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"Fahrenheit 451", 2002.
Reading as a means of providing opportunities to the reader in Bradbury's "Fahrenheit 451".
650 words (approx. 2.6 pages), 1 source, AU$ 28.95
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Abstract
This paper examines how reading in Ray Bradbury's novel "Fahrenheit 451" helps to open opportunities in avenues of thinking for the reader.
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"Fahrenheit 451" and "The Story of Adele H", 2002.
A comparison of the roles of the author, reader and text in Francois Truffaut's "Fahrenheit 451" and "The Story of Adele H".
1,900 words (approx. 7.6 pages), 3 sources, AU$ 76.95
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Abstract
This essay will argue, with particular reference to "Fahrenheit 451" and "The Story of Adele H", that reading, books, and movies are thematically associated in the work of Truffaut. As will be seen, Truffaut does not differentiate between film and books for both exist as mediums through which an authorial consciousness can express itself to a wide audience.
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"Fahrenheit 451", 2002.
An analysis of the plot in "Fahrenheit 451" by Ray Bradbury.
650 words (approx. 2.6 pages), 1 source, AU$ 28.95
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Abstract
This paper will cover the book "Fahrenheit 451" by Ray Bradbury and will seek to understand the plot, its characters and the basis for the book in social themes. By revealing this information we can understand how this tale tells us the way that the future can be interpreted and what the author thinks of the future. All of these ideas will be covered in this paper.
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"Fahrenheit 451", 2001.
A persuasive essay advocating the reading of Ray Bradbury's "Fahrenheit 451", including both sides of the issue and a short biography on Ray Bradbury.
798 words (approx. 3.2 pages), 8 sources, MLA, AU$ 30.95
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Abstract
An essay containing textual examples of what caused Ray Bradbury's "Fahrenheit 451" to be banned and commentary countering the reasons for this banning. The paper shows how the novel was written as a response to the cold war type atmosphere which existed in the U.S. after WWII in the 40s and 50s. The theme has been addressed through the textual evidence and the stylistic devices within them. The political aspects of the McCarthyism Era has been addressed as well.
From the Paper
"Ray Bradbury was born in Waukegan, Illinois, in 1920, and moved to Tucson, Arizona, in 1926 ("Ray Bradbury's Biography"). Later, Bradbury moved to Los Angeles and graduated from high school there in 1938; this marked the end of his formal education ("Ray Bradbury's Biography"). Before graduating, Ray had began his writing career by "writing his own stories on butcher paper", which showed his enthusiasm towards writing ("Ray Bradbury's Biography"). He had his first work published in 1938, an article called "Hollerbochen's Dilemma" in a magazine ("Ray Bradbury's Biography"). His first major novel, The Martian Chronicles, was published in 1950, and was followed by Fahrenheit 451 in 1953 ("Ray Bradbury's Biography"). The late 40's and early 50's were times known as "The McCarthyism Era" because Senator Joseph McCarthy, "whose unfounded accusations of a Communist-infiltrated" government "led to the suppression of information" (Jones-Miller). He urged many people to censor or ban many so called "pro-Communism" writings; these ideas and others may have sparked Bradbury to write this novel (Jones-Miller). The McCarthyism Era was also a "time when many Americans were maliciously, and often falsely, accused of attempting to subvert the United States government", which prompted Bradbury to write about a future with a lot censorship ("Fahrenheit 451: Ray Bradbury" 101). Also, in the early 30's, Hitler burned books that he considered to be "anti-communism" ("Nazis"). All of these events led to the conception of this novel, but McCarthy probably played the biggest part."
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"Fahrenheit 451", 2006.
A review of the book "Fahrenheit 451" by Ray Bradbury.
1,019 words (approx. 4.1 pages), 0 sources, AU$ 39.95
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Abstract
This paper looks at Ray Bradbury's book "Fahrenheit 451," which shows a dystopian society where people's movements, beliefs and lifestyles are dictated by the government. In particular it discusses how, in the book, Bradbury has managed created the opposite of a Utopia.
