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Countee Cullen's Poetic Universality, 2008.
This paper analyzes the cultural universality in the poems of Countee Cullen.
1,058 words (approx. 4.2 pages), 5 sources, MLA, AU$ 45.95
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Abstract
The paper focuses on the diversity of cultural and race issues within the poetic works of Countee Cullen. The paper looks at the poems "Heritage" and "Yet Do I Marvel" and discusses how Cullen is able to convey a sense of awareness of his own cultural background without the monolithic view of race issues in his work. The paper highlights Cullen's broad sense of poetic universality across cultural and racial lines during the Harlem Renaissance.
From the Paper
"For Countee Cullen, poetry was often deemed "raceless" due to the way that he interpreted human relationships within the big city. New York City was a massive "melting pot" of immigrants and people of differing races, which became manifest during the Harlem Renaissance. Cullen lived in this section of the city where African Americans were indeed marginalized, yet they were able to have greater freedoms that what was allowed at the time in the South. Cullen is aware of cultural roots going back to Africa in this urban milieu, which helps to dictate his ideas about the limitations of African American identity in the poem "Heritage"."
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"Growing Up Palestinian", 2008.
This paper critically reviews Laetitia Bucaille's book "Growing Up Palestinian", which focuses on the complexity of social change among the Palestinian population.
1,115 words (approx. 4.5 pages), 1 source, MLA, AU$ 46.95
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Abstract
The paper critically analyzes Bucaille's text "Growing Up Palestinian", which explores the social fault lines within Palestinian society. Using Bucaille's book as a basis, the paper argues that these fault lines have not only been exacerbated but, to a great extent, created by the instrumentality of the Israeli occupation; a process that has been reinforced by the inadequacies of the emerging Palestinian governance since the 1990s. The paper shows how these fault lines have not only fragmented Palestinian society, but critically weakened it in the face of a range of challenges over the past decade.
From the Paper
"In her book Growing Up Palestinian, French journalist and academic Laetitia Bucaille describes the impact of the Israeli Occupation, the two Intifadas, and the emerging Palestinian governance structures in the 1990s upon a generation of young Palestinians in Gaza and the West Bank. Given the nature of her subject, this text cannot truly be considered a general analysis of Palestinian society as a whole. For example, one significant gap in her text is its lack of direct treatment of young Islamists and members of Hamas; an increasingly influential portion of the Palestinian population. This being said, even with the text's focus upon more secular young Palestinians we can understand the complexity of social change among the Palestinian population over the past two decades."
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Marlowe's versus Goethe's "Faust", 2007.
This paper contrasts Christopher Marlowe's "Tragical History of Doctor Faust" and Johann von Goethe's "Faust".
985 words (approx. 3.9 pages), 5 sources, MLA, AU$ 41.95
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Abstract
This paper explores the story structure, the role of Gretchen and theological presuppositions in Marlowe's play "Tragical History of Doctor Faust" and Goethe's play "Faust", separated by approximately two hundred years and by two different languages and cultures, English and German. The author points out that, while both Marlowe's and Goethe's plays are tragedies, Goethe's ends on an optimistic note. The paper relates that Goethe's play is a longer and more complex work with many more episodes of varied style. The author states that the Gretchen episode, which is prominent in Goethe's "Faust", is not found at all in Marlowe's play. The paper concludes that, what to Marlowe was basically a foreign story, which he imported for his own ends, was to Goethe a part of his own nation's cultural tradition and was more familiar to people as a folk tale.
Table of Contents:
Summary
Structure
Gretchen
Theology
Discussion
Structure
Gretchen
Theology
Conclusion
From the Paper
"The Gretchen (Margarete) episode is a very prominent and well-known one in Goethe's Faust but is not found at all in Marlowe's play. In the last part of Part I, the role of Gretchen comes to the forefront of the story, even putting Faust himself into the background for a while. Despite her tragic, Ophelia-like demise, the voice from above which proclaims her redemption at the very end of Part I ends that part of the poem on a highly optimistic note, and foreshadows Faust's own redemption at the end of Part II."
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Dr. David Snowdon's "Aging with Grace", 2007.
