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Thomas Eakins, 2003.
Describes the influence of photography on the portraits, landscapes, and pastorals created by Thomas Eakins.
2,300 words (approx. 9.2 pages), 8 sources, APA, AU$ 84.95
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Abstract
This paper describes the influence of photography on the portraits, landscapes, and pastorals created by American Realist artist Thomas Eakins. The paper describes the specific influences of photography on Eakins and photography as a source of his inspiration.
From the Paper
"According to art critic and biographer Sylvan Schendler has suggested that with respect to the work of American Realist artist Thomas Eakins photography was an important source of .."
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Thomas Eakins and Mary Cassatt, 2001.
This paper discusses the lives of Thomas Eakins and Mary Cassatt along with summaries of some of their works.
2,476 words (approx. 9.9 pages), 4 sources, AU$ 80.95
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Abstract
A paper discussing Thomas Eakins and Mary Cassatt, along with some brief descriptions of selected works. Short biographies are given of both artists. The author mentions the style of each artists.
From the Paper
"From the late 1860s to the late 1880s a French art movement flourished. Derived from Monet's painting Impression, this worldwide movement was called Impressionism. Impressionists painted mainly of modern-day subjects in the open air. They used a lot of bright colored paints (little drawing) and aimed to capture the effects of light. Two great American artists of this time were Thomas Eakins and Mary Cassatt. Thomas Eakins was born on July 25, 1844 in Philadelphia. His father was a writer from which he inherited a lot of talent. He also learned to love the outdoors from his father and his childhood. He was very outgoing and did exceptionally well in school. Eakins especially loved science and math, which he enjoyed using later in his career."
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"Max Schmitt in a Single Scull" ( Thomas Eakins ), 1999.
Analyzes 1871 American portrait's subject, theme, composition, color and light.
1,350 words (approx. 5.4 pages), 2 sources, AU$ 50.95
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From the Paper
"Thomas Eakins painted Max Schmitt in a Single Scull in 1871. The painting is oil on canvas and measures 32 1/4" by 46 1/4". It is currently owned by the Metropolitan Museum of Art in New York. The painting shows Schmitt seated in a long, narrow rowing shell, or scull. The scull sits in the middle of a river, and is located at the center of the lower half of the painting. Schmitt looks back over his shoulder toward the viewer. Beyond Schmitt the river bank appears on either side of the painting, and is covered with trees that either have fall colors or have lost their leaves. Some houses are also visible on the bank. At the horizon an iron bridge crosses the river. On the river another rower is shown beyond Schmitt, pulling on the outspread oars of his scull. Closer to the bridge there is also a long, low, red boat with a few people seated in it. Under the bridge and beyond.."
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Thomas Eakins, 1999.
Life & career of American painter (1844-1916), focusing on style, themes, subjects & significance of three of his paintings.
1,800 words (approx. 7.2 pages), 5 sources, AU$ 67.95
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From the Paper
" Thomas Eakins (1844-1916) was one of the greatest American painters yet he met with little success during his lifetime. Eakins always believed that his life had little to do with his art. He approached his art from a scientific, realist perspective and held that everything the viewer needed was present on the canvas. But connections between Eakins' beliefs, the difficulties of his artistic career, and his private life are important keys to understanding his work. Three examples of typical Eakins subjects demonstrate how knowledge of his ideas and circumstances illuminates his work. His 1875 painting The Gross Clinic was a portrait of a celebrated surgeon that reflects not only Eakins' artistic influences but his ideas about heroism in American life. His Portrait of a Lady with a Setter Dog (1885) was a portrait of his wife Susan Eakins, painted shortly.."
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Benjamin West and Thomas Eakins, 1995.
Compares two works ("Jane Galloway" and "Miss Van Buren") of 17th Century-18th Century American painters as examples of an effort to create American cultural identity.