From the Paper
"Ray Bradbury shows Montag, as the book goes along, as a man developing a conflict with society, with his family (the airhead wife!) and with himself. The conflicts arrive when he realized that he actually lives in a dull, dreary and dismal world where freedom is castrated and society or the people in the society are merely zombies existing to listen to Seashell Radios or watch the idiot box day in and day out. From a believer and a company man, Montag metamorphose into a rebel and a cynic - but what brought about the change? Meeting and befriending a 17-year old named Clarisse started it all. He saw in Clarisse the joie de vivre missing from most people he knew. As a humanistic, ideological and nature-loving young lady, whose beauty evolves from her gentle innocence and curious nature she shows Montag that there is more meaning to life than being dictated by society or being stuck with the tentacles of modern technology."
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"Fahrenheit 451" and "Do Androids Dream Of Electric Sleep?", 2004.
This paper compares and contrasts the novels "Fahrenheit 451" and "Do Androids Dream of Electric Sleep?"
678 words (approx. 2.7 pages), 2 sources, MLA, AU$ 25.95
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Abstract
The paper is a comparison and contrast of these two novels "Fahrenheit 451" and "Do Androids Dream of Electric Sleep?" by Ray Bradbury and Philip K. Dick respectively. The paper argues that the scenario of the future offered by Bradbury is not as dark a vision as compared to the scenario offered by Dick.
From the Paper
"We are presented with two scenarios of the future in Ray Bradbury's "Fahrenheit" and Philip K Dick's "Do Androids Dream of Electric Sheep?" In Bradbury's futuristic American city, meaningless lives are led watching non-stop TV, listening to loud music and driving fast cars. Books are banned and purposefully burned to help undermine differences in intelligence between members of society."
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"Fahrenheit 451", 2003.
Explores the the major characters in Ray Bradbury's dystopic classic, "Fahrenheit 451".
992 words (approx. 4.0 pages), 1 source, MLA, AU$ 38.95
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Abstract
This paper is a character analysis of Ray Bradbury's "Fahrenheit 451". The paper covers sociological, psychological and relationship motives behind all of the major characters, with special attention paid to Montag's journey to self-actualization.
From the Paper
"Set in a world without literary wisdom, Fahrenheit 451 by legendary science-fiction author Ray Bradbury is the story of those who would dare to break free from the chains of censorship and intellectual repression. Against a climate of intense information control, Bradbury focuses in on the psychological conflicts of one man, the fireman Guy Montag, and the internal struggles that result from his interactions with the sterile world around him. In a sense, each character can be interpreted as representing a different facet of society, from the utterly obedient book burner, Beatty, to the free spirited teenager, Clarisse. Despite the fact that the world Bradbury confronts his readers with is unfathomably futuristic, the characters are clearly human, serving as a successful link between contemporary readers and the author's vision of the 24th century."
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"Fahrenheit 451", 2005.
An analysis of the theme of fearless free thought in Ray Bradbury's "Fahrenheit 451".
745 words (approx. 3.0 pages), 0 sources, MLA, AU$ 28.95
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Abstract
This paper discusses the thesis that in a world consumed by the fire of fear, physical eradication of freedom to think is fuel for the furnace of oppression. It uses as an example Ray Bradbury's fictional novel Fahrenheit "451" in which the protagonist Montag over the course of several weeks, questions society, endangers himself and his associates and eventually is driven to rebel against the norm by his inner desire for knowledge and morality.
From the Paper
"Utilizing the populous' fear as fuel, the Government manipulates and controls society. By keeping everyone constantly occupied and not allowing them access to the thoughts and opinions of others through literature, citizens are controlled and cannot escape the influence of the government. For example, Montag's wife Mildred is afraid to think for herself. She is unceasingly engrossed and entertained by the hypnotic banter of a seashell (a mechanical device similar to a earpiece, which incessantly plays music or meaningless conversation into the listener's ear) or her virtual "family" who occupy three gigantic wall screens."
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"Fahrenheit 451" and Theories of Perception, 2002.
An analysis of the cool medium of Ray Bradbury's science fiction novel in terms of two theories on cause and effect in terms of changes in perception.
