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Can Animation Replace Real Actors?, 2005.
A look at the concern in the movie industry that digital animation will eventually eliminate the need for real actors.
2,031 words (approx. 8.1 pages), 9 sources, MLA, AU$ 69.95
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Abstract
This paper begins with a look at the history of animation, focusing special attention on the history of computer animation. The paper explains the advances in technology that have helped improve computer animation techniques and then takes a look at some of the ethical questions that have developed regarding the use of computer animation. The paper then discusses one of the primary concerns, the fear that this type of animation will replace real actors, and explains why actors really have no reason to feel threatened by computer animation.
From the Paper
"Visual representation of ideas, history, and stories has been an important part of human culture since prehistoric times, when cave paintings and other primitive drawings were used to record and relive events. As human culture developed, so did the visual arts, and primitive cave paintings gave way to more complex drawings, paintings, and engravings that told stories ranging from epic mythological tales to a simple moment from daily life. While a talented artist has always been able to bring drawings "to life" and have a sense of movement in the work, actual animation has its roots in the 1800s. Devices such as the zoetrope, also known as the "wheel of life," were simple and used a cylinder with slits in the sides to make the drawings inside appear to move when a person peered through the sides as it spun."
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Child Actors, 2002.
Examines the negative aspects of being a child actor, including abuse, failure, and substance addiction.
1,400 words (approx. 5.6 pages), 6 sources, AU$ 57.95
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Abstract
Used, abused, and confused by the grinding, unforgiving machinery of celebrity, the aging TV child actor, from Ricky Nelson to Brandon Cruz, from Patty Duke to Dana Plato, has always been more susceptible to the "crash-and-burn" than your average, not-so-cute-and-cuddly-anymore youngster. But what about Gary Coleman? What is he supposed to do? Disappear? And there it is: The Gary Coleman Paradox, the Former Child Star Dilemma. When their time is up, when their shows are canceled, we want them to go away. But they can't. Reruns assure otherwise; our TV-burned memories assure otherwise. We don't need to see another second of another "Diff'rent Strokes" to know that Gary Coleman is pint-size Arnold Jackson Drummond from Harlem. Now and forever. He can't go away. They can't go away. And, for that, we make them pay. If it was impossible for the TV kids of the 1950s and '60s to know the traps that lay ahead, it was impossible for the TV kids who followed them not to know.
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Marston's "Malevole" and Jonson's "Volpone" as Actors, 2000.
This paper explores the relation between Jonson's "Volpone" and Marston's "The Malcontent" in reference to the propensity of characters to "mask" their true selves.
1,520 words (approx. 6.1 pages), 2 sources, AU$ 54.95
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Abstract
This paper explores the relation between Jonson's "Volpone" and Marston's "The Malcontent" in reference to the propensity of characters to "mask" their true selves. An exploration of the motivations behind this masking is undertaken as a means of understanding the symbolism of false selves.
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Actor Whoopi Goldberg, 2005.
This paper is a contextualization of the life and contributions of actor Whoopi Goldberg.
3,460 words (approx. 13.8 pages), 14 sources, APA, AU$ 105.95
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Abstract
This paper explains that Whoopi Goldberg (real name, Caryn Elaine Johnson) grew up in a New York housing project, became a single, teenage mother and dropped out of high school because she was convinced that she was not able to understand basic lessons. (Later she found out that she had dyslexia.) The author points out that, in 1983, Goldberg's career took off when director Mike Nichols attended her show at the New York's Dance Theater Workshop and immediately signed her for a one-woman Broadway show; Steven Spielberg chose her to play the lead in "The Color Purple" for which she received an Oscar nomination and a Golden Globe Award. The paper concludes that Goldberg represents a true pioneer in the motion picture industry not only because of her groundbreaking roles, which place her at the forefront of the black female actors in America today, but also because Goldberg's portrayal of white actors created an environment that breaks down social barriers while tacitly acknowledging and reinforcing others.
Table of Contents
Introduction
Review and Discussion
Background and Overview
Analysis of Selected Goldberg Roles
Conclusion
From the Paper
"Goldberg endured the unendurable for several months ("I had this caseworker who was nasty as hell"), which makes her reaction to her initial success more understandable. Even though she's won a Grammy, a Golden Globe Award and received an Emmy nomination, Goldberg reports that absolutely nothing in her life has come close to the sense of accomplishment that she felt when, after five years on public assistance, she was able to support herself through acting: "The greatest thing I ever was able to do was give a welfare check back. I brought it back to the welfare department and said, 'Here. I don't need this anymore.""
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A Career as an Actor, 2005.
This paper discusses a career in the field of the dramatic arts as an actor.
