However, as her captivity wore on, and her experiences with the Native-Americans grew more intimate, Mary Rowlandson began to show more compassion and balance in her point of view of the Native-Americans. The paper reveals her morality and culture and maintains that this personal adaptability, combined with a balance and generosity of spirit that marks Mary as a distinct voice, may have garnered Mary's greater acceptance by her captives. The paper adds that it also gains her an additional credit as a historical voice and testimony to early settler and Native conflicts.
From the Paper
"It is true that Mary's religious language makes itself evident in the narrative early on. Mary paints the Native's conflicts with the settlers in black-and-white moral terms and demonstrates the similarity of her perspective with other captive women in her theological viewpoint. Mary's view of the events of her life as a playing-out of Biblical conflicts, rather than a struggle for amoral natural resources shows how her fundamental perspective is still united with the culture of her original English people, throughout her travels with the Indians."
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Good Students and Schools, 2002.
An analysis of what constitutes a good student and what a good school should represent.
1,650 words (approx. 6.6 pages), 5 sources, AU$ 89.95
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Abstract
This paper will discuss what is a good student and what this means in the context of how a student functions in learning about the world that he or she lives in. Also, an evaluation of what represents a good school will be provided by an analysis of the objectives that an institution should take to best teach its students and prepare them for the real life. All of these topics will be covered in this paper to create a clear understanding of achieving excellence in both fields.
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Gender and Sexuality in the Victorian Age, 2005.
This paper discusses gender roles and sexuality of the Victorian Age as presented in literature.
900 words (approx. 3.6 pages), 2 sources, AU$ 51.95
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Abstract
This paper analyzes the gender roles and sexuality of the Victorian Age as confronted in Sarah Orne Jewett's "The White Heron" and Kate Chopin's "At the Cadian Ball" and "The Storm". The author points out that the character development of the character Sylvia's sexuality in Jewett's tale can be compared with that of the character Calixta in Chopin's gender role allocations. The paper relates that both women characters challenge the societal norms of their time period, questioning the stereotypes for women within Victorian society.
From the Paper
"This literary analysis seeks to understand how gender and sexuality create conflict within the story "The White Heron by Sarah Orne Jewett and the two stories: "At the Cadian Ball" and "The Storm" by Kate Chopin. By analyzing the character development of Sylvia in Jewett's tale, one can compare and contrast her sexuality with those of Calixta in Chopin's gender role allocations. In this manner, Calixta seeks to venture out of traditional modes of female sexuality, as does Sylvia, but both women take different paths in their sexuality. In this analysis, both women challenge the societal norms of their time period, questioning the stereotypes for women within Victorian times."
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Brecht?s 'The Good Woman of Setzuan', 2000.
Bertolt Brecht?s 'The Good Woman of Setzuan' portrays the struggle to be good while living in a corrupt society and the delicate balance needed to survive within it.
2,085 words (approx. 8.3 pages), 1 source, MLA, AU$ 94.95
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Abstract
An analysis of Bertolt Brecht?s play 'The Good Woman of Setzuan'. Throughout the play Shen Te juggles her promise to be good with the necessity to be bad. The author finds through the protagonist and the creation of her doppelganger, 'The Good Woman of Setzuan' portrays the struggle to be good while living in a corrupt society, and the delicate balance needed to survive within it as seen in Shen Te's struggle as a good woman leading the life of a prostitute.
From the Paper
"Shen Te, a good woman, a prostitute, and the only one willing to take three gods into her home is rewarded with 1000 silver dollars, with which she is to ?above all be good?(712). This mission tears her in two. Shen Te and her doppelganger Shui Ta are in a delicate balance of power. Shen Te needs to keep her promise to the gods by being a good woman, helping those around her in need. Because Shen Te is too good, those she helps threaten to ruin her own survival. To remain a good woman Shen Te must create someone to fight for her. Like parents, both Shui Ta and Shen Te make up the whole of one unit. Shen Te is a nurturing, sweet mother-type while Shui Ta becomes a strict, disciplinarian, father-type. Through the protagonist and the creation of her doppelganger, Brecht?s The Good Woman of Setzuan portrays the struggle to be good while living in a corrupt society, and the delicate balance needed to survive within it."
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Victorian Women, 2002.
A discussion of the role and expectations of women in George Eliot's "Middlemarch".
2,394 words (approx. 9.6 pages), 1 source, MLA, AU$ 106.95
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Abstract
This paper examines how in "Middlemarch", George Eliot demonstrates what she believes is an incongruity in Victorian society. It analyzes how she uses a range of female characters as both good and bad examples as to their fulfilment of differing expectations and the roles they play in their interaction with others. It shows how the characters that most adapt their role to fit with the opinions of a majority often hold more prestige within the provincial society and looks at how Eliot?s message is clear when we see that those who follow the expectations of a minority, and in particular those who follow their own path, end up happy by the close of the novel.