This paper describes and analyzes Dr. David Snowdon's book "Aging with Grace: What the Study Teaches Us About Leading Longer, Healthier, and More Meaningful Lives"
1,520 words (approx. 6.1 pages), 2 sources, APA, AU$ 61.95
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Abstract
This paper explains that Dr. David Snowdon's book "Aging with Grace" represents fascinating insights into the nature of health, disease and the factors that define the realities of daily life. The author points out that this book also describes a groundbreaking research project that studied the health vectors shaping the lives of hundreds of Catholic nuns across life-spans of many decades. The paper stresses the critical methodological importance of the sample group because it allowed the researchers to eliminate many of the variables that complicate and undermine studies of aging and Alzheimer's. The author indicates that the advantage of the sample was that the nuns presented the researchers with detailed records of their lives, health conditions, and intellectual capacities (e.g., written autobiographies) for a large population spanning decades.
Table of Contents:
Description
Analysis
From the Paper
"Over the course of twelve chapters, complete with pictures and biographies of many of the participants in the study, the author describes how important such practices as reading and emotional stability are to ensuring that the brain has the capacity to repair or "patch" damage over the course of a long life. As the likelihood of Alzheimer's increases with age, one of the surprising findings of this study is that the symptoms of Alzheimer's (e.g., forgetfulness, dementia) often have little to do with the rate of progression of the disease."
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T. R.Berger's "Northern Frontier, Northern Homeland", 2007.
This paper applies the critical-emancipatory paradigm and the constructivist-interpretive paradigm to T. R.Berger's 1988 book "Northern Frontier, Northern Homeland: The Report of the Mackenzie Valley Pipeline Inquiry".
1,615 words (approx. 6.5 pages), 1 source, APA, AU$ 63.95
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Abstract
This paper explains that the critical paradigm recognizes that reality is the product of history and analyzes it accordingly through social, political, cultural, economic, ethnic and gender values developed over time. The author states that, when applying the critical-emancipatory approach to T. R. Berger's "Northern Frontier, Northern Homeland", the observer understands that the whole issue surrounding the Mackenzie Valley Pipeline Inquiry involves a strong reaction to historical reality issues especially the importance of the First Nation people and the environmental supporters in deciding against the pipeline project. The paper relates that the constructivist-interpretive paradigm assumes that to understand the world and its meaning, one must interpret it. The author underscores that the constructivist-interpretive paradigm can be applied to Berger's work in that his assessment of the Mackenzie Valley pipeline is heavily subjective and based upon interpretation of multiple realities.
Table of Contents
The Strengths and Weakness of the Critical Paradigm
Application of the Critical-Emancipatory Approach to "Northern Frontier, Northern Homeland"
The Strength and Weakness of the Constructivist-Interpretive Paradigm
Application of the Critical Constructivist- Interpretive Paradigm to "Northern Frontier, Northern Homeland"
From the Paper
"It is easy to analyze the Northern Frontier, Northern Homeland document in terms of the critical-emancipatory approach. Indeed, the whole issue surrounding the Mackenzie Valley Pipeline Inquiry involves a strong reaction of social, political, cultural, economic and ethnic issues derived from processes over history. The writer, Berger, has assessed the contentious issue of the pipeline development firstly in terms of economic issues: that is, that it will be good for the Canadian economy, particularly the northern Canadians who will be brought now into the "mainstream of the Canadian economy" (Berger, 1988, p. 3). Ultimately, however, Berger has acknowledged the role of ethnicity in appraising the pipeline project and assessing its worth. His final position assumes the First Nation Canadians are correct; environmentally-speaking, the project should not go on). The role of acknowledging the importance of the First Nation people and the environment in deciding against the pipeline project display evidence of cultural, social, political and ethnic values in evaluating the situation.
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War Literature, 2008.
An analysis of the role of symbolism in Jeff Shaara's "The Rising Tide", Richard Galli's "Of Rice and Men" and James Bacque's "Our Fathers' War".
1,462 words (approx. 5.8 pages), 3 sources, MLA, AU$ 58.95
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Abstract
This paper examines war imagery as it appears in three novels - Jeff Shaara's "The Rising Tide", Richard Galli's "Of Rice and Men", and James Bacque's "Our Fathers' War". It looks at how this imagery captures the absurdity of war and its many contradictions by having symbols and concepts uneasily juxtaposed against one another. More than that, the paper also notes how war inverts things, with the cross and the Church taking on chilling meanings while "dirt" becomes more meaningful than cleanliness. It concludes that symbols serve as powerful communicators of war's destructiveness and perversity.
