| Papers [337-352] of 1100 :: [Page 22 of 69] | | Go to page : <— 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 —> | |
|
|
Technology and Music, 2002.
A discussion on technology and innovation and their impact on the music industry.
710 words (approx. 2.8 pages), 10 sources, MLA, AU$ 34.95
»
Click here to show/hide summary
Abstract
This paper considers the ways in which technology and innovation have challenged the music industry, with an economic perspective in mind, drawing on current articles and supports. In particular, it looks at the move from the LP to the CD and more recently, the innovation of MP3 technology which has forced the industry to make swift choices about marketing strategies. It evaluates the legal aspects of downloading free music from the internet and copyright violations through examples of lawsuits.
From the Paper
"Even though bootlegged copies of popular albums had been available for decades, the poor quality of these products limited this impact on the music industry. But the emergence of the MP3 changed not only the way that consumers accessed product, but also the way that artists and their labels contemplated their business. The quality of the product offered by MP3 technology rivaled the CD market, leaving little room for consumer discretion in this regard."
| |
|
Love in the Arts, 2002.
A look at the issue of love in the arts by analyzing a song, a poem and a movie.
1,097 words (approx. 4.4 pages), 0 sources, AU$ 51.95
»
Click here to show/hide summary
Abstract
This paper introduces, discusses and analyzes the use of love as an ideal in the arts. It examines song lyrics by Tupac Shakur, the film "Pretty Woman" and the poem "The Bride of the Greek Isle," by Felicia Hemans. Specifically, the paper shows that the way that love is portrayed in the arts does not always live up to the romantic ideal.
From the Paper
"The last lines of the poem help spell out the meaning, and give some feeling to the tragic story. Hemans seems to be saying that love and youth go together, and this is why the two newlyweds must die young. "Now the night gathers o'er youth and love!" is how she ends this poem, and it is a poignant moment, as we know Eudora has not only avenged her lover?s death, she has also caused her own.
Love in this poem begins romantically, and then turns tragic, as real love does every day. The tragedy of love can be allowing yourself to love so much, to feel so much. Love can consume a person if they let it, and love can be just as dark as it is romantic. Consider the "love" that keeps a woman with a man who abuses her. This is the dark side of love, when it can turn ugly and even deadly, as it did in Hemans' poem."
| |
|
Napster vs. The U.S. Recording Industry, 2002.
An analysis of the economic model of the United States recording industry.
880 words (approx. 3.5 pages), 4 sources, MLA, AU$ 42.95
»
Click here to show/hide summary
Abstract
This paper explores the economic principles of the recording industry?s profit models. It illustrates the method of selective collusion among the large music corporations. The paper generates more awareness and understanding in the legal ramifications that ensued from the birth of Napster in the free distribution of copyrighted music files through the Internet.
From the Paper
"The article ?When the Music Stops? by Nick Wingfield in the November 2002 issue of the Wall Street Journal, relates an interview with the founder of Napster, Shawn Fanning, after the death of his company at the hands of the recording industry. Not only does it discuss Napster?s creator?s plans and what he thinks is the future of the on-line music industry, it also provides an insight into the economic principles at work in the recording industry. This paper endeavours to explore the economic principles concerning demand models and the practice of selective collusion among the big recording companies which are alluded to in the article, thereby generating more awareness and understanding in the legal ramifications that ensued from the birth of Napster."
| |
|
Giuseppe Verdi?s "Otello", 2002.
This paper discusses in detail Giuseppe Verdi?s opera, "Otello," based on the play by William Shakespeare.
2,115 words (approx. 8.5 pages), 6 sources, MLA, AU$ 89.95
»
Click here to show/hide summary
Abstract
This paper discusses that, unlike the Rossini version of the same story, Verdi and Boito's opera "Otello" keeps the plot of the original Shakespeare story intact. This paper presents the opera in detail and denotes that the music and operatic forms are in keeping with the nature of each character. The author believes that the music and the drama are perfectly balanced in "Otello" because Verdi uses the music to further the drama and to create tones for each shift in dramatic emphasis.
From the Paper
"Act II begins with an orchestral introduction that mirrors Iago's energy. Iago delivers his famous soliloquy "Credo in un Dio crudel" and expresses his credo of evil. Continuing to find ways to express Iago's shifting energy, Verdi orchestrates the credo in a way that hovers between arioso and aria, "its devious harmonic and formal twists continuing to the last." When Otello arrives, the two sing a duet that continues to the end of the act, lining the action and words of the entire act around this specific confrontation and the way Iago manipulates Otello during it."
| |
|
Johan Sebastian Bach, 2002.
A review of the works of the composer Johan Sebastian Bach.