1,575 words (approx. 6.3 pages), 4 sources, AU$ 60.95
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Abstract
Analysis of the cool medium of Rlay Bradbury's science fiction novel in terms of two theories on cause & effect in terms of changes in perception. Marshall McLuhan's theory of perception altered by technology. David Abram's theory of everday perception as the primary perception. Bradbury's vision. How characters in the novel illustrate the theories. Problem of objective truth.
From the Paper
"One of the key theories of Marshall McLuhan is that technology and the way we relate to and view technology shape our way of thinking about the world. In his discussion of phenomenology, David Abram suggests something similar in that he finds that language shapes how we view the world. Both see a connection between our subjective perception and the objective world we perceive. Both would also agree that our perceptions are neither completely subjective or completely objective. We might think they are subjective, but McLuhan says we are shaped by the technologies we use and by the way those technologies extend our perceptions outside the body. Abram follows the phenomenology of Husserl and Merleau-Ponty and accepts the notion that perception is participation. If this idea is extended to consciousness as such, it could lead to the..."
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Ray Bradbury "Fahrenheit 451", 1997.
Examines 1950 novel's prophetic vision of society's oppression, censorship, technology, violence and commercialization.
1,125 words (approx. 4.5 pages), 3 sources, AU$ 42.95
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From the Paper
" Ray Bradbury's critique of modern society in Fahrenheit 451 is the work of a visionary. First published in 1950, Fahrenheit 451 is more relevant today than it was 50 years ago. Today's society is characterized by censorship, albeit a subtle form, in contrast to the government-sanctioned censorship in Bradbury's book. In the 1990s, a significant segment of the population relies on technology and/or the media to do its thinking. Ideas are censored in modern society because an environment has been created that is not conducive to depth of thought.
The censorship of creative thinking is pervasive in popular culture; an example is film. The current trend in the film industry is the blockbuster, e.g., Independence Day, Volcano, or Anaconda. These films seek to manipulate the audience by creating an artificial need for excitation. Audiences.."
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"Farenheit 451", 2002.
A discussion of the ambiguous fire as imagery In "Fahrenheit 451".
1,400 words (approx. 5.6 pages), 2 sources, AU$ 57.95
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Abstract
This review of Bradbury's (1953) Fahrenheit 451 considers the ways the author uses fire as a symbol of both destruction and creation, as both the symbol of decay in a post-atomic society, and a symbol of salvation, a source of heat and light. It is the heat, and light of fire that changes the main character, Guy Montag, from a book-burner to a book-rebel, one who has seen enough of what fire can do to understand how fire represents the past, and the potential for a different future. In the end, Montag realizes it is not the fire itself that is destructive, but the hands the control what fires will be used for.
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Novels about Hypothetical Controlling Governments, 2005.
This paper compares the hypothetical controlling governments in George Orwell's "Nineteen Eighty-Four" and Ray Bradbury's "Fahrenheit 451: The Temperature at Which Books Burn".
2,475 words (approx. 9.9 pages), 9 sources, MLA, AU$ 81.95
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Abstract
This paper explains that the governments in George Orwell's "Nineteen Eighty-Four" and Ray Bradbury's "Fahrenheit 451" have fed so many lies to the denizens that the commoners no longer know right from wrong, truth from fiction. The author points out that the government of "Nineteen Eighty-Four" goes so far as to change history as recent as the previous day to adulate the current state of the ever present all-knowing Party; the powers in "Fahrenheit 451" do not merely change written history, they ban it altogether. The paper stresses that these governments control the common people through the manipulation of language. Quotations.
From the Paper
"As in the novel "Animal Farm", there is a small spark of rebellion in "Nineteen Eighty-Four". The situation is the same as the one that exists in "Fahrenheit 451" -- the exile against the whole system. Orwell wrote this way because this is how he viewed present society. The point of view is exactly the same -- the hated [pigs, politicians] are in charge, while the dumb illiterate mass [animals, proles] goes on in very much the same in its own ways, protected by its very stupidity. "Nineteen Eighty-Four" is written in such a desperate tone because Orwell realized that on such a construction the exile had no possible chance of winning."
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Heroes: Harry Potter, Montag and Sir Gawain, 2002.