From the Paper
"In Jeff Shaara's 2006 novel, The Rising Tide, the use of symbolism raises some interesting images in the minds of the reader. For instance, at one point, as his tank crew is firing on a German tank, it occurs to a British officer of the British Seventh Armored Division that the first thing they always see through the dust and dirt of war are the crosses - the crosses marking German tanks on the battlefield of the Libyan Desert (Shaara, 9). The cross is supposed to represent Christianity, of course, but in the desert it is inverted in the mind to represent something else: killing machines that fire projectiles which tear apart Allied tanks and the men within them. Considering the absurdity of war, the symbolic potency of finding crosses in the middle of a war-torn desert is quite powerful."
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"Eugenie Grandet", 2008.
A review of the novel "Eugenie Grandet" by Honore de Balzac.
1,232 words (approx. 4.9 pages), 1 source, MLA, AU$ 50.95
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Abstract
This paper discusses how in "Eugenie Grandet", Balzac demonstrates an extensive knowledge of social and historical trends as well as a genius for metaphor, imagery, and insights into human nature. It examines how Balzac depicts provincial life in France as backward and out of touch with urban trends while Paris is portrayed as an advanced commercial society and how this historical pattern represents much more than mere contrast between urban and rural, and becomes a symbol for the context in which Eugenie is situated.
From the Paper
"The person who exhibits the courage and stamina to oppose Grandet is his daughter Eugenie. In order to portray this opposition, Balzac used the analogy he introduced at the beginning of the house in ruins and desolation. The impetus for Eugenie's emotional awakening is her cousin Charles, and the symbol used is the Garden. First of all, Eugenie is initially portrayed as docile and as corresponding to the most traditional social expectations. A painter of the period would have observed in Eugenie "a typical example of Mary's celestial purity in this world, who expects all women to have those modestly proud eyes perceived by Raphael" (Balzac 57). "
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Characteristics of Biographies, 2008.
This paper explores biographies by various historians who focus on different fields.
2,622 words (approx. 10.5 pages), 10 sources, APA, AU$ 96.95
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Abstract
The paper discusses the characteristics that can be discerned in various biographies about people from different fields and different times in history. The paper looks at how biographers find ways of making an individual's area of expertise understandable to the reader so the achievement of the subject can be measured. The paper also shows how biographers find ways to link the life of the individual to the society that produced them as well as to how their field advanced because of the tenor of the times.
Outline:
Introduction
Science and Technology
Other Disciplines
Biographical Section
Conclusion
From the Paper
"Historians writing about figures in science and technology have the particular requirement of explaining the necessary scientific concepts so the lay reader will understand the scientific concepts involved and place them in the continuum of discoveries in the given field. Rosenberg (1996) notes some of this element when discussing the growing interest in science in America and suggests certain aspects of biography in the sciences. He also considers some of the proper uses of biography in learning about any subject, considering the nature of the individual life and what it might say about the larger subject in which it occurs. This discussion comes as part of Rosenberg's consideration of the scientist as actor in the larger drama of science, meaning the context in which the scientist develops his or her ideas."
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Defending Judas, 2008.
An analysis of Dante's placement of Judas within the "Inferno" and the meaning behind it.
1,042 words (approx. 4.2 pages), 4 sources, MLA, AU$ 44.95
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Abstract
This paper presents information in order to attempt to defend Judas from mainstream Christian theology, which teaches that Judas is the greatest of traitors because of his betrayal of Jesus to the authorities. The paper discusses Dante's placement of Judas within "Inferno" and discusses what this placement suggests about Judas' guilt or lack thereof.
Table of Contents:
Outline
Argument
From the Paper
"However, if we do not limit ourselves, as Dante did, to accepted official or orthodox beliefs, we have to recognize that the existence of these ancient teachings about Judas may be worthy of being taken into consideration. Even some modern writers have started to feel that these old arguments are worth a new look, as can be seen in books such as The Last Temptation of Christ by Nikos Kazantzakis, and the short story "Three Versions of Judas" by Jorge Luis Borges. Without claiming any definite value as truth, but only speculation, they do suggest to us that keeping an open mind to different ways of looking at old beliefs can bring new knowledge to light."
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"Three Day Road", 2008.
An exploration of the challenges facing Aboriginal Canadians, as illustrated in "Three Day Road," written by Joseph Boyden.