2,619 words (approx. 10.5 pages), 0 sources, AU$ 105.95
»
Click here to show/hide summary
Abstract
This paper provides a biography of the life and music of Johan Sebastian Bach, considered to be one of the greatest composers of all time and is celebrated as the creator of the "Brandenburg Concertos", "The Well-Tempered Clavier", the "Mass in B Minor", as well as numerous other masterpieces of church and instrumental music. It discusses how Bach brought together and synthesized the principle styles, forms and national traditions of his age, picking the best of each, andby bringing them together enriched them all. It provides a detail analysis of "Third Brandenburg Concerto", by looking at such issues as instrumentation, texture, framing, phrasing and mood.
From the Paper
"In the Third Brandenburg Concerto, the strings act as an ensemble throughout the entire work, sometimes as a group, and at other times with one instrumental group, say the violins, are given emphasis. Throughout the entire piece, a heavy Italian influence is present. As may be guessed, the harmony is carried by the harpsichord, while the melodies are carried by the strings. In this case, the Bass and the three cello?s carry the lower, heavier part of the melody while the lighter, higher part of the melody is carried by the violins and the violas. Although the harmonies are somewhat different, they work in concert. One harmony will take the lead and the other will fall back or disappear. They also work in concert with each other, playing off each other and using the other to emphasize the statement of the music."
| |
|
Rock 'n' Roll, 2002.
This paper examines whether rock 'n roll was a reflection of American culture.
1,310 words (approx. 5.2 pages), 7 sources, MLA, AU$ 59.95
»
Click here to show/hide summary
Abstract
This paper discusses rock 'n' roll and how music and art are products of the society from which they evolved. This research explores through example exactly what these songs tell us about the important issues of the time about racial injustice, poverty, and the Vietnam War. The author concludes that by exploring the music of an enraged generation, we can understand their actions and in turn a little more about ourselves.
From the Paper
"History tells us about events that happened in a certain time, but the events themselves do no tell the whole story. Behind these events are thoughts and feelings. The advent of Rock n? Roll represented a crying out of the youth. he children of the 1950s were the teenagers and young adults of the 1960s. World War II was popular and everyone saw the need for it. Vietnam was not popular and this was evident in the war protest songs of the youth of the time. This research will explore through example exactly what these songs tell us about the important issues of the time about racial injustice, poverty, and the Vietnam War."
| |
|
Madonna, 2002.
A discussion of Madonna and her controversial statements about the role of women.
4,850 words (approx. 19.4 pages), 12 sources, MLA, AU$ 166.95
»
Click here to show/hide summary
Abstract
This paper presents an examination of the entertainer Madonna?s videos and their statement about the societal role of women. It discusses the evolution of females in society over the years through the changes in Madonna?s released videos and focuses on her empowerment of women through her music and videos. It looks at how Madonna spent two decades tearing down preconceived notions of what women were expected to do and how she worked to re-instate the ability to be feminine and proved to the world it does not mean giving up the ability to compete in business.
From the Paper
"It has been said that music is the universal language. It is alleged to have the ability to calm savage beasts, make couples fall in love, and incite violence. Throughout the years music has also had a significant influence on the evolvement of women. The women?s rights movement of the 1960?s started the ball rolling toward equality but when it came to issues such as sexuality and the freedom of females to express themselves there was still a stigma about what ?kind? of woman expressed her sexuality. The entire issue of sexual openness and women in the music industry was taken by the horns and challenged by Madonna. The sexuality of women was not the only area in which Madonna broke through the glass barriers."
| |
|
Women?s Music, 2002.
An investigation into the world of women?s music.
1,330 words (approx. 5.3 pages), 8 sources, APA, AU$ 59.95
»
Click here to show/hide summary
Abstract
This paper attempts to define what is women's music and examine its history, development and future. It discusses how women?s music is defined by its performers, by its audiences, by its content, by its style, and by its mode of transmission. Unless all of these elements are present, the result is not women?s music. It looks at how in general, women?s music is played by women, bought and listened to by women, addresses issues of concern to women, favors certain musical forms over others , is released by ?women?s music? labels and is played at women?s music festivals. It also discusses the influence of music on feminist groups who rely on music to help define them as a community and to give them a sense of purpose and on the lesbian movement.
From the Paper
"Any investigation into the world of women?s music quickly reveals that there is no single vector along which a definition may be constructed, and this is no doubt one of the reasons that an easy definition tends to elude us. Women?s music is defined by its performers, by its audiences, by its content, by its style, and by its mode of transmission. Unless all of these elements are present, the result is not women?s music. Or it may fall into a category recognized within the women?s music community as ?not quite women?s music? ? a tacit recognition of its qualification along some but not all essential vectors. These different aspects of women?s music will be discussed in turn. Each of them allows for some ambiguity of classification, but women?s music is only considered to be such if at least some of the categories are unambiguously met."
| |
|
"Don Giovanni", 2002.
