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Hurricane Andrew, 2001.
The causes and effects of Hurricane Andrew.
750 words (approx. 3.0 pages), 3 sources, AU$ 42.95
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Abstract
This paper explains how a hurricane forms, looks at the special and unlikely circumstances which led to the devastating effects of Hurricane Andrew, and describes the damage caused in various states and why faulty building techniques were partially to blame.
From the paper:
"David Fisher?s book on hurricanes describes a Category 5 hurricane as the ?scariest place on Earth, and Andrew was a Category 5 hurricane when it hit both south Florida and Louisiana.
A hurricane is a giant heat pump (Fisher, p. 61). Both the heat of the sun and the heat generated as evaporated moisture condenses contribute to the development of the hurricane. As the spinning winds contract, they speed up, much as a skater speeds up by pulling her arms in more tightly to her sides. Organization of the storm also requires an upper level high over a lower-level low, which allows the tropical depression to organize into a well formed, rotating tropical storm. If these conditions persist, the tropical storm may strengthen into a hurricane."
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Modernism, 2001.
This paper discusses the movement of modernism, putting it into a historical perspective
1,900 words (approx. 7.6 pages), 4 sources, AU$ 97.95
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Abstract
This paper addresses the body of work that is now known as Modernism, including an examination of how it developed and what has succeeded it. It gives examples from the world of art, music and architecture - Mark Chagall, Frank Lloyd Wright, Gustave Courbet and others.
From the paper:
"Modernism is a much harder artistic style to define than either Romanticism or Realism ? although not as difficult as Postmodernism. This probably results in part from the fact that the closer a style is to one?s own moment in history the more difficult it is to assess, but it also has to do with the fact that Modernism is itself a complex movement. It is not the relatively straightforward reaction against the movement before it that Realism was, nor is it a reaction against a single historical change in the way that Romanticism was primarily a response to industrialization."
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Monumentality, 2001.
The following paper discusses architecture and questions whether it can create a specific experience for those who view it.
2,080 words (approx. 8.3 pages), 24 sources, AU$ 105.95
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Abstract
This paper examines architecture with all its elements and styles. It examines how some structures are strictly utilitarian whilst other structures are designed to commemorate historic or mythological persons or events, and/or inspire feelings of awe, pride, sadness, or even anger. The writer focuses monumental structures and responses they evoke.
From the paper:
?These structures are monumental. According to "A Dictionary of Architecture", a monumental is ?a building intended as a monument or looking like one; or a building that is formal, impressive, very large, and permanent, probably intended to overawe.? This monumentality, seen so clearly in the architecture of ancient Rome, is also a vital element of the Thomas Jefferson Memorial in Washington, D.C.?
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The Great Wall of China, 2001.
This essay examines the importance of the Great Wall of China as one of a handful of human creations around the world that encompasses an entire national identity.
1,860 words (approx. 7.4 pages), 5 sources, AU$ 95.95
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Abstract
This paper looks at both the physical and the cultural history of the wall, demonstrating how it has meant different things to different dynasties of Chinese lives, not only reflecting what it is that the Chinese believe themselves to be but also shaping what it is that they have become.
From the paper:
?The Great Wall remains a powerful symbol of China's national tradition and historical continuity. And yet it is important to understand that it is in many ways the product of an historical myth ? like Washington?s wooden teeth. It is probably true that all people tell stories about themselves as a way of creating a sense of both national identity and national pride and there is nothing wrong with this ? so long as we recognize the fact that we are dealing with myth and not with history.?
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Absolutism Through Versailles, 2002.
This essay examines how King Louis XIV used visual arts within the palace of Versailles to establish the primacy of the French monarch.
1,400 words (approx. 5.6 pages), 10 sources, AU$ 74.95
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Abstract
This paper looks at how King Louis XIV of France used the remodeling of his magnificent palace at Versailles, and the visual art in the palace, as a propaganda tool. The author discusses Louis' constant campaign for absolute power as a divine ruler. The paper pays close attention to the architecture at Versailles.
From the Paper:
"King Louis XIV used visual arts within the palace of Versailles to establish the primacy of the French monarch. Louis XIV wanted to legitimatize his form of strict absolutism through art. The pinnacle of this propaganda campaign was the remodeling of the ch?teau of Versailles into a palace. He and his artists made specific choices to flaunt his wealth and give the king credibility. The gardens, grand staircase, hall of mirrors and salons parade with grandeur and thick allegorical comparisons between the Gods and Louis. The propaganda was effective in targeting its three intended audiences to the degree that later monarchs and artists mimicked it. "
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Creating a Community, 2001.
An analysis of the construction giant Del Webb' and their plans of building a "community" in the Arizona desert.
1,400 words (approx. 5.6 pages), 0 sources, AU$ 74.95
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Abstract
This paper presents sociological theories of what a community is and asks the question whether this can be artificially created using the Del Webb planned community in Arizona as a basis for the discussion.