1,830 words (approx. 7.3 pages), 1 source, APA, AU$ 71.95
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Abstract
This paper discusses the concepts of the novel, "Three Day Road," written by Joseph Boyden. It shows how the novel sheds light on the challenges faced by Aboriginal Canadians as they fought to hang onto their own identity during the First World War, while they were faced with the competing claims of aggressive, dominant colonialism. It also describes how Boyden shows this in an unconventional way - by situating two of the three main characters - Xavier and Elijah - far from their home, in Belgium and France.
From the Paper
"The medicine bundle was tied around his neck by Niska when he left to join the Canadian army, and it represents his Aboriginal identity and his roots. This act of affirmation, and the act of killing Elijah, together set the stage for his salvation via reclaiming his identity. However, the combination of his brutal experiences, the loss of his leg and the injury to his arm, and the morphine habit he has acquired as a result of his injury, are together such a great weight that he expects to die. However, Niska revives him by telling stories that put him back in touch with his heritage and his identity. She cements this for him by removing his wemistikoshiw (white) clothes, and participating with him in a cleansing-by-heat ceremony in the matatosowin. Thus, the three day journey by canoe down the river becomes not a journey to death for Xavier, but rather a journey to rebirth - as himself again."
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Dante's "Inferno", 2008.
Presents writer's reasons for agreeing with Dante's placement of illicit heterosexual relationships as one of the least serious sins in his "Inferno".
869 words (approx. 3.5 pages), 4 sources, MLA, AU$ 37.95
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Abstract
This paper analyzes Dante's view in making illicit heterosexual love the least of the serious sins in Hell in his "Inferno" and then presents the writer's opinion of Dante's arrangement. The writer bases his opinion on reasons based on Catholic theology, the mitigating circumstances in the case of at least two of the people he meets and Dante's own confessed susceptibility to a kind of literary seduction.
Table of Contents:
Outline
Argument
From the Paper
"Dante's vulnerability to a similar seduction: The same modern writer who suggested that Francesca may be considered partly a victim also noted that "her account of her seduction by literature might be taken as a veiled confession of a similar susceptibility on Dante's part" (Pinsky xiii). That is to say, Paolo and Francesca's reading in a book about another famous adulterous affair (that of Lancelot and Guinevere) may have influenced them to commit their own sin. Commenting on the Fifth Canto in general, the writer goes on to state that "the damned in Dido's train bear witness to the power of literature more than to the irresistibility of love" (Pinsky 313). Dante's own recognized vulnerability to the strong influencing power of literature may have inspired him to treat other victims of this power more lightly than another writer would have."
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The Abstraction of Death, 2008.
This paper analyzes the abstraction of death in "Driving Through Minnesota During the Hanoi Bombings" by Robert Bly and "War Photographer" by Carol Anne Duffy.
798 words (approx. 3.2 pages), 3 sources, MLA, AU$ 34.95
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Abstract
The paper compares and contrasts the abstraction of death in the poems "Driving Through Minnesota During the Hanoi Bombings" by Robert Bly and "War Photographer" by Carol Ann Duffy. The paper portrays how the points of view of the authors of these poems reflect the abstraction of death from first world perspectives.
From the Paper
"The poem "War Photographer" by Carol Ann Duffy relates the abstraction of war and its consequences through the "lens" of photography as an artistic medium. Many of the poems themes revolve around the photo development process of the Vietnam War, which take place in a dark room. Although the "photographer' being used in this poem has seen the horrors of war, the abstraction of death is clearly the process of viewing and processing the images that are dislocated from the battlefields."
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"Flower Feet", 2008.
An analysis of Ruth Fainlight's poem "Flower Feet".
947 words (approx. 3.8 pages), 0 sources, AU$ 40.95
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Abstract
This paper briefly analyzes and assesses Ruth Fainlight's memorable poem, "Flower Feet". In so doing, the paper looks at the physical shape of the poem, the curious decision by Fainlight to abandon many commonplace poetic devices (while still judiciously using others) and the powerful relevance of the poem even to today's world.
From the Paper
"One of the most obvious things about Ruth Fainlight's impressive poem is how the lines of the work vary in length; they are disjointed, in other words. For instance, the opening line of the poem has eight syllables in it; the second line has ten and the third line has eleven syllables. This uneven pattern is continued throughout the course of the poem and the unevenness of this sort of construction can be seen as a sort of metaphor for the inequality of forcing women into what amounts to crippled servitude just so that they can satisfy male ideals of what constitutes beauty and femininity.|"
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The Patriot Act: An Essential Weapon, 2008.