A review of the opera "Don Giovanni" by Wolfgang Amadeus Mozart.
660 words (approx. 2.6 pages), 1 source, MLA, AU$ 31.95
»
Click here to show/hide summary
Abstract
This paper examines the story of "Don Giovanni," a morality tale of what occurs when a man does wrong and evil is punished, told through Mozart's opera of the same name. When the Don?s castle is in ruins, the surviving revelers weave in and out of the ruins and sing ?such is the fate of a wrong doer.? It discusses how the contrast of irony and melodrama in the final scene, suggests a far more nuanced moral vision of Mozart in his opera. It describes how at the end, as the Don is engulfed by flames, the music sweeps up into a more religious, reverent tone and the chorus takes over, rather than individual voices. Although this is supposed to be pious and the Don only gets what he deserves, there is a sense of loss at very end.
From the Paper
"The scene being referenced is, of course, the ending deus ex machina of the opera, where the murdered father of a woman Don Giovanni has raped, the Commendatore, comes back from the dead in the form of a living, breathing, animated statue. The depiction of this phenomenon is alone a theatrical marvel and a challenge in and of itself. However, the Don?s apparent casualness in the face of this event makes the striking nature of the Commendatore, even more astonishing. When the statute, who was unwillingly invited by the Don?s surprised servant Lepordello to the Don?s banquet, arrives, he pounds on the door of the Don?s castle with great clashing blows, an entrance that is underscored by ominous music. He solemnly informs the Don that his time has come."
| |
|
Russian Music, 2002.
An analysis of the history of Russian music, including a focus on its impact on present day Russian society.
1,062 words (approx. 4.2 pages), 4 sources, MLA, AU$ 50.95
»
Click here to show/hide summary
Abstract
This paper describes the ups and downs of Russian music throughout the Soviet Union?s tumultuous history. The paper examines the impact that music has on Russians today. This paper also discusses the music during the pre-revolutionary years, post-revolutionary years, the Stalin years, the post-Stalin years, and Gorbachev?s perestroika years.
From the Paper
"The years before the Russian Revolution of 1905 and the Russian revolution of 1917 are considered the pre-revolutionary years. The Russian Revolution of 1905 was an unsuccessful attempt to topple the ruling czar and it all started with the Bloody Sunday Massacre. The Russian revolution of 1917 succeeded in overthrowing the imperial government and replacing them with the Bolsheviks. The pre-revolutionary years, in Russia, were filled with Byzantium liturgical chants, nationalistic folk songs, operas, and symphonies. In 988, Prince Vladimir of Kiev decided that Russian?s national religion would be Byzantine Orthodoxy and that?s how the Byzantium liturgical chants ended up in Russia. However, after the Russians created their own style of liturgical chants, it was called znammeny chants. This type of music was entirely vocal and there were no musical instruments accompanying the chants."
| |
|
Eminem, 2002.
A look at the history and life achievments of American rap singer, Eminem.
2,360 words (approx. 9.4 pages), 9 sources, APA, AU$ 97.95
»
Click here to show/hide summary
Abstract
The paper discusses famous American white rapper, Marshall Mathews, aka Eminem, and the controversy that surrounds his career. The paper examines the people in his life, his childhood and the factors today that make him who he is. The examination includes examples from his songs that depict the artist?s mindset when it comes to the foundation of violence in one?s life.
From the Paper
"Many of the lyrics to his songs promote, embrace and encourage violence. There is a song in which he raps about having his daughter help him dispose of her mother?s body after he has cut her throat. In another song he talks calmly about killing a cop and of course most of the world has heard about the $10 million law suit that his mother slapped him with after he claimed in one song that she smoked more dope than he did. Eminem?s skyrocket to stardom has not been a smooth ride. There have been instances of violence, suicide attempts (by ex-wife), law suits by mom, sudden appearance of an always absent and dead beat dad among other things."
| |
|
Post War Effects of World War Two, 2002.
A discussion of the affects of World War II on American culture,focusing on popular music, visual arts, literature and our worldview for the years between the 1940s and 1950s.
2,150 words (approx. 8.6 pages), 13 sources, MLA, AU$ 90.95
»
Click here to show/hide summary
Abstract
This paper explores the great social and cultural changes that took place in America following the Second World War. It examines music, art and literature to show the changes in cultural trends. It looks at the shift in the job market and new opportunities for women in specific labor fields. The paper also discusses the baby boom era where many women returned to the home and focused on child rearing and homemaking. Changes in healthcare are also mentioned which came with progress in medical practices.
From the Paper
"World War II changed the way we lived in America, and how we looked at the world. It also changed the way the world looked at us. We were a world power, who had won the war, and had a devastating weapon at our disposal. Our economy was booming, and life was good in the United States."
| |
|
Sound Editing in "Amadeus", 2002.
