Abstract
This paper examines the topic, New Urbanism, synonymous with the term "Smart Growth" which is a way to develop land efficiently, whether it may be a new development using open space land, or a redevelopment of a part of an inner city- called "infilling". The paper explores the ten principles that New Urbanism is guided by and gives examples of developments across the country that have used this method and prospered.

From the Paper
"Small, picturesque towns like Nantucket and Savannah dot the eastern landscape of the country. These towns are the illustration of the principles America was founded upon: closeness, unity, community, and family. The neighborhoods were compact and had mixed-uses. Everything a family needed in the normal course of the week was all within walking distance. There was a town square where the townspeople met and talked. In the youth of this country small developments like these were common, however in the last 50 years America has seen development practices take a turn for the worse. The current practice of building suburbs nationwide sprang up after World War II, and development has sacrificed hundreds of thousands of acres to this practice ever since. Now the majority of U.S. citizens now live in automobile-oriented, unattractive suburbs full of strip malls and four-lane roads with four-foot sidewalks. Although this is still the norm, there is a new kind of development that is making an impact on the way communities are built. This new method, called New Urbanism or Smart Growth, has caught on in the last 20 years and is now popping up all over the country. New Urbanism is a way to combat ugly urban sprawl, replacing it instead with small, interconnected communities that are pedestrian-friendly and contain housing, work places, shops, entertainment, schools, parks, and other amenities essential to the daily lives of residents, all within easy walking distance of each other. New Urbanism involves using the principles it sets forth to fix and redevelop existing cities, called "infilling", as well as to create new, high-density, compact towns and villages."

Tags:architecture, city, community, design, development, engineering, estate, growth, inner, land, new, real, smart, sprawl, suburbs, urban, urbanism

From the Paper
"Greek and Roman art and architecture were both innovative and distinguished by features which can be compared and contrasted. In both cultures the major trends in art and architecture were set in their respective archaic periods. However, the comparison and contrasting of both are best restrained to the more mature periods of each society.
Classical Greek art begins around the Fifth Century B.C. During this time the Greeks had consolidated their military victories by ousting the Persian invaders, reduced civil unrest by removing the old kingships and replacing them with oligarchies and democracies, and limited the mercantilism of the Greek poli or city.states (Greer 66-69). In terms of art and architecture, however, it should be remembered that Greek art was largely commissioned by the demos of relatively small cities (...)"

From the Paper
"The purpose of this research is to examine Le Corbusier's views in The City of To-Morrow and Its Planning. The plan of the research will be to discuss Le Corbusier's attitudes and biases regarding such issues as the appropriate means and concepts employed in the well-conceived creation and construction of buildings and other facilities in urban centers, with a view toward evaluating their content and significance.

Le Corbusier's principal focus in The City of To-Morrow and Its Planning is on the necessity for the urban architecture of the twentieth century to behave functionally and logically, in line with the fact that in the current period the machine and industry are decisively triumphant and that they reflect man's passion for order and manageability in an otherwise chaotic world. Additionally, Le Corbusier conceives of an urban ... "

Abstract
Discusses the history and aims of this movement. The Bauhaus and work of architect Gropius as a response to German industrialization and commerical standardization. Ideology of this New Architecture. Need for artists or architects to recognize their obligation to the community. The German Craft Association. Life, work and influence of Gropius.

From the Paper
"Walter Gropius and the Bauhaus

In the first decade of the twentieth century, the Deutscher Werkbund or German Craft Association was formed with the expressed aim of improving the aesthetic quality of manufactured goods and industrial architecture while producing both less expensively (Adams, p. 477). The creation of this Association was very much a response to two complementary pressures. On the one hand, Germany was undergoing a period of rapid industrial development in which the factory and the machine were replacing the cottage and the craftsman s hands as the locus and source of production. On the other hand, a sense that many of the machine-made products and machine-serving buildings and other structures were of less aesthetic quality (and greater cost) than was desirable was also emerging."

Abstract
This paper looks at how King Louis XIV of France used the remodeling of his magnificent palace at Versailles, and the visual art in the palace, as a propaganda tool. The author discusses Louis' constant campaign for absolute power as a divine ruler. The paper pays close attention to the architecture at Versailles.

From the Paper:

"King Louis XIV used visual arts within the palace of Versailles to establish the primacy of the French monarch. Louis XIV wanted to legitimatize his form of strict absolutism through art. The pinnacle of this propaganda campaign was the remodeling of the chateau of Versailles into a palace. He and his artists made specific choices to flaunt his wealth and give the king credibility. The gardens, grand staircase, hall of mirrors and salons parade with grandeur and thick allegorical comparisons between the Gods and Louis. The propaganda was effective in targeting its three intended audiences to the degree that later monarchs and artists mimicked it. "

Tags:allegory, art, france, history, king, monarchy, palace, louis, mirror, hall, ceiling, france

Abstract
This paper discusses the way that tomb construction developed and changed in Egypt. The paper looks at three periods - The Old Kingdom (c2780-2260 BC); Middle Kingdom (c1997 -1650 BC) and New Kingdom (1552-1069 BC) - in order to compare the methods.

