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European Nationalism, 2006.
A discussion on Gillo Pontecorvo's "The Battle of Algiers" and Erich Remarque's, "All Quiet on the Western Front".
1,279 words (approx. 5.1 pages), 3 sources, MLA, AU$ 65.95
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Abstract
This paper compares and contrasts the novel "All Quiet on the Western Front" and the film "The Battle of Algiers". . It explains that the film paints a portrait of a society gone awry and that the novel paints a portrait of an individual psychology that is used to show the suffering of all ordinary people caught up in the web of war and the nationalism of the European powers during World War I. The author offers examples from both the novel and the film to qualify points made.
From the Paper
"One of the reasons for the relatively sympathetic portrayal of the soldiers in the service of imperialism in Remarque's novel is the young men's relative youth and low status in the army. The novel is told from the perspective of a nineteen-year-old student who was convinced to enlist with the German army when his schoolmaster Kantorek told him fine things about the glory of battle. However, after seeing the horrors of war, this young man can only think about seeing his ailing mother at home. In "The Battle of Algiers," although ordinary civilians are a presence in the background as victims of terrorist attacks, the decision makers at the heads of both sides dominate the film, thus forcing the viewer to chose sides as to who is correct, politically, in the war."
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"Mr Smith Goes to Washington", 2006.
A review of the 1939 film, "Mr Smith Goes to Washington".
705 words (approx. 2.8 pages), 3 sources, MLA, AU$ 38.95
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Abstract
The paper reviews the film "Mr Smith Goes to Washington" (1939) and its educational value. The paper examines whether the depiction of congress in the film is an accurate one. The paper concludes that although the film was accurate in some ways (eg. passing a bill), it does not give an accurate portrayal of congress today.
From the Paper
"The way the outsider is treated in the film is dramatically necessary but far too cynical for any institution pretending to even a degree of populism. The time frame for the film is compressed so that events seem to take place quite rapidly, but still the condescending treatment given to this one Senator would be highly unlikely from a body that needs every member. The political machine idea also gives more power to political parties than they actually have, though they have become staples in Congress as a way of organizing actions and maintaining order."
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Todd R. Wagner, 2006.
A discussion on Todd R. Wagner and his plans to change the Hollywood movie distribution network.
830 words (approx. 3.3 pages), 3 sources, MLA, AU$ 44.95
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Abstract
The paper discusses Todd R. Wagner and his plans to revolutionize the movie distribution network as a means to cut down on piracy. The paper explains that Wagner intends to try releasing films simultaneously in theaters, on DVD, and on one of the two cable channels, effectively collapsing Hollywood's drawn-out release schedules. The paper concludes that while Wagner's idea may have merit, it has yet to be tested on a major Hollywood production.
From the Paper
"Wagner has not really tried the simultaneous release plan as yet. He produced the movie Godsend in 2004 and released the film to theaters in April, then releasing the DVD in August. That is a short release date, though not so short that the studios have not done the same, but it is also far from a simultaneous release. He also produced the film The Jacket and released it in March 2005, with the DVD release in June."
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Reality Television, 2006.
This paper looks at the trend of reality television programs.
3,400 words (approx. 13.6 pages), 5 sources, MLA, AU$ 145.95
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Abstract
In this article, the writer discusses the trend of reality programs that appeared on television in the late 1980s and has continued to the present. The writer declares that although reality television has become a dominant part of TV viewing, it is important to realize that along with any "entertainment" there comes responsibility. One needs to be concerned when the lines between reality and fantasy become so blurred that one can no longer recognize the difference. The writer concludes that as long as one recognizes that reality television is solely for entertainment purposes, then all is well.
From the Paper
"Another feature of the genre is the format of the shows. Here again producers borrow from both fiction and nonfiction. In the opening minutes of the first episode of Big Brother 5, we meet the eight core houseguests--mostly twenty something, all with movie-star good looks and figures, who are introduced with fast-paced editing that includes flashbacks of good-byes to family and jobs presented with a mix of game-show and sitcom-production techniques. After a commercial break comes act 2 and the exposition of the plot. Here is where we learn how "guests" stay in the game, how viewers participate in the fates of the participants, and what has to be done to be the big winner who takes home five hundred grand.
In act 3, the producers of Big Brother, represented by a petite Asian American who speaks to the contestants though a television monitor--tell the houseguests that each has a minute to choose his or her bedroom and bed. Choices include sleeping alone or with a partner in a double bed."
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Courage in Film, 2006.
Compares the theme of courage in "Erin Brokovich" and "Kill Bill".
