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'March of Folly' and 'Fog of War', 2007.
This paper discusses the writer's reaction to Barbara Tuchman's 'March of Folly' and the movie 'Fog of War'.
1,261 words (approx. 5.0 pages), 2 sources, MLA, AU$ 50.95
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Abstract
In this article, the writer discusses that Barbara Tuchman's 'March of Folly' and the movie 'Fog of War' provide different historical lenses with which to view contemporary problems and issues. The writer explores each of the projects and shares reactions to them in a personal manner. The writer notes that it is important to learn from the past so that society can avoid making the same mistakes in the future and one of the ways that this can be avoided is to understand contemporary issues and how they impact the world. The writer concludes that in Barbara Tuchman's 'March of Folly' and the movie 'Fog of War' one can obtain a sense of contemporary problems as well as the importance of understanding history in the effort to avoid repeating mistakes.
Outline:
Introduction
Fog of War
Conclusion
From the Paper
"This man was brilliant. He was supposed to be someone who could look at a problem and produce the best solution. If that was possible he would have surely advised against the wars that he helped improve."
"The one thing the film and the book do have in common is the repeated evidence that history will repeat itself.
McNamara went through World War II and presumably saw from that experience that war should be avoided at most costs, however, he was more than willing to advise during the Vietnam conflict."
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"Band of Brothers", 2007.
A brief review of Stephen Ambrose's book, "Band of Brothers" and the mini-series that is based on it.
837 words (approx. 3.3 pages), 0 sources, MLA, AU$ 35.95
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Abstract
This paper briefly examines Stephen Ambrose's book, "Band of Brothers," which was supposedly taken from Act IV, Scene 3 of William Shakespeare's "Henry V." It also discusses the mini-series, based on the book and lists the ten episodes, with a brief description, in the series. The paper suggests the lessons that should be learned regarding war, from this book.
From the Paper
"The title of Stephen Ambrose's book Band of Brothers was supposedly taken from Act IV, Scene 3 of William Shakespeare's Henry V. It is part of the speech delivered by Henry V before the Battle of Agincourt and indeed the lines We few, we happy few, we band of brothers; / For he to-day that sheds his blood with me / Shall be my brother; be he ne'er so vile, capture the essence of brotherhood of war where men (and women nowadays!) with varied backgrounds became brethrens in the face of the horrors of war and battle. The HBO mini-series adaptation of Ambrose's book gave the visual and auditory narrative of the accounts presented in the book. The series portrays the evolution of Easy Company of the 506th Parachute Infantry Regiment of U.S. 101st Airborne Division from their training days in Camp Toccoa, Georgia during the summer of 1942 to their "baptism of fire" in various battles in the European Theater of Operations up until the fall of the Nazi Regime and their capture of Berchtesgaden prior to the conclusion of World War II."
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Organized Crime, 2007.
This paper discusses organized crime and looks at how it is portrayed on the screen.
783 words (approx. 3.1 pages), 2 sources, MLA, AU$ 32.95
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Abstract
In this article, the writer discusses that popular culture portrayals of organized crime are sordidly romantic. The writer notes that stories of organized crime include titillating themes of betrayal, backstabbing, murder, and intrigue. Further, the writer points out that organized crime also depicts the triumph of the underdog: the would-be poor immigrant growing rich in spite of being hounded by the big bad cops. The writer concludes that organized crime can destroy families, communities, and larger social organizations and is rarely as romantic as it seems on the silver screen.
From the Paper
"Movies like Goodfellas and television shows like The Sopranos are perfect examples of how organized crime is romanticized in pop culture. The bad guys don't seem so bad because they have families, friends, and a code of ethics. Even if their code of ethics is warped, audiences root for the gangsters because they earned our trust and sympathy. Based on pop culture definitions alone, I could define organized crime as a collective response to political, social, and economic injustice. Most television and film mob families are working class minority or immigrant groups. Their criminal activities help them achieve the American dream. They might break the law, but also help pour money back into their communities. In fact, organized crime syndicates take the law into their own hands when the establishment falls short. Cops in mafia movies are usually as corrupt as the gangsters."
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Angelina Jolie, 2007.
