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Witkin: Freak Show or Beauty?, 2002.
This paper explores the work of photographer Joel-Peter Witkin.
1,380 words (approx. 5.5 pages), 5 sources, MLA, AU$ 68.95
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Abstract
This paper explores the concept of beauty in Witkin?s photography. It looks at the techniques he uses to create pictures like paintings. It discusses some early childhood influences on his work and the difficulty of classifying him as any particular type of photographer. It studies the relationship between his work and glass (the properties of glass) and analyzes his picture entitled ?Glassman?. Next, the paper moves on to another work of Witkin?s, entitled ?Waiting for De Chirico?, discussing its comment on surrealism and use of foreground, middle-ground and background. The paper then moves on to an analysis of Witkin?s ?Daphne and Appollo?, exploring its message about love. The paper concludes by highlighting the commonalities between the three above-mentioned paintings.
From the Paper
"While Joel-Peter Witkin may well be a virtuoso technician pushing the envelope with his creative skills, it is seldom his technique that causes people to stop and stare at his work, as well as very frequently stop people from looking at his work altogether. To call him the master of the macabre is to think of him as a storyteller in the fashion of Poe. However, unlike Poe, he is no romantic; he is not interested in ironic twists but rather presents himself as a reporter on the human condition, and on the bubbling unconscious of humans trapped in this world of so many contradictions."
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"Mao" by Andy Warhol, 2002.
This paper introduces and analyzes the painting "Mao" by artist Andy Warhol.
605 words (approx. 2.4 pages), 1 source, AU$ 31.95
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Abstract
This paper discusses the painting, "Mao", acrylic and silkscreen ink on canvas, that Andy Warhol painted in 1973 at the height of Mao's power in China. The author states that this painting is more realistic than many other Warhol paintings, but it is clearly his "style". The author believes that this painting is very interesting because of the two different mediums used and all the hidden meanings that seem to be buried in the colors and shapes.
From the Paper
"The painting is over 15 feet high, and so Mao looks down at the viewers as if he is looking over a group of children. Mao's face is not what you would expect, except from someone like Warhol. The face is done in bright oranges and yellows, to show his Asian ancestry, but even more, to make him look vibrant and alive. Warhol has also given him bright red cheeks and lips, so much so that he looks like a woman wearing a lot of make-up, especially blush and bright lipstick. There is blue eye shadow over his eyes to enhance the look of make-up, too."
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The Artist Gauguin, 2002.
A biography of the life and works of the artist Eugene Henri Paul Gauguin: Man, Nature, Ubermensch and God.
3,591 words (approx. 14.4 pages), 7 sources, MLA, AU$ 147.95
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Abstract
This paper discusses how Post-Impressionist artists were interested in the ideas of Friedrich Nietzsche, particularly in his concept of the Ubermensch, a superman who would be capable through intense struggle of surmounting the lower forces that would limit his ability to achieve. and how the idea that man could evolve beyond his present capacities influenced the relationship of European man to previous cultures and to contemporary but less ?civilized? societies. It explores the ways in which Paul Gauguin applied the Ubermensch concept to his art and to his life and examines parallel motifs in the oeuvres of his contemporaries. It details his life from his birth 1848 through his initial career as a stockbroker and his influence by Impressionist art.
From the Paper
"The most enigmatic of his self-portraits is one of his 1889 ones, his now familiar features reduced almost to a caricature. His powerful body, hawk-like nose, slanted eyes and high cheekbones give him the appearance of a Mongol conqueror, and the gorgeous reds and golds of the paints create an exotic atmosphere. Two apples dangle over his shoulder, and a sinuous serpent meanders across his chest. Over his head, a halo hovers. He is now a Magus, a powerful supernatural being with divine powers ? the realization of the full potential of the ubermensch. Inasmuch as he will be dead in 1901, it may well be that his syphilis had progressed by 1889 to an extent that he was delusional. Certainly the ego and the violent personality that had been developing in Tahiti and later in Atuana reached their culmination in a belief in self that seems excessive, even for an artistic personality."
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Claude Monet, 2002.
A study of the art of French Impressionist painter Claude Monet.
1,400 words (approx. 5.6 pages), 5 sources, MLA, AU$ 68.95
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Abstract
This paper introduces the renowned 19th century French painter Claude Monet. It discusses his life and examines one of his works in detail. The paper argues that Monet is unquestioningly the father of impressionism, and paved the way for the abstract expressionism. The author states that Monet?s painting techniques rejected the standard art of time and came to influence painters today.