956 words (approx. 3.8 pages), 4 sources, MLA, AU$ 50.95
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Abstract
The true story of Erin Brockovich shows the triumph of the single mom over huge corporate interests as an astounding example of human moral courage. Similarly, the story of The Bride in Quentin Tarantino's 2003 action film "Kill Bill" is entirely fictitious but demonstrates in exaggerated cinematographic form the value of physical courage. This paper examines the theme of courage and shows how it is portrayed throughout both movies.
From the Paper
"Were it not for her rigorous traditional training sessions, The Bride would not have had the courage to take on a whole army of enemies as she did throughout the film. Her physical endurance during the training sessions enabled her to endure the remarkable amounts of pain she encountered through her battles. Kill Bill illustrates how physical and mental courage converge to strengthen character. The Bride's rewards were not fully realized until the sequel to Tarantino's movie, when the protagonist confronts Bill and reunites with her child."
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"Behind the Lines", 2006.
This paper discusses the film "Behind the Lines" that is subtitled "Regeneration" .
1,273 words (approx. 5.1 pages), 4 sources, MLA, AU$ 65.95
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Abstract
In this article, the writer analyzes the film "Behind the Lines" and looks at soldiers that are all victims of World War I. The writer discusses that the film implies that the soldiers are also all victims of the folly of the previous generation of European leaders. The writer describes that the film, in chronicling the rehabilitation of British soldiers, thus makes a case that the 'war to end all wars' was actually a class-based war, waged by the rich for the sake of preserving their way of life, that killed both the next generations, of rich and working-class young men. The writer concludes that whether one agrees or disagrees with its historical assessment, the film's accuracy in terms of the literature and incidents it cites, gives it an ideological weight.
Outline:
Introduction--Plot Analysis and Theme
Body - Historical Accuracy and Thematic Analysis
Conclusion
Works Cited
From the Paper
"Although the film is set behind the battle lines, the presence of the futile 'no man's land' is present in the minds and the images of the entire film. The film is structured in a serious of flashbacks, flashing from wartime past to present, from present to the childhoods of the young men. The ever-present tyranny of the aristocracy is underlined by the location of the film, a Scottish Castle that was used as a military hospital for wounded officers. This is based upon an actual wartime 'truth,' namely that such old relics of the past gentry were used as hospitals. The image also creates a poignant and pointed backdrop that underlines the main themes of the film visually, namely that the beauty of such old ways of life was not worth the tremendous suffering used to preserve such a way of living."
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"What's Eating Gilbert Grape?", 2006.
An analysis of the movie "What's Eating Gilbert Grape?".
957 words (approx. 3.8 pages), 0 sources, AU$ 50.95
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Abstract
The paper analyzes the character of Gilbert, in the movie "What's Eating Gilbert Grape?". The paper examines Gilbert's relationships with the other characters in the movie. The writer further analyzes the characters of Arnie, Gilbert's younger, mentally-disabled brother; his morbidly-obese mother; and Betty Carver, the woman Gilbert is having an affair with. The paper concludes with a deeper look at Gilbert's relationship with his two sisters.
From the Paper
"Betty Carver's affair with Gilbert covers up her deep dissatisfaction with her marriage and with her life. She ignores her children, who scream and act belligerently. Betty, who is probably in her early 40s, becomes highly dependent on Gilbert for emotional sustenance. When it appears Gilbert may be losing interest in the affair, Betty throws an emotional tantrum out of desperation."
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Baz Lurman's Film "Romeo and Juliet", 2006.
This paper compares the 1996 film version of Baz Lurman's "Romeo and Juliet" with William Shakespeare's original version of this romantic tragedy.
775 words (approx. 3.1 pages), 3 sources, MLA, AU$ 41.95
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Abstract
This paper explains that, while Baz Lurman's "Romeo and Juliet" presents the main theme of the play as a conflict between the bad values of the older generation and the disaffected but still hopeful younger generation, Shakespeare's play evolves more as a tale of fate and the fragile nature of love. The author points out that the film's images stem from a modern sense of alienation, an idea underlined in the overall design of the film, in which a Pluralist or post-modern pastiche of Hispanic, contemporary and some Renaissance images creates a sense of confusion mirrored in the lovers' own difficulties in finding meaning in their world. The paper relates that, although the themes of youthful alienation exist in both versions but are more present in Lurman's cinematic re-telling, Shakespeare, as is consistent with the Renaissance era, takes the example of the lovers to reflect upon the 'chance' nature of romance.
From the Paper
"The unavoidability of fate was an important idea of the Renaissance era during which Shakespeare wrote. Also important, well into the Baroque era was the question of how much respect and deference a child owed his or her parents in terms of selecting a marital partner. Shakespeare sides with the lovers in their passion, but clearly shows how Romeo and Juliet's love upsets the rulership of Verona, and how society is harmed as well as helped. Good aspects to society, such as the kind prince, and Juliet's more loving father and mother are upset when Juliet decides to eschew parental care."