This paper presents arguments in favor of the USA Patriot Act of 2001.
2,158 words (approx. 8.6 pages), 6 sources, APA, AU$ 81.95
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Abstract
The paper attempts to demonstrate that the USA Patriot Act is a prudent and necessary legislation to protect the United States from the real threat of terrorism. The paper argues that the perceived threat to our civil liberties is unfounded. The paper compares the provisions of the Act to truly outrageous actions taken in the past by a government in crisis, such as the Alien Sedition Acts of 1798 and the suspension of habeas corpus by President Lincoln.
From the Paper
"The USA Patriot Act is the often discussed, much maligned, and little understood legislation that was put forward in response to the tragic aftermath of the 9/11 attacks that destroyed the World Trade Center in New York, heavily damaged the Pentagon in Washington D.C., and left a crater in Shanksville, Pennsylvania as a testimony to the heroics of ordinary citizens faced with the new reality of life during the first war of this young century. This abbreviated name wrongly suggests a simple law, and has been the target of many groups citing the end of personal civil liberties and the coming of a new police state. Nothing could be farther from the truth, in fact, this Act is extremely complex, far less reactionary that previous laws enacted during wartime, and fundamentally necessary to protect our fellow citizens from another early morning tragedy to unfold on live television."
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"Tamburlaine the Great", 2008.
An analysis of "Tamburlaine the Great Parts One and Two," edited by Christopher Marlowe, Edward Esche and David Fuller and how it can be taught in terms of Marxist literary criticism.
3,127 words (approx. 12.5 pages), 10 sources, MLA, AU$ 111.95
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Abstract
This paper discusses the teaching of "Tamburlaine the Great Parts One and Two," edited by Christopher Marlowe, Edward Esche and David Fuller. It particularly looks at the play in terms of Marxist literary criticism. The paper describes Marx' views and presents the content of the play. It then discusses how the two can be related to one another, particularly in terms of their teaching. The paper includes an annotated bibliography.
Table of Contents:
Marxist Literary Criticism
Teaching Literature
Teaching Marxist Criticism
Teaching Tamburlaine
Politics
Power
Religion
Manly Men
Conclusion
From the Paper
"The second incident takes place when Tamburlaine burns the Koran, challenging Mahomet to punish him. Although he is later struck with illness, this act is a declaration of God's power and Mahomet's powerlessness: Mahomet can not prevent Tamburlaine from destroying the Koran, despite his ability to descend from the sky and interact with human beings (Dailey 158).
"These two passages can be read with an eye to Marxist literary criticism. In both scenes, religion is the source of conflict and destruction. A Marxist reading of this play would necessarily be compelled to examine these scenes, given Karl Marx's opinion on religion."
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Lunch with Copland, Brahms and Bach, 2007.
This paper creates an imaginary luncheon conversation between Aaron Copland, Johannes Brahms and Johann Sebastian Bach to explain and compare their music.
1,705 words (approx. 6.8 pages), 4 sources, MLA, AU$ 67.95
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Abstract
The paper relates that Copland based his music on a deep appreciation of the music of Brahms and Bach. The author points out that both Copland and Bach were enthralled by folk music as evidenced in Brahms' 'Hungarian Dances' and Copland's 'Billy the Kid'. The paper relates that, upon being asked by Brahms who influenced him, Bach remembers the deference that he held for the great organist Buxtehude; whereas, Beethoven and Robert Schumann strongly influenced Brahms. The author reveals that Brahms was a homosexual, Copland was a communist and Bach rebelled against the Calvinist Prince Leopold, his sponsor, by composing also such secular music as the 'Brandenburg Concertos'. The paper concludes that the music of all three men were revolutionary in their own way.
From the Paper
"Think of your Hungarian Dances. You were enthralled by the gypsy music that you heard, and it was evident in much of what you wrote. I also fell in love with folk music. I wrote 'Billy the Kid', which is indubitably folk, as well as 'Rodeo,' both of which are beloved. I'm not sure if you watch much television, but the hoedown from Rodeo is used in the 'Beef, it's What's for Dinner' commercial." "Speaking of beef, what is for lunch?" Johann interjected. "Do they have any mince pie?" "I'm not sure," Aaron replied, "but you might like a hamburger."
"As in Hamburg?" both Brahms and Bach asked.""
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