675 words (approx. 2.7 pages), 3 sources, AU$ 28.95
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Abstract
This is a paper that concerns a career as an actor. The paper discusses aspects of the actor's career such as auditions and casting, researching the play and character, understanding character and motivation, learning lines and blocking. The writer also looks at working with directors and stage managers, costumes, rehearsals, makeup and the madness of opening night.
From the Paper
"Many people think they would like it if they were a famous actor, either on Broadway or in the movies. They are excited by the idea of being admired by millions of screaming fans, getting paid lots of money to hang out and maybe even get to do a love scene with other big celebrities. But acting is not all just about fame and fortune; it's a lot of work. Stage actors have to spend weeks or months in preparation for their two hours or less under the lights in auditioning, researching the play and understanding their character, learning their lines and blocking, rehearsing with the other cast members, getting into costumes and makeup, coping with nerves and stage fright, and dealing with directors and stage managers."
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Actor Boris Karloff, 2004.
This paper discusses the life of actor Boris Karloff.
1,720 words (approx. 6.9 pages), 5 sources, MLA, AU$ 59.95
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Abstract
This paper explains that Boris Karloff, one of the most notable names in 20th century, cinematic horror, is best known for bringing Mary Shelly's "Frankenstein" monster to life in the 1931 black-and-white horror film by Universal Studios. The author points out that Karloff did not consider "type casting" to be a curse and thought himself fortunate that audiences and studios had recognized and appreciated his talent for certain parts. The paper lists other major films: "The Mask of Fu Manchu," which required extensive make-up and heavy dialogue; "The Raven," with Bela Lugosi playing another villain with serious deformities; "The Bride of Frankenstein," considered to be the best of the Frankenstein series; and "Son of Frankenstein," the final Frankenstein film starring Karloff as the Monster, although he would actually make appearances in later Frankenstein films.
From the Paper
"Boris Karloff was not the given name of the famous actor. Born in London, England, his given name was actually far more British than stage-friendly; William Henry Pratt was born on November 23, 1887. He was the youngest of eight children, and it was actually his older brothers that would raise him. His father actually died when he was a young infant. Karloff's father had been a public official in India, and the family expected that the child would follow a similar path and take the place of the father in the family. One of his older brothers, the longest surviving Sir John Pratt, was himself a diplomat. For his early school days, he attended Merchant Taylor's School at Uppingham, a prestigious institution. For higher education, he would attend London University, where he specialized in Chinese customs in the Consular Service program."
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Stem Cell Research, 2006.
Examines some of the controversial points of stem cell research.
1,064 words (approx. 4.3 pages), 5 sources, APA, AU$ 40.95
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Abstract
Embryonic stem cell research has the potential to help more than 100 million Americans who have life-threatening diseases and conditions such as cancer, heart disease, diabetes, Parkinson's, Alzheimer's, multiple sclerosis, spinal cord injury and many others. The paper shows that the limits on the lines of stem cells available for federal funding has strictly limited researchers' ability to help treat these diseases and conditions. The paper examines the views of research supporters, including famous actors such as Michael J. Fox.
From the Paper
"Michael J. Fox, a man with a personal interest in finding cures, thinks it's "nuts" to restrict stem cell research when it has so much potential to help or cure millions of people. In his words, "Those of us with Parkinson's and other degenerative diseases see it as so self-defeating. We don't want to clone a Frankenstein or Uncle Charlie so we can play poker with him again. We just want to save lives." The man has a point. Would President Bush be so quick to ban research if his own daughter could be cured? Would any of us?"
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"Bringing Transnational Relations Back In", 2007.
A review of Thomas Risse-Kappen's book, "Bringing Transnational Relations Back In. Non-State Actors, Domestic Structure and International Institutions".
3,223 words (approx. 12.9 pages), 3 sources, MLA, AU$ 99.95
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Abstract
This paper discusses how the book "Bringing Transnational Relations Back In. Non-State Actors, Domestic Structure and International Institutions" by Thomas Risse-Kappen takes a fresh look at the impact of non-state actors on world politics and on the foreign policies of states. It also discusses how it revives the debate on transnational relations which started in the 1970s, and was at the time focused on state-centred approaches. It looks at how Risse-Kappen's new approach highlights the interactions of states and transnational actors, arguing that domestic structures of the state as well as international institutions mediate the policy influence of transnational actors.
From the Paper
"The fifth chapter is entitled "Transnational relations, domestic structures, and security policy in the USSR and Russia (1982 - 1994)". The author, Matthew Evangelista, aims to present a theoretical rationale understanding why the Soviet Union should have been open to the influence of transnational actors - in this case organisation of the Soviet and US scientists pursuing arms control initiatives - even in the high politics of security policy. This represents a break with the literature of the 1970s which assumed that transnational relations would predominate in issue areas outside the realm of 'high politics' and in countries where democratic politics would permit penetration of government policy making by transnational as well as domestic actors. Evangelista also seeks to evaluate an important implication of the generalization linking domestic structures and transnational activities. "
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Lucille Ball, 2005.