This paper discusses stardom and looks at how Angelina Jolie became famous.
2,867 words (approx. 11.5 pages), 3 sources, MLA, AU$ 102.95
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Abstract
In this article, the writer notes that a celebrity can be defined as a person who enjoys a high amount of notoriety, a socially visible individual upon whom public attention and admiration is focused. The writer relates that when talking about Angelina Jolie, the first thing that comes to mind is her beautiful figure and comments related to that aspect. The writer maintains that one could say that Angelina Jolie is famous, firstly and especially, for her good looks. In this essay, the writer discusses what made Angelina Jolie a star. The writer concludes that as an entertainer, Angelina Jolie is a celebrity because of her ability to stand out from the crowd, to point out to everyone her individuality, to position herself on a suitable niche and because of her clever management of own personality.
From the Paper
"Stardom is often associated with beauty and wealth, and always with being famous and living the dream. Having a famous face is although not always synonymous with having a beautiful face (or body). Usually, originality and less ordinary features are the ones who enhance the possibility of becoming famous, because the things that are special and different are more likely to be remembered and looked upon as symbols or role models. The explanation comes from the general tendency towards breaking free from routine, from uniformity and plainness. Individuals feel the need to be entertained, to be dazzled, to be saved from day to day issues and cliches, ordinary people hunger for out of the ordinary stories and characters that can make them feel like they are an integrated part of the fairy tale. But looks aren't everything when it comes to the making of a star. In order to earn or gain celebrity, one must perform or act in a captivating way. What one can do is as important as how one looks."
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"The Trojan Women"--A Film Review, 2007.
A review and analysis of Michael Cacoyannis' film "Trojan Women."
917 words (approx. 3.7 pages), 1 source, MLA, AU$ 38.95
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Abstract
This film review describes the challenges of translating the medium of Euripides' ancient Greek drama "Trojan Women" into cinematic technique. The paper explores how Michael Cacoyannis did this in his 1971 adaptation of the Greek tragedy. One method Cacoyannis used was using familiar character archetypes or actors to generate immediate interest in the plot. He also chose famous actresses to star in the film. The reviewer offers his own critique of the film, concluding that rather than making Euripides more intimate, the film only created a wider divide between the great Greek tragedian's world and today's.
From the Paper
"The characters endure very extreme situations, like having their child murdered by Greek soldiers or being forced to become concubines. However, the long, formal speeches that dominate the screenplay, no matter how well-delivered, do not convey a sense of reality. Even close-ups of the women's contorted wailing faces do not stimulate empathy in the heart of the viewer. The advantages of film as a medium, as opposed to the stage, might be defined as being able to convey emotion without a great deal of hysteria, as might be seen in 'real life.' However, Euripides' play did not attempt to convey a realistic portrayal of life, but show a myth on an epic scale."
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"State of Siege", 2007.
An examination of "State of Siege," a 1972 film by Costa-Gavras.
1,570 words (approx. 6.3 pages), 6 sources, MLA, AU$ 61.95
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Abstract
The paper examines the film "State of Siege" about the interrogation and assassination of a CIA case officer by unnamed South American urban revolutionaries. The paper reveals that its story is based on real-life events in Uruguay when a U.S. Agency for International Development (AID) official, Dan Mitrione, was kidnapped by the Tupamoros (a left-wing urban guerrilla group) and eventually executed. This paper offers a summary of the movie and discusses how far it has depicted the real life events by researching who the Tupamoros and Dan Mitrione really were. The paper notes that the film is criticized for being biased against the Americans, but concludes that it is largely an accurate portrayal of events that took place in Uruguay in 1970.
Outline:
Summary of the Film
American Criticism of the Film
The Tupamaros
Who was Dan Mitrione?
Conclusion
From the Paper
"Gavras then uses his familiar technique of flashbacks, rapid cross-cutting from one location to another and aggressive background music (also used in Gavras' other notable films, "Z" and "The Confession") to create chilling suspense and to move the film forward at a relentless pace. We are shown a flashbacks of the kidnapping of Santore by the young guerillas; interspersed with scenes of the local (read Uruguay) Parliament arguing over the existence of a paralegal police death squad, back to the rebels' interrogation of Santore, evidence of America's interference in South American politics and so on and so forth until the film ends with a scene of another American AID official being received at the airport, watched by a defiant face (a member of the Tupamoros, perhaps?)--signifying the continuance of the frustrating cycle despite what has just taken place."