The use of sound and music as an artistic tool in this movie.
880 words (approx. 3.5 pages), 0 sources, AU$ 42.95
»
Click here to show/hide summary
Abstract
This paper discusses sound editing in the movie "Amadeus". Background sounds and music are shown to be used to signal shifts in time or location, or to help guide the viewer?s attention to the most important feature of the scene. The absence of sound is used as well. Examples from the film are given to demonstrate these tools.
From the Paper
"The movie opens with the sounds of Antonio Salieri?s attempted suicide, after he shouts his confession that he contrived to make Mozart die. The suicide attempt is experienced auditorally only ? his confession, his scream, his fall to the floor. This pivotal opening action in the movie occurs only by sound effects. This is a foreshadow of just how important sound effects will be in this movie.
"In a scene shortly following that one, a priest enters the madhouse. As he moves through, the piano can barely be heard, gradually becoming louder, under the sounds of the inmates. The sound of the piano, which plays ordinary and pedantic music compared to Mozart?s, demonstrates Salieri?s frustration at his comparative lack of talent, and sets up the scene with the priest where Salieri tries to get the priest to recognize at least one of his pieces."
| |
|
Jazz, 2002.
A study of this musical genre of the 1920's.
1,500 words (approx. 6.0 pages), 5 sources, MLA, AU$ 66.95
»
Click here to show/hide summary
Abstract
The paper traces the history of jazz, beginning in the 1920's. It then focuses on the contributions of some of the most notable musicians and composers of the era.
From the Paper
"Jazz music is many things to many people. It is the rhythmic beat of a swing band recreated by "Big Bad Voodoo Daddy," or the "Brian Setzer Orchestra." It is Louis Armstrong playing a sweet, soulful trumpet, or Duke Ellington playing the piano in a smoky club in Harlem. "That word jazz is ambitious. Not content with a peer's place in the dictionaries, it has shouldered its way into encyclopedias. Here is the definition given of it in Chambers' 'Encyclopedia': 'Jazz, dance music, generally syncopated, played by a band eccentrically composed. The jazz drummer, a sort of one-man band, provides the characteristic feature of jazz, which is noise. . . . The origin of the word is uncertain. The term has been applied also to noisy proceedings, to loud writing, to eccentric and discordant coloring'" (Osgood 10). Jazz came into the language and the hearts of the American people in the 1920s, and it has never left."
| |
|
Igor Stravinsky & His Music, 2002.
An insight into the life and music of composer Igor Stravinsky, regarded as one of the most influential musicians of the 20th century.
2,425 words (approx. 9.7 pages), 6 sources, MLA, AU$ 100.95
»
Click here to show/hide summary
Abstract
This paper explores Stravinsky?s long and monumental musical career, discusses the different styles of music that he adopted and developed along the way and explains how the brilliant composer reflected the cultural and historical environment of the times in his work. It also takes a brief look at Russian culture and folk music and assesses how it influenced Stravinsky?s music.
From the Paper
"Recognized as one of the promising young musical talents, Stravinsky was now ready for greater things in life. Even before Petrushka (1911) Stravinsky wanted to write a symphonic pagan ritual initially titled Great Sacrifice. Diaghalev persuaded him to cast it in the form of a ballet that came to be called The Rite of Spring and was destined to herald the start of the modernist era in classical music. The first performance of The Rite at the Theatre des Champs Elysees, Paris on May 29, 1913 has become ?the most notorious event in the musical history of the century.? (Glass, 2000). As soon as the first notes of the unusual music sounded, uproar broke out in the audience. Stravinsky?s daring and creative music was cheered, protested and argued over so loudly during the performance that the dancers were unable to hear the orchestra and fights broke out in the audience. (Ibid.) Modern music would never be the same again."
| |
|
Serge Diaghilev and the Ballets Russes, 2002.
A history of Serge Diaghilev and his ballet company, Ballets Russes, and its influence on the world of ballet.
1,080 words (approx. 4.3 pages), 5 sources, MLA, AU$ 50.95
»
Click here to show/hide summary
Abstract
The paper gives a history of Russian-born Serge Diaghilev and explains how his unconventional ideas of ballet led to the creation of the Ballets Russes in France. The paper lists the people associated with the company and explains the factors that contributed to the success of the Ballets Russes. The author describes the incredible impact that the Ballets Russes had on the world of ballet.
From the Paper
"Serge Diaghilev was born of Russian nobility in Perm, Russia, on March 19, 1872. In 1890 his family moved to Saint Petersburg, and at the university there, Diaghilev was supposed to study law, but he soon became enamored with the arts and realized that was where his future lay."
|
|
|