This paper discusses actor Lucille Ball, one of the premier actors in American television and considered the paramount women in the television world.
3,685 words (approx. 14.7 pages), 7 sources, MLA, AU$ 110.95
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Abstract
The paper explains that Lucille Ball, once regarded as one of the 'B-grade' cine-star, found the new medium of television as the true opportunity to exhibit her expertise of physical comedy. The author points out that "I Love Lucy" was considered unique in that it was one of the first television programs to use live film, utilizing a multiple camera technique before a studio audience and creating a permanency that allowed Ball and her husband, Desi Arnaz, to benefit from re-runs syndication and foreign distribution. The paper relates that Lucille Ball attained four Emmy Awards, a Lifetime Achievement Citation from Kennedy Center and a Presidential Medal of Freedom. She became the first actress to be incorporated into the Hall of Fame of the Television Academy.
From the Paper
"Ball could search out the key to success of televisions and generated a character that the Americans found indispensable. While 'The Lucy Show' was telecasted, Ball was engaged in reformulating the show and starring in yet another series concentrating on the same character. "Here's Lucy" was immediately approved by the networks and became prime time telecast up to 1974. At this moment, Ball found it worthwhile to divert and began performing outside lines of comedy. She was rewarded with enthusiastic reviews for her acting on Broadway in 'Wildcat' of 1961s. With continuance of the success, Ball co-starred Bob Hope for two feature films and acted with Henry Fonda in the critically acclaimed "Yours, Mine and Ours". Thus, the accomplishments of Ball include more than seventy films, hundreds of television appearances and the struggle of running a studio that could succeed in producing major television series like "Mission: Impossible" and "Star Trek", depicting her true understanding of the potentialities of television even prior to the understanding of itself."
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"Hamlet" in the Movies, 2006.
Examines how the character, Hamlet, has been portrayed in films, based on William Shakespeare's famous play.
3,229 words (approx. 12.9 pages), 13 sources, APA, AU$ 101.95
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Abstract
This paper looks at Shakespeare's famous play "Hamlet" from different
perspectives, as it has been re-enacted throughout history. It pays close attention to the movie versions of "Hamlet". The paper starts out with a brief biography of Shakespeare himself and also summarizes and provides an overview of "Hamlet" as a play, its plot, major characters and main theme. The paper then goes on to look at three actors who have played the character Hamlet in movies over the last few decades: Kenneth Branagh, Mel Gibson and Ethan Hawke. The paper provides a brief biography, examines each actor's performance, and looks at other details about each film. The paper then looks at the author's personal reaction to each of the movies and actors.
Paper Outline:
Introduction
Shakespeare Biography
Overview of Hamlet
Kenneth Branagh
Mel Gibson
Ethan Hawke
Reaction to Performances
Conclusion
Works Cited
From the Paper
"But "Hamlet" is not an action movie; it is a tragedy. In comparing the
1990 movie to Shakespeare's original play, we see that the director has taken some liberties to speed up the action by eliminating certain scenes, some of which seem easily disposed of. These edited out scenes include much of Shakespeare's comic relief. Other scenes seem to be missing from the movie version, mainly the important political
subplots that explain the movements of many of the characters in the play".
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The Bridges Family, 2006.
This article looks at the Bridges family, of which three members are famous in the entertainment industry.
900 words (approx. 3.6 pages), 4 sources, MLA, AU$ 34.95
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Abstract
This paper gives a brief biographical view of the works of Lloyd, Jeff and Beau Bridges. The writer summarizes the life of each of the three famous members of the family. The article mentions dates and places of birth outlines the career of each of the different actors. In the paper, the writer refers to various movies and television programs in which each of the Mr. Bridges became famous or starred. The article looks at milestones and memorable moments in the lives of these famous people.
From the Paper
"Although Lloyd and Beau have both had illustrious careers, Jeff seems to have surpassed both his father and older brother. And not only has his career been more successful, it is said that no one who has ever worked with Jeff has a bad word to say about him (Jeff pp). Peter Bogdanovich, who directed him in the 1971 movie, "The Last Picture Show," has said, "I've never, ever heard of him pulling a star turn or showing ego," and John Goodman, who co-starred with Jeff in "The Big Lebowski," said, "It's like watching a diamond cutter...When you look at the diamond, you don't think of the work, you just notice there's no flaws" (Jeff pp)"
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"Multi-Facial", 2006.