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Christopher Reeves and Tom Hanks, 2006.
A discussion and comparison between the public speeches of actors Christopher Reeves and Tom Hanks.
1,321 words (approx. 5.3 pages), 2 sources, MLA, AU$ 53.95
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Abstract
This paper reviews, discusses and compares the speech made by Christopher Reeves at the National Democratic Convention, and by Tom Hanks at Vassar College. According to the paper, the speeches are given nearly a decade apart, but both actors appeal emotionally to the audience for help.
From the Paper
"Tom Hanks takes somewhat longer than Reeve to reach the thesis of his speech. After the opening humor, he begins his speech with a statistical claim relating to the "power of four". According to a study, only four percent of cars need to be removed from gridlocked highways to secure the free flow of traffic. Hanks uses this premise to appeal to his audience's sense of power. It is interesting to briefly note that Reeve's statistic is very similar: one in five people suffers from a disability; in other words, for every four people without disabilities, there is one who does. There are therefore four healthy people in five to whom Reeve is addressing his appeal for help."
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Do We Feel For Our Soldiers?, 2007.
This paper proposes a study that will examine whether movies about war realities will change how much the public empathizes with soldiers.
1,384 words (approx. 5.5 pages), 6 sources, MLA, AU$ 55.95
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Abstract
The paper presents a research proposal designed to test empathy change after viewers watch a movie about the realities of war. The writer produces a problem statement, a short literature review, an explanation of method to be used and the way the data will be collected. The paper also notes the weaknesses of this study.
Outline:
Introduction
Statement of Problem
Literature Review
Methods
Data Collection
Participants
Conclusion
From the Paper
"The realities of war do not seem real to people when the war is halfway around the world. This lack of empathy on the part of society can create problems for returning soldiers as well as soldiers that are fighting the war currently. One of the things that helps boost morale in the war zone is for the soldiers to believe that their nation stands behind their efforts. Whether one believes in the war or not, the support for the soldiers has not been questioned since the beginning of the war, however, as people go about their daily lives they tend to forget that there are soldiers in desert areas being shot at every day. The empathy factor is often missing when it comes to Americans and the war."
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"Remember the Titans", 2007.
An analysis of the themes portrayed in "Remember the Titans," directed by Boaz Yakin.
1,811 words (approx. 7.2 pages), 7 sources, MLA, AU$ 69.95
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Abstract
This paper discusses the Walt Disney Picture's film, "Remember the Titans," directed by Boaz Yakin. The paper discusses the movie's primary themes of character development, overcoming adversity and the power of strong individuals to unify an entire city for the better. It describes the historic, political and social drama that is based on the real life 1971 Titans and their success.
From the Paper
"Nearly every character in the movie can be critiqued in such a way as Bertier as to how the exaggeration contributes to the themes of the film. Yet it is equally important to evaluate the merits which make Remember the Titans a memorable film, and gave the team the power it had over its community and contributes to its historical importance. The accomplishments of the Titans on the field must be considered for historical accuracy. This is where the movie lines up the most with the truth. The 1971 Titans were in fact undefeated, were in fact #2 in the country nationally, and they were state champions (Merron). There is not much the film could do to exaggerate this awe inspiring fact. The movie does take some liberties in often portraying the Titans as underdog (perhaps to appeal to general American underdog sentiment) when in reality the team was usual the favorites and very much dominant (Merron). It is likely, however that the on field accomplishments of the 1971 are not exaggerated because they cannot be. The team accomplished so much in real life and in the movie, giving it the power to overcome racial divisions to unify a community."
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The Role of Women, 2007.
This paper analyzes the portrayal of women in the films "The Princess Bride" and "Harry Potter and the Sorcerer's Stone".