From the Paper
"Since childhood he displayed the geniuses of an artist when he produced some of his marvelous caricatures and supplied to an art store at the age of sixteen (Monet French). This is where he met Boudin who saw in him the germs of an emerging artist and convinced Monet to step out in the world to prove his ability to paint. In 1860 Monet came across Pissarro at the Acad?mie Suisse in Paris (Monet French). Monet?s love of art and painting faced many challenges and his career as a full-fledged artist saw many hardships (Monet French). "
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The Kroisos, 2002.
A review of the Kroisos, one of the earliest figurative sculptures of the archaic Greek period.
1,180 words (approx. 4.7 pages), 0 sources, AU$ 59.95
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Abstract
This paper discusses The Kroisos, from Anavysos, Greece whose composition is dated before or around 530 BCE. This dating locates the Kroisos period of composition far before the more commonly known classical period of ancient Greek sculpture. It examines the style, form and the creative intention of the sculptor and compares them to early Egyptian and Roman sculpture. It argues how, at first glances, the plainess of the Kroisos is disappointing, but if the gazer is willing to look beyond initial impressions, he or she may very well see the beginnings of what would become one of the most influential and moving periods in the depiction of the human frame.
From the Paper
"The Kroisos is a young man, with long hair. His hair is curled in texture, and almost seems like a string of stone beads rather than an actual individuated head of hair. His nose is rather flat. He appears to be smiling about something. However, rather than a depiction of joy, his smile has a uniform, generic quality to it. He smiles but unlike the ?Mona Lisa,? his smile does not seem directed at the gazer, nor about something in his line of vision, much less an important thought perplexing his mind. The sculpture?s tone of commonality of representation rather than individuation of representation, is further emphasized by the smooth, almost lidded expression to the Kroisos? eyes."
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"Stepping Out", 2002.
An analysis of the 1978 painting by Roy Lichtenstein entitled "Stepping Out".
1,906 words (approx. 7.6 pages), 0 sources, AU$ 88.95
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Abstract
The paper provides a detailed analysis, as well as a personal review, of the oil and magna painting "Stepping Out' by artist Roy Lichtenstein, which is displayed in the The Metropolitan Museum of Art. The paper shows how "Stepping Out" is a work of Pop Art and seems to epitomize the superficiality of the dating experience in America. The paper also describes other works of art by Roy Lichtenstein.
From the Paper
"Artists like Lichenstein and Warhol represented the natural creative progression of twentieth century art. Moving away from the abstract expressionist vogue they depicted the everyday reality of mass culture. Themselves emerging from a background in commercial art, they used familiar objects both to allow viewers to relate directly to art and to offer social satire.
Contemporaries, Lichtenstein and Warhol matured in their art under the heritage of American forerunners Robert Rauschenberg and Jasper Johns who planted the seeds of Pop Art. Rauschenberg constructed collages from household objects and Johns repetitively painted American flags and bull's-eye targets. These artists in turn emerged under the influence of European forerunners like Richard Hamilton who produced Just What Is It That Makes Today's Home So Different, So Appealing? in 1956."
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Art, 2002.
A discussion of the painting styles of the artists Vincent Van Gogh and Paul Cezanne.
1,598 words (approx. 6.4 pages), 5 sources, MLA, AU$ 76.95
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Abstract
This paper reviews the styles of the artists Vincent Van Gogh and Paul Cezanne through analysis of some of their greatest works of arts. It portrays Van Gogh Van Gogh as a master painter whose impact on both Impressionism and Expressionism cannot be undermined and how his approach to his work was clearly conceptual and his goal was to use painting to express emotions. While Van Gogh was a master of technique, Paul Cezanne was a master of style and the flair he used in painting is canvasses captured the attention of many young painters. The paper shows how both artists were of equal genius and yet had such different temperaments.
From the Paper
"The model?s face is focused on as Cezanne uses a white tone that creates a cold and unbreakable structure yet, the dress and the darker colors of the wall allow that coldness to merge creating a balance of hues. The stark lines of the wall and the harsh color of the background finds relief in the light tones of the curtain and the brightness of the dress. Each color is perfectly balanced and each form symmetrically achieved contrasting against the other to harmonize the overall picture. Cezanne attempted to create a natural harmony with the people and the space, which they occupied. He stated that, "painters must devote themselves entirely to the study of nature and try to produce pictures which will be an education" (Rewald 1995, 303) "
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The Popularity of Amateur Photography, 2002.
A paper which examines why photography is such a popular hobby.
1,316 words (approx. 5.3 pages), 4 sources, APA, AU$ 65.95
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Abstract
Photography has been described as ?probably the world?s greatest hobby?. The paper shows that there is no doubt that photography is a popular hobby, with the introduction of the digital camera only increasing the popularity. The paper explores several characteristics of photography that explain this popularity: that it is an adaptable hobby; that it is an accessible hobby; that it allows for individuals to combine their other interests; that it is an opportunity for every individual to be creative, even those with limited creative skills; and that it gives people the opportunity to interact with their world.