An analysis of the film "Multi-facial" and the way it presents the reality of actors to the audience.
986 words (approx. 3.9 pages), 1 source, MLA, AU$ 38.95
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Abstract
This paper discusses the film "Multi-facial", written, directed by and starring Vin Diesel. The paper discusses the way in which the film makes use of its pseudo-documentary style of filming to highlight the difficulties of an actor whose multi-racial appearance causes casting directors and filmmaking insiders to view him with suspicion. The paper describes the way in which the film suggests to the viewer that this is a reality that is encountered by actors behind studio walls.
From the Paper
"This rough texture of filming places the viewer, constantly in the position of the auditioning casting director of the actor played by Diesel. It forces the viewer to ask, how do I read this actor, racially? It is thus just not a point of plot to ask how will Mike's face be 'read' by the individuals who may or may not give him a job. The viewer is asked to reconsider his or her assumptions. Time and time again, Mike's auditioning directors reject the actor because they feel that the audience's eyes will not read Mike's facial characteristics correctly as a member of a particular racial group."
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Christopher Reeves and Tom Hanks, 2006.
A discussion and comparison between the public speeches of actors Christopher Reeves and Tom Hanks.
1,321 words (approx. 5.3 pages), 2 sources, MLA, AU$ 48.95
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Abstract
This paper reviews, discusses and compares the speech made by Christopher Reeves at the National Democratic Convention, and by Tom Hanks at Vassar College. According to the paper, the speeches are given nearly a decade apart, but both actors appeal emotionally to the audience for help.
From the Paper
"Tom Hanks takes somewhat longer than Reeve to reach the thesis of his speech. After the opening humor, he begins his speech with a statistical claim relating to the "power of four". According to a study, only four percent of cars need to be removed from gridlocked highways to secure the free flow of traffic. Hanks uses this premise to appeal to his audience's sense of power. It is interesting to briefly note that Reeve's statistic is very similar: one in five people suffers from a disability; in other words, for every four people without disabilities, there is one who does. There are therefore four healthy people in five to whom Reeve is addressing his appeal for help."
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Benefits of the 2003 War in Iraq, 2003.
A discussion of the various actors who stand to benefit from the successful removal ...
1,380 words (approx. 5.5 pages), 10 sources, MLA, AU$ 51.95
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Abstract
A discussion of the various actors who stand to benefit from the successful removal of Saddam Hussein's government during the 2003 war in Iraq, including the people of Iraq, the citizens of democratic Western governments, the world economy and businesses who will participate in the rebuilding of Iraq. Paper assumes that Iraq possessed weapons of mass destruction.
From the Paper
The Benefits of the War with Iraq The successful removal of Saddam Hussein and his repressive BaathParty government from power in Iraq will benefit the freedom and prosperityof the Iraqi people as well as the people of the Middle East The citizensof the U
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Current Developments in the China-Taiwan Conflict, 2005.
A detailed analysis of the four major actors, which include the U.S., China, Taiwan, and Japan, in the cross-Straits conflict.
3,075 words (approx. 12.3 pages), 8 sources, MLA, AU$ 96.95
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Abstract
The paper focuses mainly on the current developments of the conflict from the perspectives of the four major actors. There is analysis of public opinion in each country and how this may affect their future policy toward the straits conflict. The conclusion provides speculation as to how the conflict may end in the future.
From the Paper
"With the retreat of Chiang Kai-Shek's KMT nationalist forces to the island of Taiwan in 1949, many thought it was inevitable that the PRC would cross the straits and unify the island with the mainland government. Even the KMT's staunchest defender, the United States, had written off Taiwan and the nationalist movement as a desperate long shot against the larger communist forces. However, the island of Taiwan retained its de-facto independence despite constant threats from the mainland and the loss of formal diplomatic ties with most major nations. The situation in the straits of Taiwan remains sensitive as elections in Taiwan, increased trading, and the emergence of China as a regional power further complicate matters."
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'Paul Robeson: A Biography', 2006.
An analysis of Martin Bauml Duberman's book about the famous African-American singer, Paul Robeson.
1,125 words (approx. 4.5 pages), 1 source, AU$ 47.95
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Abstract
This paper reports on "Paul Robeson: A Biography" by Martin Bauml Duberman, which tells about the man who made a name as one of the most famous black singers and actors of the twentieth century. He achieved his success at a time when racism and discrimination were prevalent and he fought against these ills and became an activist on these and similar issues. He further ran afoul of the political forces of the time because of his communist leanings and this reduced his ability to work in his later years. The paper explains that, in this book, Duberman provides a detailed account of Robeson's life, an in-depth biography that covers Robeson's life and work, including material from his letters and other writings as well as interviews, newspaper and magazine articles, and so on.
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