From the Paper
Del Webb is the nation?s leading builder of active and adult lifestyle communities for people aged 55 and older. They are also the largest builder of single-family homes in the United States. So, when they built their master-planned community ?Anthem? about 35 miles north of Phoenix, Arizona in the middle of the Southwestern desert, it would certainly follow that this community that itself sprung up out of nowhere in the middle of the desert like the fabled ?Phoenix? would be a success.
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The Pantheon, 2001.
This paper looks at Hadrian's architectural plan of the Pantheon from a cultural perspective.
1,250 words (approx. 5.0 pages), 3 sources, AU$ 68.95
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Abstract
The following essay describes the memorable and culture enriched journey one experiences when entering the Pantheon in Rome.It discusses amongst other things the way in which the Pantheon still manages to communicate with us so vividly across such a vast expanse of time.
From the paper:
"As Stendhal wrote, "It requires only a few moments to be penetrated by its beauty. You stop before the portico; you take a few steps, you see the church, and the whole thing is over." Stendhal also claimed that he had never met any person who was unmoved by this sublime experience. "
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Roman Wall Paintings, 2001.
This paper looks at the several styles and methods of wall paintings during Roman times.
1,300 words (approx. 5.2 pages), 5 sources, AU$ 70.95
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Abstract
This paper examines the first through fourth styles of Roman wall painting. The author discusses artistic methods used, such as incrustation, illusion, and naturalism with shadow and light. The paper also looks at the influences on each style, and includes images of Roman wall paintings.
From the Paper
"It is tempting to think of Roman art as all of a piece ? a series of unchanging and perfect classical sculptures of perfect male bodies stretching far away into the distance. But this of course is a picture of Roman art so simplified as to be almost entirely inaccurate. Roman art changed dramatically over the hundreds of years of the classical empire?s greatness as artists acquired new techniques and new materials and came into new ideas as the long political arm of Rome grew ever longer and more and more cultures came under its domain. This paper looks at how dramatically one medium of art ? the wall painting ? changed in just a couple of centuries, beginning with the painting in the Samnite House in Herculaneum as an example of the First Style of Roman Wall painting and ending with the wall paintings of the Domus Aurus of Nero from 64 to 68 C.E. "
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Piazza San de Marco, 2000.
A detailed review of the Piazza San de Marco in Venice.
2,225 words (approx. 8.9 pages), 8 sources, AU$ 111.95
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Abstract
This paper describes the Piazza San de Marco in Venice. The author examines its origins, composition and symbolic meaning for the Venetian society.
From the Paper
?In New York every tourist has to visit Times Square? (GoEurope). In Boston every tourist has to visit Quincy Market. While in Venice every tourist has to visit the Piazza San de Marco. The Piazza San de Marco is different then most of these tourist places. Instead of being corrupted by cars, the Piazza San de Marco is covered with pigeons. "
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The Construction of the Pantheon, 2001.
An in depth look at this historic temple, with detailed descriptions as well as illustrations.
2,377 words (approx. 9.5 pages), 9 sources, AU$ 116.95
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Abstract
This paper includes a look at the construction of the Pantheon in Rome. The author provides a historical background regarding its creation under the ruler, Hadrian, as well as photos of this building. The focus of the paper is on a 'walkthrough' of this architectural site.
From the Paper
"Throughout Roman history, many influential temples have been built. Perhaps the most recognizable and influential temple in all of imperial Rome is the Pantheon. Most temples that were built in ancient Rome were dedicated to a single god, or possibly a few gods. Built by the Emperor Hadrian, the ideology behind the Pantheon was to give remembrance and respect to all of the gods in ancient Rome. Since this temple was turned into a church in the early seventh century A.D., it was maintained and preserved very well, and can still be visited today. Within this research paper, I will provide a detailed look at the construction of the Pantheon, as well as Hadrians motivation to erect this building."
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Fez, Morocco: City of Paradise, 2001.
A history and analysis of the city of Fez, Morocco.
1,785 words (approx. 7.1 pages), 9 sources, AU$ 92.95
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Abstract
A thorough history of the city of Fez, Morocco. The author examines the religions present in the city, and their influences upon each other as well the architectural designs of the city. Includes a timeline of the major events of the city.
From the Paper
"The city of Fez is located in north-central Morocco, east of the capital city, Rabat. It is roughly 150 miles south of the Mediterranean and 150 miles inland from the Atlantic coast. Sited in a valley of the Middle Atlas Mountains and fed by the Wadi Fez River, the city has an excellent environment to prosper in. The lack of adverse natural conditions has caused the city to become a cultural, religious and commercial center in Morocco. Its location at the intersection of several important trade routes has kept the city one of the most technologically advanced in Africa. What has kept this city in such high regard by the millions of Muslims who visit it every year and the 570000 people who reside there? (www.i-cias.com) The answer lies in the rich history of Fez. "
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"Fallingwater": Its Past and Future, 2001.
This is an analysis of Frank Lloyd Wright's "Fallingwater".
2,305 words (approx. 9.2 pages), 6 sources, AU$ 114.95
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Abstract
This report provides the reader with a chronology of the construction of Frank Lloyd Wright's; famous house, "Fallingwater".The author gives a brief overview of the history of the house, as well as Wright himself and describes the uniqueness of the house as a prime example of organic architecture.