1,800 words (approx. 7.2 pages), 9 sources, AU$ 67.95
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From the Paper
"As a newly settled frontier area that shared in the culture of an older, dominant power, the American Colonies and, later, the United States of America expended a great deal of effort in defining themselves as a separate cultural entity. Perhaps it was not even until the United States had become a dominant power itself that America felt free of the shadows cast by its ancestors. A comparison of works by two American painters will give some idea of how the this process of self-definition worked. Benjamin West (1738-1820), the most successful American painter of the eighteenth century, was a friend of King George III and his official history painter. West was also a founder and the second President of the Royal Academy and had one of the most successful careers of any painter of his time. Thomas Eakins (1844-1916) worked in relative obscurity. He was a successful ..."
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Natural Law According to Thomas Hobbes and St.Thomas Aquinas, 2000.
The following essay discusses the existence and meaning of natural law.
1,380 words (approx. 5.5 pages), 2 sources, APA, AU$ 49.95
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Abstract
The following paper examines why many theorists reject the existence of natural law as well as why many agree to its being defined as a set of innate moral principles which are common to all human beings. It is the aim of this paper to identify and discuss the important similarities and differences that exist between the two theories making reference to the theories of Thomas Hobbes (1588 - 1679) and St.Thomas Aquinas (1224/25 - 1274).
From the Paper
"Aquinas proposed that the essential quality setting human beings apart from the rest of the animal world was that of reason. In a development of Aristotle's theory.Aquinas asserts that all men naturally possess an internalized divine spark of reason,which serves as the guide to an autonomous and responsible decision making process."
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Thomas Fleming's "The Purchase of Louisiana", 2007.
This paper is a book report describing Thomas Fleming's "The Purchase of Louisiana", which details the diplomacy and rivalry surrounding President Thomas Jefferson's success in obtaining the Louisiana territory.
850 words (approx. 3.4 pages), 1 source, APA, AU$ 32.95
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Abstract
This paper states that Thomas Fleming's strong research in preparation to writing "The Louisiana Purchase" indicated that the United States wanted to gain control over access to the Mississippi River to be able to ship goods through to Spain and to provide safe harbor for American ships servicing the southern states. The author points out that Fleming argues that possibly Napoleon was willing to sell the Louisiana territory because he was more interested in diverting his attention to the unconquered areas of Egypt and India rather than the undeveloped areas of Louisiana. The paper stresses that the Louisiana Purchase was a victory with the rival French, established the U.S. as a world power and gave Americans a vast new and different land in which to acquire new lifestyles.
From the Paper
"It is obvious from the book that after the "Quasi War" or the undeclared war with France, relations were at a definite strain. These battles fought only at sea and lasted from 1798 to 1800. The tensions manifested themselves with France when they began seizing American ships and goods that were trading with the British. The hostilities between the U.S. and France became a major cause of frictions and physical confrontations primarily due to the greed over land and power that permeated the world at the time."
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The Poetics of T. S. Eliot and Dylan Thomas, 2005.
This paper compares the personalities and traditions in the poetics of T. S. Eliot and Dylan Thomas.
1,205 words (approx. 4.8 pages), 2 sources, MLA, AU$ 44.95
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Abstract
This paper explains that the poetics of Dylan Thomas and T. S. Eliot demonstrate the manner in which Thomas challenges and re-figures the previous aesthetic ideas of Eliot. The author points out that, whereas Eliot views tradition as a cultural accumulation of literary works within which the writer participates, Thomas shatters these historical bonds. The paper relates that, although both authors strive to achieve an emotional complexity and depth in their work, Thomas refuses the sublimation of the poet's personality to the literary medium by embracing the medium itself with the entirety of his personality and composition as an act of celebration rather than repression. The author underscores that, through his playful love of all the elements and structures of language, Thomas is able to achieve an emotional depth rooted in the medium of literature without the sacrifice of the poet's personality.
From the Paper
"The value Eliot places upon tradition necessitates the depersonalization of the poet and the perfection of the medium of language to sufficiently express the concentration of the past and its convergence with the experience of the present. The personal experiences and emotions of the poet are too subjective to contain the enormity of what the present represents to literary history, so therefore he must engage in "a continual surrender of himself as he is at the moment to something which is more valuable." The poet is envisioned as a catalyst that collects and transforms his emotions and experiences into a new compound that is greater than the sum of its parts."