From the Paper
"Because of the incredible power and authority of the king at this time, his tomb was designed to exemplify his grandeur as well as serve as the final resting-place for his body and earthly possessions. In addition, the tomb complex was also the focal point of the king's cult for ritual prayer and for worship. Unfortunately, the roles of the king's tomb proved to nullify each other; the builders tried to "hide" the king's body and possessions while at the same time allowing the public in to worship him at the same time. As a result, the whereabouts of the king's treasure were common knowledge and over time each of these tombs was stripped of everything of value, not excluding the king's corpse itself? "

Tags:architecture, bahri, chefren, cheops, dier, egypt, el, giza, hatshepsut, khafre, khufu, kingdom, menkaure, middle, mycerinus, new, old, sakkara, tomb

Abstract
This paper examines how, forming part of the propaganda machine, art and architecture were used largely for the glorification of the Nazi regime and the Aryan race and for the denunciation of Judaism, Bolshevism and what the Nazis thought of as "degeneracy." The paper looks at how, by enforcing changes in the art world and through the use of "new German" architecture, the Nazis sought to cleanse the fatherland of "degenerate art", which was seen as detrimental to the Volk, and to ensure the National Socialist movement's immortality through buildings that would survive to inspire future generations of the thousand year Reich.

From the Paper
"Art held a place of high value in National Socialist ideology. Hitler who was an artist turned politician inspite of himself had said "art is the only truly enduring investment of human labour." Hitler linked artistic styles with race, claiming that the Weimar period's "degenerate art" was a result of "racial decline." The Fuhrer also linked art with politics saying "art has at all times been the expression of an ideological and religious experience and at the same time the expression of political will." According to Nazi ideology, only Aryans were the true bearers of culture, therefore only they could produce true art. The modern styles such as Cubism, Dadaism and Expressionism, which had flourished during the Weimar period were a result of "cultural Bolshevism" and influenced by the Jews. "

Tags:aryan, Judaism, Bolshevism, Fuhrer

Abstract
This paper analyzes the city structures of the Roman empire. The author gives a detailed explanation of the structure and functions of the roads, forums, aqueducts and baths that were used for social, religious and commercial activities.

From the Paper
"The discipline of engineering was very close to that of architecture in the Roman World. Roman architecture was a social art that gave the people of the Roman Empire benefits that no community had ever achieved before. Innovative city planning in the Roman Empire excelled in the creation of roads, forums, aqueducts and baths."

Tags:architecture, etruscan, roman, town, trajan, military, structure, society, empire

From the Paper
Two Ideal Cities
"Frank Lloyd Wright and Le Corbusier were both visionary architects and urban planners. Wright and Le Corbusier both hated the state of modern cities and both wished to transform the nature of cities. Wright once said, "To look at the plan of any great city is to look at the cross section of some fibrous tumor.". Their ideas on how this transformation should be achieved, however, were completely different. The solutions they found to practical problems of urban planning reflect their differing social theories and value systems.

Le Corbusier was born in Switzerland, while Wright was born in America. Both architects grew up away from the great urban centers that they ended up revolutionizing. Frank Lloyd Wright's ideal city was called the Broadacre City, and he presented the ... "

Abstract
This paper examines how the Snowy Mountains hydro-electric scheme was Australia?s largest engineering project ever and how it took 25 years to build with strong multi-cultural work force that included thirty different countries, some being European immigrants made homeless by the Second World War. Its purpose was to divert the largely untapped waters of the Snowy and Tumit into the Murrumbidgee River.

Outline
Introduction
What was the Lead Up to the Snowy Hydroelectric Scheme?
Why Can the Snowy Mountain Hydroelectric Scheme be Considered Such a Success?

From the Paper
"For many years during the dry farmers looked up to the snow capped mountains and watched much of the Snowy and other rivers flow, unexploited into the oceans but it was not until 1944 that the idea of a irrigation/power scheme was viably put forward. Later on in 1947 the Commonwealth, New South Wales and Victorian Governments formed a technical committee to explore viable uses for the Snowy River. In 1949 the Snowy Mountains Hydro-electric Power Act formed a Snowy Mountains Authority, which was put in charge of the daunting task of designing, building and running a duel Power and Irrigation project."

Tags:immigrants, murrumbidgee, river, wwII