Table of Contents
What is Fallingwater?
a. Located in Ohio Pyle, PA
b. Built as a summer home
c. Designed by Frank Lloyd Wright
II. Frank Lloyd Wright
a. Three periods of work- pre WWI, early 1930?s, late 1930?s
b. Invented the Usonian house and Prairie house
c. Died 1959, had designed over 800 buildings
III. What makes Fallingwater unique?
a. Cantilevered terraces
b. Organic Architecture
Fallingwater?s future
From the Paper
"In the 1930’s Edgar Kaufman, a department store owner, commissioned architect Frank Lloyd Wright to build a summer house for Kaufman’s family on a plot of land in Ohio Pyle, Pa. The land is set in the woods, with a small river running through it, and plenty of rocky ledges, several of which create waterfalls. The Kaufman’s had imagined a house set downstream from the waterfalls, at a point where the falls could be viewed from below. However, their architect was a man of great creativity and genius, and it was his idea to build the house directly above the falls, so that it actually overhung them."
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Architectural Design, 2001.
A look at architectural design, the Horyuji temple in Japan, and how it reflects culture
2,040 words (approx. 8.2 pages), 6 sources, AU$ 103.95
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Abstract
A look at changes in architectural design. The author focuses on the way architecture reflects culture with focus on the Horyuji temple in Japan which expresses the culture of the time in which it was built.
From the Paper
"Throughout history, architectural design has undergone progressive changes in style based on a variety of factors. One of the most significant transitional phases in Japan includes the Asuka period in which Buddhism dramatically influenced the essence of the dialectic between form and function. A prime example of this profound style is the Horyuji Temple. Although the relationship between Buddhist philosophy and architectural design is unquestioned throughout this period, the origins of this relationship are intriguing. What factors led to the development of the Buddhist influenced structures? How significant are the features of the Horyuji in creating allusions to Buddhist ideology? To what extent is the Horyuji Temple ?Japanese? versus Buddhist?"
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Bridging The Gap, 2000.
This is a background research paper on the history and advancements in bridges.
2,855 words (approx. 11.4 pages), 9 sources, AU$ 135.95
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Abstract
This is a paper about bridges. The author examines their function, history and design. Much attention is paid to different types of bridges such as arch, suspension, move-able bridges and floating bridges.
From the Paper
" A bridge is a structure designed to provide continuous passage over an obstacle. Bridges commonly carry highways, railroad lines, and pathways over obstacles such as waterways, deep valleys, and other transportation routes. Bridges may also carry water, support power cables, or house telecommunications lines.(1)
Some special types of bridges are defined according to function. An overpass allows one transportation route, such as a highway or railroad line, to cross over another without traffic interference between the two routes. The overpass elevates one route to provide clearance to traffic on the lower level while still letting the higher level flow easily. An aqueduct transports water. Aqueducts have historically been used to supply drinking water to densely populated areas. A viaduct carries a railroad or highway over a land obstruction, such as a valley.(1)"
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Renaissance Architecture and Music Comparison, 2001.
A detailed discussion and comparison of the architecture and music during the Renaissance.
915 words (approx. 3.7 pages), 6 sources, AU$ 52.95
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Abstract
This paper discusses the Renaissance specifically comparing the music and architecture of the time. The author specifically looks at the music of Josquin dez Prez, a composer of the Renaissance and compares his music to the architecture of the same time emphasizing their similarities in new styles, ideas and inventions.
From the Paper
"The renaissance was a time of rebirth and renewal. All over Europe, people were looking back to times they saw as better, instead of towards the unpredictable future. Specifically, the people looked back to the ancient worlds, and found the humanitarian values of the ancient Greeks and Romans very inviting. The arts were reborn from classical ideas, and a new focus was placed on individuals and the natural world (Wright 80). New inventions and wonders filled Europe. This was the era of both the printing press and telescope?s birth. New ideas permeated the world, remolding the way people thought. music and architecture were no exceptions to this rebirthing."
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Renaissance Art vs. Architecture, 2001.
This paper discusses the Renaissance, specifically comparing the music and architecture of the time.
910 words (approx. 3.6 pages), 6 sources, AU$ 52.95
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Abstract
This paper compares the music of Josquin, a composer of the Renaissance, to the architecture of the same time. The author examines how architecture and music expressed the new ideas that permeated the world during this period in history. A broad examination of both the music and architecture is included.
From the Paper
"The renaissance was a time of rebirth and renewal. All over Europe, people were looking back to times they saw as better, instead of towards the unpredictable future. Specifically, the people looked back to the ancient worlds, and found the humanitarian values of the ancient Greeks and Romans very inviting. The arts were reborn from classical ideas, and a new focus was placed on individuals and the natural world (Wright 80). New inventions and wonders filled Europe. This was the era of both the printing press and telescope?s birth. New ideas permeated the world, remolding the way people thought. Music and architecture were no exceptions to this rebirthing."
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