From the Paper
"The fourth reason that amateur photography is a popular hobby is that it gives individuals the opportunity to be creative, even if they are lacking in creative skills. As one author notes, photography is a ?creative process: the subjects you choose to photograph reflect your own character, mood and opportunities? (Joseph & Saunders 8). Another author makes the same observation, ?...the single most important factor behind a picture is the photographer? (Freeman 8). This means that the photographer is central to the process and provides the creativity. However, at the same time, the photographer does not have to provide the material. This can be compared to painting, where the creative has a blank canvas and must provide the entire artwork."
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George Caitlin Stories, 2002.
Comparing two books telling the story of George Caitlin, an American writer and painter, in two completely different ways -"Paintbrush & Peacepipe: The Story of George Catlin", by Anne Rockwell and "George Catlin and the Old Frontier", by Harold McCracken
2,795 words (approx. 11.2 pages), 2 sources, MLA, AU$ 122.95
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Abstract
This paper shows that even though the two books tell the same life story of Caitlin, each one differs most significantly in tone and style according to the vastly different audiences to which each is directed. Rockwell's book was intended for children - less pages and more illustration, whereas McCracken's book presents itself as a very authoritive piece on Caitlin's life in an artbook format.
From the Paper
"The first book, Paintbrush and Peacepipe, 86 small pages in length, with 8 brief chapters and 15 illustrations, is written for children. By comparison, the second book, George Catlin and the Old Frontier, with its 209 oversized pages might seem a vastly superior presentation of George Catlin's biography. The artbook format of McCracken's work, with its 36 color and 118 black and white illustrations, is far more authoritative and detailed in its representation of the scope of Catlin's art. Yet, Paintbrush & Peacepipe, in it's minimalist manner is a highly educational and effective piece of work."
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Art History, 2002.
A comparison of nude art paintings by different artists in different times.
1,045 words (approx. 4.2 pages), 5 sources, MLA, AU$ 53.95
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Abstract
This paper reviews five different paintings by five different artists over different time periods. It shows how each to some extent is influenced by the one preceding it and creates a controversy that at that time is negative but later becomes an inspiration for others. From Giorgione's "Sleeping Venus" and Titan's "Venus of Urbino" to Goya's "Naked Maja" and Manet's "Olympia" it shows how paintings of nude women who are brazen in their sensuality and whose depiction does not conform to the styles of the time. Each review is illustrated by a picture.
From the Paper
"Painted even before Goya's nude Maja this is said to be the one of the first nude paintings of Spain and the only remaining nude by Vel?zquez. (Author not available, 1998) Inspired by Titan's Venus it again shows a nude woman reclining, yet the difference is the model does not face the viewer. We see only her naked back while her face is shown tantalizingly in the mirror. Accompanying her is the mythological cupid who holds the mirror. Painted against a dark background the nude model is tantalizingly mysterious as the viewer tries to glance at the features reflected in the mirror. The sensual pose is accentuated through the blood red curtain which make the background of the picture and suggests that the woman may be a courtesan like that of Manet's Olympia. "
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Prisoners and the Arts, 2002.
This is a paper explaining the activities of various groups that bring the arts to prisons in an attempt to uplift prisoner's lives.
1,580 words (approx. 6.3 pages), 6 sources, MLA, AU$ 75.95
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Abstract
This paper investigates the activities of various groups that bring crafts, writing, drama, dance, fine arts, and music to prisons. One of the groups mentioned is ?The Prison Creative Arts Project? from the University of Michigan, which holds exhibitions for prisoners? art, which they even sell. Another is the ?Geese Theatre Company?, a team of specialized theater practitioners, taking drama to prisons and probation services centers. The National Endowment for the Arts? program for juvenile offenders is also brought up. The paper explains how these programs constitute ?art-therapy? and how they benefit prisoners, both in prison and once they are released. It also looks at the school arena, recommending programs like these for the prevention of juvenile offences. The paper includes a glance at the costs of these programs and at the opinions of opponents to the programs.
From the Paper
"Other people have had that question too, and it seems they have done something about it. They organize different groups, and take the arts?crafts, writing, drama, dance, fine arts, and music?to the prisons, hoping to make some sort of difference in the prisoners? lives. One of these groups, the Prison Creative Arts Project, from the University of Michigan, does just that. They hold exhibitions for prisoners? art, which they even sell. The prisoners just love this, because it is a chance to ?prove? themselves, and to let people actually see who they are."
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Pablo Picasso, 2002.
A biography of famous artist and painter Pablo Picasso.