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Gospel of Thomas, 2002.
An argument for the Gospel of Thomas.
1,150 words (approx. 4.6 pages), 3 sources, AU$ 47.95
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Abstract
This is a study on the use of Gospels of Thomas in a time where, if the gospels of Luke, John, Mark and Mathew were newly circulating at the same time, how the choice for Thomas' Gospel will be made. The argument presented will tell how the Gospel of Thomas was a better way than the Old Testament in bringing the message of God the common people. With the advent of Thomas as the 'twin' of Jesus and the creation of this gospel was a good change for the Church and is supported here.
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Clarence Thomas, 2005.
Discusses the nomination and confirmation process of Clarence Thomas to the U.S. Supreme Court.
1,881 words (approx. 7.5 pages), 12 sources, MLA, AU$ 64.95
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Abstract
This paper describes the controversial nomination and confirmation of Supreme Court Justice, Clarence Thomas. The paper looks at some of the organizations that opposed Thomas's nomination, the role of the American Bar Association in the selection process of Supreme Court justices, their evaluation of Thomas, and the intense controversy surrounding Thomas's nomination. The paper also examines the positions and the role of different interest groups throughout the controversy, as well as the conduct of journalists reporting on the story.
The American Bar Association
Conservative Victory Party and Citizens United
Alliance for Justice
Democratic Caucus
African American Women in Defense of Ourselves
The Press
From the Paper
"The nomination of Clarence Thomas launched a great deal of concern among liberal interest groups. Like Robert Bork, Clarence Thomas was an unashamed conservative. During the Thomas confirmation hearings, the traditional liberal African American special interest groups, such as the National Association for the Advancement of Colored People (NAACP), moved away from other liberal groups to support the nomination of only the second African American to the Court (Herrnson, Shaiko & Wilcox 1998)."
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St. Thomas Aquinas' Contribution to Christian Theology, 2002.
Discussion of the Thomas Aquinas' contributions to Christian theology.
650 words (approx. 2.6 pages), 3 sources, AU$ 28.95
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Abstract
St. Thomas Aquinas contributed a great deal to the entirety of Christian Theology both during and after his life; particularly in his writings. St. Thomas, as he is referred to in short, was an astute Biblical scholar who was as devoted to the faith in human reason as he was in God. St. Thomas' tome, Summa Theological, is, literally, the summation of his understanding of theology. In this work Aquinas single-handedly justified and 'proved' the whole of the spiritual nature, the soul, God, and a Christian life. It is the purpose of this paper to discuss the contributions of St. Thomas Aquinas to Christian theology and his impact upon Christianity itself.
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Dylan Thomas and Symbolism, 2006.
Examines symbolism in the poems written by poet, Dylan Thomas.
1,588 words (approx. 6.4 pages), 4 sources, MLA, AU$ 54.95
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Abstract
When one examines the early poems of Dylan Thomas, the contents and techniques of his volumes, with a few exceptions, beckon symbolic gestures. Conversely, other works by Thomas, also rich with symbolism, contain contrasts in diction and leave one to wonder if his critics are correct. Though to classify Thomas in any way might seem a futile task, the aim of this paper is to provide an examination of the similarities and contrasts of symbolic representations found in his early poems and in the poem "There was a Saviour." The paper shows that while the early poems of Thomas are a cornucopia of symbolism paralleled in content and style, "There was a Saviour" contains an exposition and subtexts that rarely meet in any similar fashion.
From the Paper
"In the analysis of "There was a Saviour," the peculiarity of its language compels us to set about constructing a meaning for it, and allows us to wonder how it is that the diction contain many contrasts not only within its own reading, but among his other poems. The poem in its entirety presents considerable difficulty. Even the syntax is difficult. The striking thing about the syntax is the peculiarity of the tenses and pronouns. Unlike the linear fashion that his other works exhibit, in reading "Saviour" it is difficult to make out what point in time we are supposed to be made aware of."
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Thomas of Woodstock in "Richard II", 2005.
An examination of the importance of Thomas of Woodstock in Shakespeare's "Richard II".