1,940 words (approx. 7.8 pages), 1 source, MLA, AU$ 73.95
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Abstract
The paper explores themes about women in "The Princess Bride" and in "Harry Potter and the Sorcerer's Stone" in order to identify how women's roles are portrayed and what the social implications of the film's messages might be. The paper shows how the two films portray distinctly different themes about women's nature and roles. The paper looks at the traditional view of women as portrayed in "The Princess Bride." The paper relates that the women are always sweet and kind, non-assertive and self-sacrificing. The paper contrasts this to the ideal woman in "Harry Potter" who is self-reliant, intellectually the equal of men, better educated and assertive.
From the Paper
"Communication, or rhetoric, is a symbolic process humans use to share meaning and create reality. Sonja Foss (1989) explains fantasy theme criticism as a way to approach and analyze rhetoric. The word fantasy as used in fantasy theme criticism does not mean something someone dreamed up or something untrue. Fantasy in this case refers to themes that explain and order reality. When these themes are articulated or when we encounter them in rhetoric, they produce a sense of resonance in others who recognize them."
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"Ray", 2007.
A review of the character of Ray Charles and the time in which he lived, as portrayed in the film "Ray," directed by Taylor Hackford.
1,089 words (approx. 4.4 pages), 4 sources, MLA, AU$ 44.95
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Abstract
This paper discusses the 2004 film, "Ray," directed by Taylor Hackford. The paper discusses the story of the film and shows how the filmmakers reflected on the time in which Ray Charles lived. It discusses the background of the Civil Rights era and the changes it brought about and shows how this is seen in the film in the changing relationship between the performer and his audience.
From the Paper
"Ray Charles is not depicted as a saint but as a sometimes very difficult man, even without the drug problem that afflicted him for some time. The racism of the 1950s did not stop him from performing as he wished any more than had his blindness. In 1961, he decides that he will no longer play for segregated audiences in the South as he had before, since that was expected of performers at that time and in that part of the country. Because of his stand, though, another instance of racism is seen as his home state of Georgia bans him from performing at all. The film addresses this with a section at the end set in 1979 as the state give the singer an apology for this action, showing just as much that times have changed and that a segregated audiences is no longer possible. The central issue in the film is not racism or even the society of the time, though that background is recreated well for the film. Instead, the film offers "a potent sampling of Charles' demons, faults and addictions to go along with the charm, talent and strength of character" (McCarthy 3)."
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"Oh Brother, Where Art Thou?"--A Film Review, 2007.
This paper reviews the recent film "Oh Brother, Where Art Thou?" which starred George Clooney.
1,020 words (approx. 4.1 pages), 0 sources, AU$ 43.95
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Abstract
This paper reviews the film about an epic quest entitled "Brother Where art Thou?" which was based on Homer's "The Odyssey." The paper describes the adventures the protagonists faced and the various references the film made to Homer's original work. The reviewer also examines the goal of Ulysses, the main character in the movie, and concludes it is a righteous goal, even if he attempts to achieve it in a dubious manner.
From the Paper
"The three face many adventures, including many references to Homer's epic poem. They meet a blind oracle who tells them they will have many adventures and face many "ob-stack-ales." They meet sirens, and Cyclops, and many other characters, just as Ulysses discovers the same things in his journey. The film does not seem to have the same outcome as the poem, but in the end, it does, and that is one of the things that makes it so enjoyable. The viewer does not know what is coming until the end, and the journey is complete."
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Confronting the Powerful in Film, 2007.
An analysis of two films, "Mr. Smith Goes to Washington" directed by Frank Capra, and "Matewan" directed by John Sayles.
1,036 words (approx. 4.1 pages), 0 sources, AU$ 43.95
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Abstract
This paper reviews two films that deal with confronting the powerful to maintain one's dignity. In both "Mr. Smith Goes to Washington" directed by Frank Capra, and "Matewan" directed by John Sayles, the protagonists must take on those with power. The reviewer also analyzes the differences in these two films, particularly in the ways the characters choose to overthrow the system. A brief plot summary is given for each film.