3,095 words (approx. 12.4 pages), 11 sources, MLA, AU$ 132.95
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Abstract
This paper begins by providing a detailed description of Picasso's childhood. It examines his early education and how his life became directed towards the painting and art scene. The paper discusses various periods in Picasso's life including the "Blue Period" (1900-1904) and his "Rose Period". Various paintings from these, and other periods, are mentioned and analyzed.
From the Paper
"Born on October 25, 1881 in Malaga Spain, Pablo Picasso was destined to become one of the world?s greatest artists. He was highly skilled in drawing and painting by the time he was in his mid-teens. His artistic career lasted more than 75 years, and he produced thousands of paintings during that time. Specifically, Picasso produced over 20,000 works of art during his long and prolific career."
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Ansel Adams, 2002.
A paper describing the life and work of America's foremost photographer, Ansel Adams.
1,470 words (approx. 5.9 pages), 7 sources, MLA, AU$ 71.95
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Abstract
Ansel Adams was one of America's most famous photographers. This paper introduces and discusses Ansel Adams the man, his innovative photographic techniques, and their impact on traditional photography.
From the Paper
"By the mid 20s, Adams began to realize he could make a living with his photography. He decided to concentrate on his photographic work, instead of a career as a concert pianist. This was a turning point in his life, and while he continued to enjoy music throughout his life, photography became his vocation, and his lifelong passion. In 1927, he received the patronage of Albert M. Bender, a wealthy San Francisco insurance magnate, and it changed his life. Bender helped him publish his first portfolio of photographs, but even more importantly, he helped Adams develop his self-confidence and abilities, which allowed him to become more creative and artistic."
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Van Gogh ? The Man and His Paintings, 2002.
A paper which discusses the painter Vincent Van Gogh and several of his art pieces.
1,640 words (approx. 6.6 pages), 4 sources, MLA, AU$ 78.95
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Abstract
The paper provides a brief biography of the life of Vincent Van Gogh, famous Dutch painter. Thereafter, it reviews four of his most famous paintings, "Self Portrait, 1886", "The Potato Eaters", "Starry Night" and ?Wheat Field with Crows?.
From the Paper
"This final painting is arguably one of van Gogh?s most disturbing. He shows three roads moving into a wheat field. It isn?t clear where any of them go. The roads may represent the different directions in which his mind was torn: sanity, insanity, and religion. The sky is active and stormy, and black crows swoop along close to the ground. Many would interpret the crows as symbols of death. There seems no sense of hope in the three opportunities the roads give, and no indication that traveling one would be more satisfying than another. This seems to be true of van Gogh?s life: during his periods of sanity he was not successful at most things he attempted, including multiple attempts to develop a satisfying religious career. His religious beliefs seem to have brought him no lasting peace because of the bouts of insanity when his behavior became irrational and even bizarre."
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Ice Age Figurines, 2002.
This is a paper that explains what the function of the figurines from the ice age were, and who made them.
1,685 words (approx. 6.7 pages), 10 sources, APA, AU$ 79.95
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Abstract
An examination of these figurines which have become symbolic representation of art form of the Paleolithic period. The paper shows that these figurines are also the portrayal of mother goddesses and a symbol of sexuality. The main conclusion archaeologists came to was that they represent the animistic or shaministic symbol of fertility and fecundity. It also has the function of depicting the ideology of the female form and their influence on the society.
From the Paper
"When the ice age figurines were first discovered, archaeologists speculated its existence something that represent the transition period between the Neanderthals of the Middle Paleolithic and the Homo sapiens of the Upper Paleolithic period. The differences are quite marked in the expression of the figurines. For instance the first time in human archaeology the image of the sculpture are used as a means of communication."
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Pieter Claesz: Still Life, 2002.
A discussion of still life painting and an analysis of this artist's work.
2,355 words (approx. 9.4 pages), 4 sources, MLA, AU$ 106.95
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Abstract
The paper begins with a discussion of still life painting and then focuses in on the work of Pieter Claesz. An analysis of different works of his as well as a comparison to work of his contemporaries is outlined. A discussion of style and popularity of still life painting is included.
From the Paper
"To the modern non-European eye, the Dutch Paintings of the Baroque period appear to be a collection of ?stuff? on a table. It is difficult to imagine what the artist could have possibly found so fascinating on the Breakfast table or in a bowl of fruit. However, taken in period context, Dutch still life was much more than that. Often the artists were expressing thoughts and feelings, using the painting as type of code describing an idea, which was not accepted by society at the time. At times they may have been expressing political dissent, perhaps an idea that would be dangerous to express at the time, such as criticizing an institution or a leader. These ideas were often felt, but one could not express them publicly for fear of persecution. These paintings were only meant to be understood by those who knew the code and could get the meaning that the artist was trying to portray. It was hopeful that those who were not meant to understand it would see it as beautiful, but miss the meaning entirely."
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