675 words (approx. 2.7 pages), 1 source, AU$ 28.95
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Abstract
The paper describes how Thomas of Woodstock (the Duke of Gloucester) has been assassinated, before William Shakespeare's "Richard II" even begins. The paper elaborates that, despite being relegated to a back-story character, Thomas of Woodstock is mentioned early and often, en route to becoming the key symbol foreshadowing the downfall of King Richard II himself. This brief essay discusses the importance of Thomas of Woodstock to the play and to the audience.
From the Paper
"Before William Shakespeare's Richard II begins, Thomas of Woodstock (the Duke of Gloucester) has been assassinated. However, despite being relegated to a back-story character, Thomas of Woodstock is mentioned early and often, en route to becoming the key symbol foreshadowing the downfall of King Richard II himself. Thomas of Woodstock (not to be confused with one his supposed killers, Thomas Mowbray, Duke of Norfolk) has died suspiciously long before the opening of Richard II."
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Dylan Thomas Confronting Death, 2002.
This paper looks at the popular poem by Dylan Thomas "Do Not Go Gentle Into That Good Night", analyzing it in terms of meaning and values.
973 words (approx. 3.9 pages), 1 source, MLA, AU$ 36.95
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Abstract
The paper looks at the poem stanza by stanza as it speaks directly to Thomas' dying father. The paper describes the power of the language as Thomas urges his father to fight the onset of death. The conclusion of the paper addresses the reader as well, reminding us of Thomas' message to everyone to relish life.
From the Paper
"Dylan Thomas' "Do Not Go Gentle Into That Good Night" is a poem written to his father, who was dying at the time Thomas wrote the poem. Instead of telling his father to accept his death with graciousness and thankfulness for a long life, in this poem, Thomas urges his father to fight against his own death. Each stanza of this poem shows a different view of death from people who differ in every way but one: they all have struggled to hold on to life."
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Niccolo Machiavelli and Thomas Hobbes, 2005.
This paper describes and compares the political philosophies of Niccolo Machiavelli and Thomas Hobbes.
3,765 words (approx. 15.1 pages), 15 sources, MLA, AU$ 110.95
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Abstract
This paper explains that Machiavelli lived during the Renaissance, nearly 150 years earlier than Thomas Hobbes, yet it was he who envisioned the basis for the political pragmatism of the twentieth century; while Thomas Hobbes, who lived in the 16th century, was a political materialist in the classical tradition of Plato and Galileo. The author stresses that Machiavellianism, as a term, has been used to describe the principles of power politics and the type of person who uses those principles in political or personal life is frequently described as a Machiavellian. The paper includes a comparison of the Table of Contents of "De Cive" by Thomas Hobbes and of "The Prince" by Machiavelli to demonstrate that Hobbes is looking for a universal law of politic; whereas, Machiavelli is looking for a practical means of surviving real politics. Several very long quotes.
From the Paper
"For Machiavelli, historical change has two forms: (1) the motion of nature and, (2) the order or ordering that man intends. Nature's changes are unreliable; they can be good or bad, but man does not feel safe or grateful. Machiavelli lumps unreliable nature with fickle fortune as the first element of his view of the opposing forces of history. Human order, or as Machiavelli describes it, "orders and modes" (Preface), is devised by human virtu to overcome this sense of being at the mercy of nature or fortune and is the second element of the equation. Simply put, his context of history is a contest between virtu and fortuna. Machiavelli is not a mere observer of this contest. As a humanist historian, he bases his advice, or lessons if you will, on the contest. But unlike the other historians of his day, he does not teach the lesson by what was done, but rather by what should have been done. This clearly places Histories in the political instead of historical genre by modern standards."
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Thomas Jefferson's Views on Racism, 2002.
A look at how Thomas Jefferson, a large slave owner, thought of racism.
1,150 words (approx. 4.6 pages), 1 source, AU$ 47.95
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Abstract
This paper discusses Thomas Jefferson's views on racism. Thomas Jefferson was one of the largest slave owners. This clouded his view on racism. His "views on slavery were colored by the prejudices of the gentry class and shaped by his own political philosophy" (Sheldon 1991, 129).
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