From the Paper
""Mr. Smith Goes to Washington" is a classic Jimmy Stewart, Frank Capra film that shows just how much political influence exists in Washington D.C. In this film, Jefferson Smith (Jimmy Stewart) is appointed as a Senator after the man holding the office dies. He is a naive and trusting, honest man who the political leaders of his state feel they can manipulate and puppet in Washington. He has no idea he has been sent to Washington to ensure the state's political bosses profit from a dam the state does not need, built on land the politicians secretly own. When he finds out, his honor and honesty will not allow him to do anything but fight them for his own ideas, which include building a boy's camp on the very same land. He even finds that his own boyhood idol, Senator Paine, is corrupt and manipulated by the political bosses back home. "
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"World Trade Center"--A Film Review, 2007.
A review of Oliver Stone's film "World Trade Center."
1,020 words (approx. 4.1 pages), 4 sources, MLA, AU$ 43.95
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Abstract
This paper reviews and analyzes Oliver Stone's film about the terrorist attack on the World Trade Center. The paper focuses on the themes presented in the film, particularly that of hope. Although this review is positive toward the movie "World Trade Center," it does include some criticism toward the film. The reviewer concludes that the audience of "World Trade Center" should take away a message of hope.
From the Paper
"Some reviewers found the film too patriotic and flag-waving, and too religious in nature. Another critic writes, "The visual approach of 'World Trade Center,' heavy on the intense close-ups and fervent in its embrace of the characters' religious and patriotic strains, flies in the face of everybody's preconceptions about what a Stone film feels like" (Phillips). However, these are some of the things that helped the two men remain alive, and this seems as if it is a natural reaction to the unnatural events surrounding them. They turn to their spiritual side and introspection to help make some sense of their predicament and their lives. Above all, they realize they have everything in the world to live for, and they do not want to die. They realize they have made mistakes, and they want another chance to make things better if they survive. "
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"Gangs of New York", 2007.
An analysis of the main themes of the movie "Gangs of New York".
1,081 words (approx. 4.3 pages), 4 sources, MLA, AU$ 44.95
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Abstract
This paper discusses how "Gangs of New York" is a disturbing film about New York City during the Civil War era. The story revolves around "the son of Priest Fallon." Priest Fallon was a Roman Catholic Irish immigrant who was killed fighting against "The Natives," a gang that hated all minorities. In particular, it focuses on the representation of three major social problems of the times: Boss Tweed and the corrupt Tammany Hall political machine, the enormous surge of new Irish immigrants entering the city every week and the first compulsory draft. The paper examines these three elements as they contributed to gang-related problems.
From the Paper
"William M. "Boss" Tweed controlled the Tammany Hall political machine, which was infamous for its corruption and influence on all levels of government, including the police force. The film shows Tweed sending soup to the starving immigrants as they get off the ships, thus garnering their votes. It shows his people buying votes. It also reveals that Tweed was unwilling to really control crime because he was profiting from it. The police, for instance, instead of stopping looters, take a cut from the booty. Boss Tweed announces sarcastically, "The appearance of the law must be upheld." He decides to hang three or four ordinary family men falsely accused of "corruption of the public good." This was to show that Tweed was tough on crime. "
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'Sabrina', 2006.
A comparison between the 1954 version and the 1995 version of the movie 'Sabrina'.
925 words (approx. 3.7 pages), 2 sources, MLA, AU$ 38.95
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Abstract
This paper reviews, discusses and compares the 1954 version of 'Sabrina' directed by Billy Wilder, with the 1995 version directed by Sydney Pollack. According to the paper, feminine value of love reigns triumphant, reflecting common cultural and social myths, if not the practices and norms of real life in both versions.
From the Paper
"But Sabrina's initial rough exterior is still presented in terms of a kind of casual tomboyishness, in this case, Julia Ormond's bespeckled visage rather than Audrey Hepburn's ponytail. The young woman must put away childish, gender-ambiguous play and adopt a feminine norm, to show she is a 'real' woman, worthy of David's class. Contemporary norms in terms of how males and females are portrayed in the two versions, are perhaps more manifest in how the newer version seems to take a more damning view of David's love of fast women and fast cars and his frequently boorish behavior with the fair sex. But by virtue of replicating the plot, Linus' equally crass seduction of a vulnerable young woman to preserve a corporate merger is still viewed in a reasonably tolerant light. "
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