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"Way Down West", 2006.
A report on the film "Way Down West", by D.W. Griffith (1920) examining the concepts of guilt and redemption.
3,216 words (approx. 12.9 pages), 4 sources, MLA, AU$ 139.95
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Abstract
The paper analyzes the topics of guilt and redemption in the 1920 film "Way Down West" by D.W. Griffin. The writer examines the characters and their need for redemption in light of their promiscuity. The paper further examines the attitude of the filmmaker towards women and their role in society, as well as his attitudes towards those with money, and those without. The writer concludes that in the end Anna, the female lead, is redeemed and once again accepted when she marries.
From the Paper
"In the structure of the film, Lennox Sanderson is the cad who seduces Anna and betrays her. Griffith may condemn Lennox, but he also seems to indulge him to a degree, much as society has tended to do at different times with the view that "boys will be boys.""
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Cinema Technology, 2006.
An historical review of the film industry from 1870 to 2006.
2,370 words (approx. 9.5 pages), 6 sources, MLA, AU$ 109.95
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Abstract
This paper details the history of the film industry, including its founders, Eadwaerd Muybridge, inventor of the Zoopraxiscope and Etienne-Jules Marey, the inventor of chronophotography. It further describes the Kinetoscope Parlors, where movies were first exhibited commercially. The paper researches the 'Golden Age' of cinema in Hollywood, starting from the introduction of sound to movies and the use of the movie studio. The paper concludes with an examination of modern-day technologies, such as cell animation, claymation, scale modeling, and the use of computer generated images for special effects.
From the Paper
"This was, in fact, the world's first 'movie machine', in which a series of images could be projected on to a screen made for the purpose. In 1879, Eadwaerd Muynaird, not to be outdone, invented his own 'Zoopraxiscope', which would be able to display his 'stop action' strips of photographs. This turned out to be a primitive motion picture projection machine, which would be able to recreate movement by projecting images in an extremely rapid fashion, onto a screen. The pictures would be printed on a rotating glass disc."
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Global Theater History, 2006.
This paper looks at global theater history as education for 4th grade children.
2,600 words (approx. 10.4 pages), 6 sources, APA, AU$ 118.95
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Abstract
In this article, the writer looks at film, entertainment and the multimedia business. The writer focuses attention on these aspects in California. The writer discusses that the future lies in interactive entertainment that will take some major features of the computer and video game industry thereby putting an immense impact on the future of entertainment and technology. Further, the writer looks at the Disney business and the history of entertainment features from Japan.
Contents:
Thesis Statement
Outline
Introduction
The Various Entertainment Eras:
Entertainment History from Another Foreign Country: Japan
From the Paper
"After the 1990s, with the growth of digital content in entertainment, California has been acknowledged as the bastion of media entertainment with big banners like Titanic and Jurassic Park becoming blockbuster movies. The heavy special effects in these movies owe their origin in California which has the indomitable strengths of latest technology and rich content. Besides, novel forms of technology is expected to roll out when P.C., T.V. and telephone converge into one. Los Angeles is presently witnessing a multimedia boom as more than a several thousands of people are engaged in the multimedia business. California's tryst with entertainment dates back to the silent era when Mendocino became the first film to be made in its category in the Silent Movie Theatre. In the forthcoming five to six years it is anticipated that computer and video game business will be break unforeseen barriers will be worth a whopping $10 billion in US alone hooking kids and surprising adults too."
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Michael Bay, 2006.
This paper discusses Michael Bay, as one of the most successful directors in the film industry today.
1,900 words (approx. 7.6 pages), 6 sources, MLA, AU$ 91.95
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Abstract
In this article, the writer looks at Michael Bay's rise to prominence in film from his background in music video. The writer looks at the different films directed by Bay and mentions the stars who appeared in them. Further, the writer looks at Bay's professional achievements. The writer studies Bay's directive style and characteristics of the direction in his films. Throughout the paper, the writer examines various criticism and discusses the reviews of Bay's work.
From the Paper
"Bay was a successful music video and commercial director when he was in his early twenties. His first feature film was 'Bad Boys', starring Will Smith and Martin Lawrence produced in 1995. This action comedy showed some the characteristics that made him well-known as a video producer. It is fast paced and slick with a rapid momentum. One of the hallmarks of the shorter video direction is the terse and "hyper-edited" quality of the film; where the viewer is not given time to ponder or take in the scene at length but propelled into a never-ending sequence of actions and events. This was to be an aspect of Bay's style which was to elicit a certain amount of criticism of films like 'Armageddon'."
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Albert Lamorisse's "The Red Balloon", 2005.
This paper reviews "The Red Balloon" ("Le Balloon Rouge" ), a 1956 award-winning French short film written and directed by Albert Lamorisse.