From the Paper
"Chettam errs in expecting Dorothea to love him for the ?excellent human dough? that he has received through birth. He has more emphasis on the quality of his future bride as a trophy rather than a lover, weighing in his mind whether it would be better to marry Dorothea or Celia, her sister, and concludes that Dorothea is ?in all respects superior?. He expects women to share this unaffected, showy attitude towards love in assuming that he is capable of marrying either of the sisters, and that they naturally would coincide with his desire. He is therefore hurt when he learns that ?he was not an object of preference to the woman he had preferred?, and we see that Dorothea is more unorthodox in her role in denying the ?amiable, handsome baronet? her courtship."
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Moral Goodness, 2002.
An analysis of Aristotle's philosophy of moral goodness, as put forth in his work ?Nicomachean Ethics?.
1,497 words (approx. 6.0 pages), 1 source, MLA, AU$ 71.95
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Abstract
The paper describes how Aristotle?s concept of moral goodness or righteousness, as expounded in his chief work, entitled ?Nicomachean Ethics,? shows how all human actions are aimed at some good, which is part of a series of goods that lead to an ultimate good. That ultimate good must be complete, final, self-sufficient and unceasing, which is called happiness or ?eudamonia? in Greek. The paper also discusses other ideas which appear in ?Nicomachean Ethics? such as virtue and the good life, which all ultimately link up to moral goodness.
From the Paper
"He defines ?virtue? or ethical ?virtue? as a habit, which disposes a person to act by deliberate choice, being at the mean, and defined by reason as a prudent man would. Virtue is not a single act but a series of acts that proceeds from a habit of acting well. An act is virtuous only if it done deliberately, with full awareness and knowledge, and doing it because it is a noble act. The act must be the golden mean between extremes. And a prudent man is one who exercises the virtue of prudence, which is an intellectual virtue, whereby a person determines the mean in every situation and does it. A virtuous action must also be voluntary, that is, without fear or ignorance, and with proper intention, which works with reason in being performed."
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Flannery O'Connor's "A Good Man is Hard to Find", 2006.
An analysis of the title of Flannery O'Connor's book, "A Good Man is Hard to Find".
675 words (approx. 2.7 pages), 1 source, AU$ 38.95
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Abstract
This paper evaluates the title of Flannery O'Connor's book, "A Good Man is Hard to Find" from the perspective of the grandmother character in the book. More specifically, the paper analyzes the title from the grandmother's perspective of a good man and the individual's ability to find goodness from within the soul. As an example of this perspective, the paper points out that the grandmother continuously discusses the concept of a 'good man' as she views main in relation to society. When conversing with the mechanic, Red, the grandmother contends that he was taken advantage of by others because he was naturally good, and therefore, a "good man". The paper explains that this conversation suggests that a good man is one that treats others kindly and that attempts to do his utmost in order to be honorable within the social order.
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Victorian Literature, 2002.
This paper discusses the book "Victorian Prose and Poetry," by Lionel Trilling and Harold Bloom, with a focus on compromise and realism in Victorian literature.
1,101 words (approx. 4.4 pages), 5 sources, MLA, AU$ 55.95
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Abstract
In Victorian literature, realism followed the age of romanticism and realism quickly evolved into naturalism, practiced by many authors of the time, including Jack London, Mark Twain, Charles Dickens, Jane Austen and Sinclair Lewis. This paper introduces "Victorian Prose and Poetry" in which the authors Lionel Trilling and Harold Bloom discuss the issues of compromise and realism within Victorian literature. They show that the Victorian authors wrote realistically about life and compromised with just enough romanticism to get people to read and enjoy what they wrote.
From the Paper
"Compromise is also an important component of Victorian literature. Many Victorian writers, such as Dickens, compromised between Romanticism and Realism, trying to find a balance in their beliefs and how they portrayed them to their audience of readers. Times and culture was changing when these writers wrote, and they had to discover ways to compromise between staid Victorian culture and the modern culture that was rapidly following it. Morals were becoming less strict, and Victorian principles were being replaced with more realistic and modern beliefs. The writers at the end of the Victorian era helped illustrate the changes that were happening, and the compromises that people were making to blend the old and new belief systems."
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Victorian Women, 2004.
Analyzes how three different works of literature about women in the Victorian era portray the Victorian women's struggle for equality.
1,008 words (approx. 4.0 pages), 3 sources, MLA, AU$ 51.95
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Abstract
This paper introduces, discusses, and analyzes, the readings, "Jude the Obscure" by Thomas Hardy, "The Awakening" by Kate Chopin, and "The Odd Women" by George Gissing. Specifically, it shows how Victorian women were willing to struggle for emancipation, even if it meant dying for it. Victorian women had to live under many societal constraints, which kept them subservient and shackled to their relationships. When women struck out for independence and vitality, they were crushed by an unbending Victorian society whose mores did not encourage personal growth and transformation for women.
From the Paper
"Each of these novels portray a different facet of Victorian women, however, ultimately the females in these three works all suffer from the constraints of Victorian society, and each one struggles for emancipation and equality in her own way. Each woman lives outside the "norm" of Victorian society and works to become self-actualized long before it was a recognized or accepted concept."
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