This paper discusses heroism as presented in three novels: J.K. Rowling's "Harry Potter Series", "Sir Gawain and the Green Knight" (anonymous) translation by Burton Raffel and Ray Bradbury's "Fahrenheit 451".
800 words (approx. 3.2 pages), 9 sources, MLA, AU$ 30.95
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Abstract
This paper presents J.K. Rowling's Harry Potter as a hero who doesn't feel he is heroic in any way but just a good friend to those around him. The paper explains that Sir Gawain in "Sir Gawain and the Green Knight" consider his own actions as just being those of a dutiful knight when he challenges an immensely large green knight. The author finds Guy Montag, in Bradbury's "Fahrenheit 451", an unlikely hero, who is a hero because he has seen the error of his ways (and the error of society's ways) and has accepted that he must do something about it before it is too late.
From the Paper
"Throughout the books, and the films there are references to inequality, and what could be considered as racism; namely between the Gryffindor House and Slytherin House. Within Slytherin House, Malfoy shows little regard for those that are "Mudbloods" or as Ron put it, "a really foul name for someone who was Muggle-born - you know, non-magic parents" (Secrets, pg 89). Another reference would be the secret word to get into Slytherin House which is "pureblood". In The Prisoner of Azkaban, it is revealed that Hagrid is half-giant, and there is a lot of disregard for giants. Nevertheless, Harry Potter shines as a hero because he doesn't let any of this change his opinion regarding those that are good, and those that are bad. He doesn't let these things change his opinions about his friends, and in most instances he takes a stand against these injustices, even when they are committed against ghosts."
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Dystopia, 2004.
A comparison between the protagonists in "Fahrenheit 451," and Kurt Vonnegut's "Player Piano."
904 words (approx. 3.6 pages), 2 sources, MLA, AU$ 34.95
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Abstract
The paper compares the protagonists in Ray Bradbury's "Fahrenheit 451," and Kurt Vonnegut's "Player Piano." The paper discusses the plot, protagonists and themes and views the novels as cautionary tales.
From the Paper
"The notion of Utopia as an ideal society set apart from that which we live was coined by the sixteenth century scholar Michel de Montaigne in his novel "Utopia" that essentially described for Europeans the societies of the New World that was America at the time. Since then the world has seen an influx of philosophical utopian societies portrayed in literature. Many of these works, however, do not describe ideal societies at all. Rather, they portray dystopian mutations of political zeal gone awry."
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Book Comparison, 2005.
This paper offers a comparison of three science fiction novels; "Blade Runner," "Fahrenheit 451" and "The Handmaid's Tale."
1,350 words (approx. 5.4 pages), 6 sources, MLA, AU$ 51.95
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Abstract
This paper compares three science fiction works: "Blade Runner," "Fahrenheit 451" and "The Handmaid's Tale." The paper explains the relationship of science fiction to nuclear power and discusses the prophetic power of science fiction.
From the Paper
"The purpose of this research is to examine three works of science fiction with a view toward demonstrating ways in which their themes overlap and converge on one hand and how they achieve their distinctive narrative vision on the other. The plan of the research will be to set forth the pattern of ideas in each of the works and then to discuss the means by which the themes and ideas unfold and intersect."
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The Writing Style of Ray Bradbury, 2005.
This paper analyzes the writing style of Ray Bradbury, as demonstrated in "The Illustrated Man," "Fahrenheit 451" and "Death is a Lonely Business."
2,938 words (approx. 11.8 pages), 5 sources, MLA, AU$ 111.95
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Abstract
This paper examines the writing style of Ray Bradbury, as demonstrated in "The Illustrated Man," "Fahrenheit 451" and "Death is a Lonely Business."
From the Paper
"The works of Ray Bradbury have long been hailed for their originality and stunning creativity. Indeed his novels and short stories have changed the way in which people view the world, as they not only function as imaginative narratives but provocative social commentary as well. Bradbury's writing style serves these ends well, blending what is traditionally considered science fiction writing with a more poetic type of prose. However, the very question of which genre Bradbury's works truly belong to has caused some debate among critics."
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