1,010 words (approx. 4.0 pages), 2 sources, MLA, AU$ 53.95
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Abstract
This paper explains that this classic short film "The Red Balloon" is about a lonely Parisian boy who is befriended by a large red balloon, which seems to have a will and mind of its own and basically refuses to be abandoned by the boy. The author points out that, although on the surface, this film may appear to be rather pointless, there is an underlying theme that is intended to inspire imagination and thought on a deeper level. This paper stresses that the film has no dialogue; thus, the actors' abilities especially the ability of the director's son, Pascal, is exceptionally good.
From the Paper
"Tom Keogh notes that as with Lamorisse's preceding short film, the 1952 "White Mane," the French director took home a grand prize from the Cannes Film Festival for "The Red Balloon," and also won an Academy Award for Best Original Screenplay. Through the years there have been both pro and con pieces of film criticism written concerning the aesthetics of this movie, however, there is no doubt that Lamorisse created a very sensitive allegorical film that never fails to spur dialogue among viewers of any age."
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Seven Samurai, 2006.
A review of the movie "Seven Samurai", thought by some to be the greatest Japanese film ever made.
917 words (approx. 3.7 pages), 6 sources, APA, AU$ 49.95
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Abstract
This paper reviews the movie "Seven Samurai" based on "Shichinin no Samurai", a 1954 black and white film by Akira Kurosawa. The paper takes a look at the structure of the movie, as well as the richness of the film and the cinematic technique.
From the Paper
"Seven Samurai," filmed in linear structure, is set in 16th century Japan, and is the story of a poor farming village that is regularly attacked by bandits, who steal their rice crops at harvest and take their women as well. Before harvest time approaches again, the villagers decide to hire a group of samurai to help defend their homes and crops for the price of lodging and food, a total of seven samurai are enlisted. The first half of the movie depicts how each samurai joins the group, and their journey to the village, where they teach the farmers how to fight and how to secure their village. The last part of the movie shows several skirmishes with the bandits, all of which lead up to the final battle scene.
As Gary Morris points out, this epic deals with "war, honor, courage, and yes, that homo subtext ever present in male bonding movies, punctuated by Toshiro Mifune's enthralling butt-baring performance."
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"The Man With a Movie Camera" - An Analysis, 2006.
This paper discusses Soviet film-maker Dziga Vertov's philosophy of film. This is done through an examination of his masterpiece "The Man with a Movie Camera."
2,300 words (approx. 9.2 pages), 8 sources, MLA, AU$ 106.95
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Abstract
Vertov's approach to film is explored in the various roles presented in his film "The Man with a Movie Camera." First, the author discusses the role of the cameraman in the film. Next, he describes the role of the editor, and finally the role of the viewer. Additionally, Vertov's political and artistic philosophies as intertwined with filmaking are examined.
From the Paper
"In motion picture terminology, a montage (literally "putting together") is a form of movie collage consisting of a series of short shots which are edited into a coherent sequence. Viewers infer meaning based on context; Lev Kuleshov, in his Kuleshov Experiment established that montage is one way of leading the viewer to reach certain conclusions about the action in a film. David Griffith was one of the early proponents of montage, introducing cross-cutting to show parallel action in different locations, and codifying film grammar in other ways as well."
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"The Lion King", 2006.
This paper discusses the much acclaimed "The Lion King", which originated from an original script as an animated Disney film followed by a Broadway play based on the movie.
2,235 words (approx. 8.9 pages), 12 sources, MLA, AU$ 104.95
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Abstract
This paper explains that the story of "The Lion King" is a serious drama with comic moments containing "real issues" of guilt, despair, alienation, and the need to take responsibility, which is similar to "Hamlet" by William Shakespeare, both of which are based on archetypal myth. The author points out that, whereas the animated film was tremendously popular and profitable, "The Lion King" stage play forever changed children's theater, stretching the boundaries of children's theater so that children's plays are now often very rich in content and in stage-craft and a little scary in places. The paper concludes that the success of "The Lion King" is that it not only entertains children but also leaves them with a moral template of loyalty, social responsibility and spirituality, which are pro-social values precious to society.
From the Paper
"Myths contain archetypal characters who speak to human beings at a deep level of consciousness. Simba and Hamlet are archetypes of the mythical child in exile. An archetype is an image that appears over and over in literature and myths and so is familiar to us all. The stories of Jesus, Moses, Buddha and Perseus (as well as Simba and Hamlet) all are about the mythical child in exile. Myths may not be literally true, but they contain essential truths, which resonate in the hearts of human beings. Myths always involve the "world of mystery and imagination, of feeling, participation and transformation...in the creation of order and of a secure reality out of darkness of the unknown.""
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